Tag Archives: journalist

Too old to become a journalist: UK journalism courses uncovered

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This blog has, so far, concentrated on the Lambeth College, National Council for the Training of Journalists (NCTJ) course. There are a multitude of other courses out there, many of which offer online teaching and IT skills, which, in the current climate especially, are essential.

Below are the experiences of three other journalists who recently undertook training courses at Sportsbeat/News Associates, Cardiff University and noSWeat.

Sportsbeat/News Associates
Vivienne Raper, 29, is a freelance writer and journalist and has just finished her NCTJ course at Sportsbeat/News Associates.

Prior to this she worked full-time as a writer for a healthcare and life science PR agency. Other highlights of her career so far include an internship at a think tank, a PhD in climate change monitoring, serving on the national executive of the Liberal Democrats’ youth wing, and a spell as a receptionist in a prison.

Yet surprisingly, she maintains that journalism is the most interesting thing she’s ever done. She particularly enjoys breaking off-diary news stories.

“The NCTJ accredited Sportsbeat/News Associates course is run by a sports news agency in Wimbledon, London. I did the course part-time over 10 months but they also offer a full-time, fast track option. It cost £3,500.

“Unlike most NCTJ courses, students don’t need to have a degree to be accepted onto the Sportsbeat course. You must sit an entrance examination and interview, conducted by the course director or one of the heads of journalism training and a senior editor.

“Most of the students on my course were career changers in their late 20s or recent school leavers who had jobs and didn’t plan to go to university.

“The part-time course was brilliant for getting through the NCTJ exams without giving up the day job. I have no complaints – it did exactly what it said on the tin. I’d heartily recommend it even though I’m not remotely interested in sports reporting.

“If you are, you can take a module in sports reporting and help out in the newsroom after class on Saturday evenings.

“That being said the course suffers from the inherent problems with taking the NCTJ part-time i.e. everything is geared to passing the exams and leaves little time for anything else. If you have more money and want to learn about feature writing, podcasting or the history of journalism, I’d recommend a one-year diploma.

“The tutors are very professional, extremely supportive, know exactly what the NCTJ requires and will help after the course has finished by checking CVs, offering additional shorthand classes and forwarding on job or story (usually sports) opportunities.

“Time pressure meant we couldn’t do much outside preparing for the NCTJ. However, we did a couple of projects to teach journalism, learn QuarkXPress and collect clips for our NCTJ portfolio. We were split into groups and given an area of London to cover. Each group had to find stories and design a fake front page with headlines.

“Like all NCTJ courses, it’s hard work. It’s a real challenge to combine NCTJ study with a full-time job and it’s particularly difficult to get through shorthand studying part-time. You need to be committed to journalism to get through a part-time NCTJ – amazingly, no one dropped out. Media law and public affairs are tedious and it was hard to stay awake at 9:30pm on a Monday evening or on a Saturday afternoon. This is a problem with the NCTJ exams and not the tuition.”

Cardiff University
Amy Davies, 22, is currently studying for her postgraduate diploma in magazine journalism at Cardiff’s Journalism School. She also did a journalism undergraduate degree at Cardiff – she must love it there – but is originally from the Midlands. She sees herself working for a variety of different magazines, even freelancing so as not to feel tied to one style. Eventually she wants to be an editor, but thinks this may be a long way off.

“The course at Cardiff is accredited by the PTC (Periodicals Training Council) and has quite a high reputation. It runs for one academic year, from September to June, and costs around £5,500.

“A degree in any discipline is needed to get onto the course. After applying candidates are called for a day-long interview and will sit a news knowledge and writing test. They will also have a formal interview with one of the tutors and must submit two feature ideas. Previous publishing experience is useful, but not essential.

“The course is fairly well run in most areas and certainly provides many interesting lectures and modules. However, sometimes marking can be slow and so I do feel that progress can be hard to judge.

“The diploma offers a choice of newspaper, broadcast or magazine options. All paths share some modules including media law (taught separately), public administration, reporters and the reported (a series of ethics lectures), online and mobile media and shorthand (although this is optional for the magazine and broadcast path).

“Before we started the course in September, our shorthand teacher sent us worksheets and tapes instructing us to get up to 30WPM.

“Shorthand classes were then Monday-Friday mornings from 9-11am and by December, a number of students (about half the class) were able to take and pass the 100wpm NCTJ paper.

“In addition to the core subjects, students on the magazine course are taught news writing, magazine craft (how to use programmes including InDesign and Photoshop) and feature writing.

“We also have the opportunity to create and publish our own complete magazine and website.

“The course benefits from a high number of guest lecturers, hailing from various newspapers, magazines, broadcasters and online publications, who come and talk on various changes in the media.

“Magazine students must also complete a minimum of two weeks of work experience at a magazine(s) of their choice.”

noSWeat
Tara Kelly, 27, is a freelance journalist and has just finished her NCTJ-accredited course at noSWeat Journalism Training in Clerkenwell, London.  Originally from New York, Tara has worked in corporate responsibility and the IT industry in Brussels and London. She holds an MA in International Conflict Analysis with a specialty in Conflict Diamonds. The fulfilment that comes with pitching and chasing up a story led Tara to journalism.

“NoSWeat Journalism was founded by a former journalist who noticed there were no part-time, London-based NCTJ courses on offer. The success rate of its graduates and its central London location are what attracted me to apply and enrol in the course. You don’t need a university degree to get in, but you do have to sit a written exam and have an interview with the school director. The tuition is £3,500, but you get a slight discount if you pay early.

“Media Law and shorthand were the most useful classes I took. We had the luxury of being taught by a practicing solicitor who is a renowned media law guru. The tutors held extra study sessions prior to exams, but have little patience for those who don’t attend class and make a sincere effort.

“Journalism classes entailed learning QuarkXPress, practicing sub-editing, attending mock press conferences and going out into town in search of a local story. Much of what they teach you is centred on passing the exams, so the outlook is rather local and regional given the nature of the NCTJ.

“The advantage of being a part-timer is that the course lasts 12 months allowing you more time to plan for work experience and complete your portfolio. On the other hand, part-timers working full-time may find it difficult to take advantage of the guest speaker lectures at lunch or the specially arranged day trips to the Old Bailey or House of Commons.

“Like the field of journalism, don’t expect to be spoonfed at noSWeat. Students must approach editors and secure work experience themselves. NCTJ is definitely the magic word for gaining work experience opportunities though. Some of the national newspapers that our class completed placements on included the Financial Times, the Guardian, The Independent, The Independent on Sunday, The Times and The Sunday Times.

“Studying part-time, freelancing and managing to do a full-time job was extremely challenging in the final few months of the course, especially with exams and the portfolio hanging over your head. But if your devotion to journalism is unquestionable, it is well worth your Saturdays and Wednesday evenings.”

Poynter: ‘Dear Potential Employer: 10 reasons you should employ a journalist’

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Journalism.co.uk succumbs to linking another ‘top 10’ type list… This is from the Jill Geisler, group leader, Leadership and Management Programs, at the Poynter Institute.

“Dear Potential Employer:

Please accept this letter of recommendation for the journalist applying for your job opening…”

Followed by 10 reasons it’s a good idea to employ a journalist. Number one: “Journalists will improve the writing, photography, or design in your organisation.”

Full post at this link…

Telegraph.co.uk: ‘Are Twitter and blogging lazy journalism?’

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The Telegraph’s Kate Day asks whether Twitter and blogging lead to a different kind of ‘lazy’ journalism, or a different kind of ‘more open media’.

She was at the Financial Services Authority (FSA) conference and comments:

“I was struck by the subdued atmosphere amongst the experts and financial journalists in the room. There was a lot of shaking of heads and very few leapt to their feet when the floor was opened up for questions.

“But outside the room, the debate seemed much more lively. Bloggers such as Documentally and Sizemore covered the event live online and a number of questions from people on Twitter were fed into the discussion via Reuters journalist Mark Jones.”

Day asks: “So is this lazy journalism? It is certainly different journalism. It loosens the grip traditional media organisations have on covering events such as this and brings in people who would never have had the chance to ask questions to those in positions of authority before.”

Full post at this link…

Q&A with an information architect (aka @currybet aka Martin Belam)

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Martin Belam, of the CurryBet blog, has recently been appointed as ‘information architect’ for Guardian.co.uk. Journalism.co.uk asked him what he’ll be doing for the site…

For those who don’t know what you do, fill us in your background and the new gig…
[MB] I was at the Hack Day that the Guardian’s technology department ran back in November 2008, and the talent and enthusiasm that day really shone. I’ve really enjoyed the freedom of working as a consultant over the last three years, much of the time based either in Crete or in Austria, but the opportunity of coming to work more permanently for an organisation as forward-thinking as the Guardian is being with initiatives like the Open Platform was too much to resist.

So, an ‘information architect’ what does that mean and what are you doing?
Information Architecture has been defined as ‘the emerging art and science of organising large-scale websites’.

All websites have an inherent information structure – the navigation, the contextual links on a page, whether there are tags describing content and so forth. It is about how people navigate and way-find their way through the information presented on a site.

What I’ll be doing at the Guardian is influencing that structure and functionality as new digital products are developed. It involves working closely with design and editorial teams to produce ‘wireframes’, the blueprints of web design, and also involves being an advocate for the end user – carrying out lots of usability and prototype testing as ideas are developed.

Is it a full-time role?
I’m working four days a week at The Guardian, as I still have some other commitments – for example as contributing editor for FUMSI magazine – although already it feels a bit like cramming a full-time job into just 80 per cent of the time!

It’s not happy times for mainstream media brands: where are they going wrong?
I don’t think it is only mainstream media brands that are suffering from the disruption caused by digital transition, but we do see a lot of focus on this issue for print businesses at the moment. I think one of the things that strikes me, having worked at several big media companies now, including the BBC and Sony, is that you would never set these organisations up in this way in the digital era if you were doing it from scratch.

One of the things that appealed most about joining the Guardian was that the move to Kings Place has brought together the print, online and technical operations in a way that wasn’t physically possible before in the old offices. I’m still very optimistic that there are real opportunities out there for the big media brands that can get their business structures right for the 21st century.

What kind of things do you think could re-enthuse UK readers for their newspapers?
I think our core and loyal readers are still enthusiastic about their papers, but that as an industry we have to face the fact that there is an over-supply of news in the UK, and a lot of it – whether it is on the radio, TV, web or thrust into your hand as a freebie – is effectively free at the point of delivery. I think the future will see media companies who concentrate on playing to their strengths benefit from better serving a narrower target audience.

Do you see print becoming the by rather than primary product for the Guardian – or has that already happened?
I think there might very well be a ‘sweet spot’ in the future where the display quality on network-enabled mobile devices and the ubiquity of data through-the-air means that the newspaper can be delivered primarily in that way, but I don’t see the Guardian’s presses stopping anytime soon. Paper is still a very portable format, and it never loses connection or runs out of batteries.

Your background is in computer programming rather than journalism, will the two increasingly overlap?
I grew up in the generation that had BBC Micros and ZX Spectrums at home, so I used to program a lot as a child, but my degree was actually in History, which in itself is a very journalistic calling. I specialised in the Crusades and the Byzantine Empire, which is all about piecing together evidence from a range of sources of varying degrees of reliability, and synthesizing a coherent narrative and story from there. And, of course, I’ve spent most of this decade blogging, which utilises ‘some’ of the journalist’s skill-set ‘some’ of the time.

Whilst I’d never suggest that journalists need to learn computer programming much beyond a smattering of HTML, I think there is something to be gained from understanding the software engineering mindset. There are a lot of tools and techniques that can really help journalists plough through data to get at the heart of a story, or to use visualisation tools to help tell that story to their audience.

One of the most interesting things about working at the Guardian is the opportunity to work alongside people like Kevin Anderson, Charles Arthur and Simon Willison, who I think really represent that blending of the technical and journalistic cultures.

You’ve spoken out about press regulation before; why do you feel strongly about it?
In a converged media landscape, it seems odd that Robert Peston’s blog is regulated by the BBC Trust, Jon Snow’s blog is regulated by Ofcom, and Roy Greenslade’s blog is regulated by the PCC.

At the moment, I believe that the system works very well for editors, and very well for the ‘great and the good’ who can afford lawyers, but does absolutely nothing for newspaper consumers. If I see something that offends me on TV, I can complain to Ofcom. If I see an advert that offends me in the street, I can complain to ASA. If I see an article in a newspaper that I think is wrong, inaccurate, in bad taste or offensive, unless I am directly involved in the story myself, the PCC dismisses my complaint out of hand without investigating it.

I don’t think that position is sustainable.

The last thing I want to see is some kind of state-sponsored Ofpress quango, which is why I think it is so important that our industry gets self-regulation right – and why I believe that a review of how the PCC works in the digital era is long overdue.

Journalists out for lunch – ethics and etiquette?

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A piece by Stuart Jeffries in the Guardian, about the death of the long boozy business lunch. Of note for journalists is this part:

“[An article in the New York Times] reported that even press officers were declining to take out reporters for lunch. Something similar is happening over here, showing how crazy the credit crunch has become. Time was that a journalist was always a good bet for a free lunch, not least because newspaper ethics historically demanded that the journalist did more than just reach for the bill, for fear of being schmoozed. It isn’t like that any more: the media, like everywhere else, is cutting back on expense-account lunches as advertising revenue plummets. Instead of lunch, with wine, business meetings are more likely now to be conducted over lattes or, once the weather warms up, sandwiches in the park.”

So, anyone out there remember when journalists insisted on paying their way in the name of ethics? And do you have any of your own journalistic luncheon tales to tell?

Who is an investigative programme for? ‘The people in it, or the man presenting it?’ asks Roger Cook

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This week, Roger Cook was the latest journalist to publicly bemoan the state of television investigations in the UK.

Speaking at Coventry University on Thursday, as part of the ‘Coventry Conversations’ line-up, Cook expressed anxiety for the future of investigative journalism, the craft which made his name.

“Many investigative programmes can’t afford it now, the management and the commissioners seem to think that it is too much like hard work, and that it takes a lot of backing up.”

Asked about current investigative reporters, and the approach they commonly use, Cook answered

 “I think audiences aren’t stupid, and they very quickly recognise who a programme is being done for.”

“

Is it for the people in it, or the man presenting it?” he asked.

“We are going up into the ether where there are no regulations, so you will have to believe less and less of what you see,” he said, in relation to potential issues arising from making internet-based documentaries.

Cook also expressed his disapproval at this week’s cost-cuts and recent editorial direction at ITV. “In my view they are doing the wrong thing” he stated. 

”Take money out of programmes and fewer people watch it, compounding the downward cycle.”

Cook, who has been a journalist for over forty years, remembers a time when ITV would invest vast amounts of money into factual programmes, such as his very own Cook Report.

“It was once a great institution,” he said. 

”There was very high quality production in every area, but factual just about disappeared; the last remaining regular factual programme was mine.”

ITV should ‘spend more money on programmes and less on personalities,’ he said.

“
How many programmes could you make if you didn’t employ Simon Cowell or Ant and Dec?” he asked.

WebProNews: US confidentiality bill overlooks freelancers and blogger-journalists

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According to WebProNews, the House of Representatives’ version of a US bill that would enforce a journalist’s right to protect their sources includes a definition of a journalist, which rules out freelancers, non-profit journalists and blogger-journalists.

Full post at this link…

Royal Television Society journalism award winners in full

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As Tony Burman predicted, the ‘news channel of the year’ award at last night’s Royal Television Society awards didn’t go to Al Jazeera. Instead, it went to the BBC – who did rather well on the night in several categories. Here’s the full list, with the judges’ comments:

Young Journalist of the year: Hannah Thomas-Peter – Sky News
“A combination of fantastic access and great insight has enabled our winner to help transform health coverage on Sky News.”
Nominees: Joe Crowley – Inside Out BBC South / Kate Taunton – Channel 4 News ITN for Channel 4 News

Nations and Regions Current Affairs: The Story of Michael Barnett – Inside Out BBC Yorkshire
“A powerful programme with a sure touch…with the confidence to let the story tell itself.”
Nominees: A Friend in Need – Focus ITV Meridian / Meat Hygiene – Week In Week Out Special BBC Wales

Nations and Regions News Coverage: Weston Pier Fire – The West Tonight ITV West for ITV1
“… comprehensive, engaging and professionally presented.  It had outstanding pictures and a real sense of an event which affected the whole community.”
Nominees: Boris’s Deputy – Ray Lewis Investigation BBC London News / The Darwin Trial North East Tonight for ITV1

Scoop of the Year: HBOS/Lloyds TSB Merger BBC News Channel
“… indeed ‘an extraordinary exclusive’ which heralded the extraordinary changes in the British banking system.”
Nominees: China – The Moment the Earth Shook ITV News / Canoe Man – Gerard Tubb Sky News

Presenter of the Year: Jon Snow – Channel 4 News ITN for Channel 4 News
“…yet another superb year, whether it was in the studio – interrogating politicians and bankers – or out in the field – from the Middle East to the United States. One jury member said ‘he’s just brilliant. There’s nothing more to say.'”
Nominees: Kay Burley – Sky News Sky News / Andrew Neil – BBC News

News Coverage – Home: The British Banking Crisis BBC News
“The winning entry started with a scoop of the first order and followed it with reportage and explanation of the highest quality. It was without doubt the story of the year and showed BBC News at its very best.”
Nominees: Ipswich – Guilty ITV News / Heathrow Crash BBC News

News Coverage – International: Congo Crisis ITN for Channel 4 News
“Top class coverage of a consistently high standard… It was totally comprehensive, enterprising and managed brilliantly to use small individual stories to explain the bigger picture.”
Nominees: China – The Earthquake ITV News / Conflict in the Caucasus – Newsnight BBC Newsnight for BBC Two

News Channel of the Year: BBC News Channel
“The winning news channeldelivered a fantastic series of scoops on the story of the year. It was a channel you had to watch to keep abreast of the breaking economic news.”
Nominees: Al Jazeera English News Al Jazeera English News / Sky News Sky News

Current Affairs – Home: Primark: On the Rack – Panorama BBC for BBC One
“… not only an engaging watch but… thorough and also went the extra mile to lay bare the whole chain from refugee camp to the High Street rail.”
Nominees: Omagh: What The Police Were Never Told – Panorama BBC for BBC One / The Secret Peacemaker BBC for BBC Two

Current Affairs – International: Undercover in Tibet – Dispatches True Vision for Channel 4 Television
“…a truly great current affairs film that sheds light on the future. Filmed just months before Tibet erupted into rioting, this extraordinarily brave programme, made at great personal risk and with much hardship, illuminated the tensions and troubles of the country, with powerful testimony and pictures.”
Nominees: Britain’s Most Wanted – This World Mentorn Media for BBC for BBC Two / Iraq’s Lost Generation – Dispatches Hardcash for Channel 4 Television

Innovative News: 10 Days to War – Newsnight BBC Newsnight for BBC Two
“The winning series harnessed everything from drama documentary to a special website to re-examine events leading to the Iraq war in 2003. The jury saw this as a brave and successful venture to capture a new and younger audience.”
Nominees: Unplugged Sky News / On The Frontline – Afghan Headcams ITV News

Specialist Journalist of the Year: Robert Peston – BBC News
“One journalist dominated this year’s specialist category.  [He] owned the story of the Credit Crunch and its impact on the whole economy.”
Nominees: Faisal Islam – Channel 4 News/ Channel 4 News at Noon ITN for Channel 4 News / Jason Farrell – Five News Sky News for Five News

News Programme of the Year: BBC News at Ten BBC News for BBC One
“In a vintage year for news output, this programme shone through. The jury felt it had led the way on a wide range of major stories and the experience and quality of its leading correspondents had simply been unmatched anywhere else. It had triumphed on the big story of the year but had supported that with first-class reporting throughout.”
Nominees: Five News with Natasha Kaplinsky Sky News for Five News / News at Ten ITV News

Camera Operator of the Year: Garwen McLuckie – Sky News Sky News
“The winner’s work in Africa was fearless and showed a remarkable empathy for the problems faced by people across the continent. His story-telling was impressive and his work demonstrated immense personal bravery and the highest technical skills.”
Nominees: Raul Gallego Abellan – Associated Press Television News Associated Press Television News / Stuart Webb – Channel 4 News ITN for Channel 4 News

Television Journalist of the Year: Robert Peston – BBC News
“The winning correspondent produced probably the most sustained run of scoops and exclusives in the history of broadcast news in the UK… It would not be an exaggeration to say that a large part of the nation hung on the winner’s words every night – he personally revived appointment-to-view.”
Nominees: Martin Geissler – Africa Correspondent ITV News / Emma Hurd – Sky News Sky News

Lifetime Achievement Award: Peter Wilkinson
“This year’s winner is, for the first time, a cameraman.  He is not a household name – but you will all recognise his work. Many of the defining moments of our era have been captured through his lens, and he is one of the true pioneers of his trade.”

Judges Awards: Zimbabwe News Teams
“[This year’s Judges’ Award] recognises and salutes the work of a disparate collection of journalists, cameramen, producers and others who work under the radar, who have helped the outside world to report and understand a major international story that would otherwise have remained largely hidden from view.”

Gold Medal: Stewart Purvis
“[The Gold Medal goes] to someone whose name may not be widely known by the public but who has influenced, directly or indirectly, virtually everything we’ve seen on screen tonight. He is, without doubt, one of the makers of modern television news.

RBI staff vote against further industrial action

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National Union of Journalist (NUJ) members at Reed Business Information (RBI) have voted against further industrial action following a strike ballot at the publisher.

In the Wednesday ballot, 111 voted against further action being taken in response to proposed merger of production desks at Flight International, ICIS and Contract Journal and issues of compulsory redundancies.

According to an internal memo seen by Journalism.co.uk, the NUJ chapel will meet with the company again on March 4 to discuss new offers to staff, with separate meetings to be held for members at New Scientist and Estates Gazette.

In the ballot, 64 NUJ members voted in favour of taking industrial action.

Last month the group announced 35 staff redundancies in the UK, citing ‘long-term structural needs’ and the new challenges of the economic downturn.

Parent company Reed Elsevier recently extended loan arrangements for its $2 billion debt.

In December Reed terminated the sale of magazine arm RBI, as a result of ‘the recent deterioration in macro-economic outlook and poor credit market conditions’.

MediaCulpa: Why ‘Brand You’ is good for SEO

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“Taking control over Brand You online requires that you are active, otherwise other people will define the image of you,” writes MediaCulpa’s Hans Kullin.

“By using different types of social media you can influence your own brand because many web 2.0 services like blogs and micro blogs rank very high in a Google search. Already back in 2005 I noticed that journalist blogs trump articles in traditional media – an entire career on a newspaper can’t match the high rank of a personal blog.”

Here Kullin takes a look at the positioning of his own name on Google and asks for additional advice from SEO experts.

Full post at this link…