Tag Archives: Video

Online Journalism Scandinavia: Should public broadcaster seek competitive advantage online by offering users content for free?

Image of Kristine LoweKristine Lowe is a freelance journalist who writes on the media industry for number of US, UK and Norwegian publications. Today Online Journalism Scandinavia asks if public broadcasters should be more restrained in the content they offer for free online.

The head of the online division of Norway’s public broadcaster (NRK) has admitted that it intends to use its public mandate of supplying content for free as a competitive advantage on the web through increasing activity with file-sharing and social networks.

“I believe all public broadcasters more and more think along the lines that it is a competitive advantage that they can deliver content without charging it for it,” said Bjarne Andre Myklebust, head of the online division of NRK.

He added that the organisation is actively working to use its public mandate as a competitive advantage to strengthen its position online.

Not only are they working to make NRK’s content more easily available to download and share on social sites, such as YouTube and Facebook, but are also experimenting with file-sharing services such as BitTorrent and Joost.

NRK recently made its first programme series available to download in Bit Torrent, they liked it so much, they are thinking of doing more. (You can read about their experiences so far here.)

The broadcaster has also been working to get its own channel up and running on Joost, a project that has been delayed somewhat by the challenge of obtaining permissions from all the copyright holders involved.

In addition, it has recently made some of its footage available to use under a creative commons license on Flickr. Something Germany’s public broadcaster has also dabbled with.

So is this the way forward? A good way to give value back to all its license fee payers, or just a way of completely skewing the competition in the broadcasting market?

What if the BBC, in a time of intensified competition, started extending its own free delivery of content across Facebook and bit-torrent sites? It’s probably only a matter of time, but is it an unfair advantage over commercial broadcasters, news and otherwise?

Is it a way of better fulfilling its public mandate, or just an outright example of the rampant commercialism of public broadcasters using public funding as an advantage against others that find it more difficult to distribute content for free?

Goodbye pop-up player – BBC to embed all video

image of bbc’s flash video player

The BBC is to phase out the pop-up player that it currently uses to host the majority of its audio and video content in favour of a newly developed embedded Flash player.

The new player has been developed jointly by the journalism and iPlayer teams, so says the BBC Internet blog, as a replacement for the pop-up which relies on using Real or Windows Media formatted video.

Use of the new payer has so far been limited, but over the coming weeks embedded video is expected to become the norm.

It’s hardly surprising, last year Pete Clifton, head of BBC News Interactive, talked to Journalism.co.uk about the experimental use of embedded players across the BBC News online.

During that interview Clifton said that initial tests had shown up to a 40 per cent conversion rate, where people reading stories were also watching the embedded video.

In its standalone player format, he added, the conversion rate was about two per cent. Channel 4 News found about the same.

But he also touched on a another significant point; video embedded into stories, he added, was proving to be popular with audiences as these videos tended to dispense with the traditional news ‘package’ format, instead just showing the footage necessary to enhance the text story sitting beneath the embedded player.

Getting this right is as important as changing the technology to a more user-friendly approach.

So it’s win-win. Better standard of content and technology for the user, fewer headaches for the developers having to reformat all the video

The Crown Jewels indeed.

AP pushing 250 stories a week through its newly launched YouTube channel

The Associated Press is pushing up to 250 news videos through its YouTube channel every week, according to Beet.tv.

Though it launched little over a month ago the channel already has 1,671 videos, edited packages and raw footage of events, stored online for users to watch and drop into their own sites and blogs – although breaking news seems to be kept off the channel.

Kevin Roach, executive producer of AP Online Video, told Beet.tv: “Licensing content to these outlets is a way of protecting the value of AP’s news in an environment where it is easy for a user to post our content without permission or payment. Showcasing video clips on You Tube is in keeping with AP’s board-approved commercial strategy to protect our intellectual property and to help AP offset the costs of its global newsgathering operation. We’re monitoring our foray into social media closely.”

[youtube:http://www.youtube.com/watch?v=cw8GZifExFk]

ITV News responds to criticism of vlogging experiment

Last week we reported on ITV News’ video blogs from its correspondents in the field and suggested that the tone and style of the posts were too similar to traditional broadcast news formats.

Ian Rumsey, head of output for ITV News, sent us this response, which lays out the reasons behind the experiment:

We’ve been experimenting with vlogs for some time and our correspondents and presenters are now providing an added dimension to our online content.

I don’t quite understand what you mean by a ‘traditional piece of broadcast news’.

These vlogs are far from traditional broadcast news. They’re rougher, edgier, sometimes more opinionated and don’t cover the same territory as our news pieces.

Earlier this year, we had Juliet Bremner showing us round the canteen and shower block in Basra. That’s far from traditional and a long way from the story she delivered for our on-air programmes.

Of course, they’re presenter driven – the whole idea is that they are not a report but a piece of behind-the-scenes filming that features the lives and conditions of our correspondents on location.

The launch of the News at Ten has seen an even greater premium placed upon eyewitness reports made by our top correspondents in the UK and right around the globe. To work in tandem with that on-air strategy, our web content taps into our location reporting – with a difference.

The stories we’re sent from location – whether in the UK or in far-away destinations – are polished, highly produced, edited pieces of reportage for television news.

So, to offer that added value we’ve asked our reporters to turn the camera, to show viewers what the locations they visit are really like, to talk to them in greater depth about the people, the places they encounter, to share the anecdotes and impressions they take away with them when they leave. The story behind getting the story.

The lives our news teams lead and the jobs they do are exciting and unpredictable, and I think we can let people in on what it’s like to really be there with them.

I think if you watched the on-air pieces that went across the week, you’d know that there was plenty of muck and bullets flying around. Clearly they provide the content for our news stories. Our vlogs reflect something different. We’re not going to ask someone to do a vlog for the web while they’re in the middle of a ‘blood and guts’ situation.

Finally, ITV News runs a very lean newsgathering operation – at home and abroad. What may seem like ‘millions of people’ to the uninitiated eye is actually a very small team compared to the plethora of staff the BBC is able to send on major stories.

Breaking news of the UK Earthquake online and off

News of an earthquake that struck the UK in the early hours of Wednesday morning caused a surge in traffic to Sky.com/news with more page impressions recorded on the site at 1am than 9am, the site’s executive producer Julian March writes on the Editors’ Blog.

A similar effect was experienced by the Nottingham Evening Post’s site, HoldtheFrontPage reports, after it posted news of the quake within 30 minutes.

The site saw 1,821 readers visit between 1am and 2am – increasing this to 6,000 by 9am, 20,000 page views and 60 comments on the story – though it’s a shame they appear to have only opened this feature from 6am.

Both great examples of why it’s crucial to break news online – whether a local or national title – and get ‘ownership’ of the story to keep drawing those viewers back.

The BBC’s online and radio coverage was hot on the heels of the incident, though the video below – courtesy of student journalism blogger Dave Lee – suggests their TV news had to play catch up.

(I like the idea of competitive news watching between channels)

[youtube:http://www.youtube.com/watch?v=foD0YXHIknQ]

Reportr.net: Clark Boyd, podcaster for The World, discusses radio vs podcasting

Clark Boyd, technology correspondent for The World – a joint production by the BBC and US public service broadcaster WGBH – discusses the merits of podcasting in this video.

Boyd says there is a future for audio content in this form, which will not be supplanted by video.

Why you should always pay the writer

To go with the series of features on online copyright on Journalism.co.uk, thought I’d share this ‘rant’ with you on the subject.

Writer Harlan Ellison sums up the issue of publishers using content without permission and/or thinking it should be free.

[youtube:http://www.youtube.com/watch?v=mj5IV23g-fE]

(The clip, posted to YouTube, is part of the trailer for film Dreams With Sharp Teeth)

I suspect what he says about Time Warner would be echoed by freelancers and agencies dealing with online publishers: “They want everything for nothing. They wouldn’t go for five seconds without being paid and they’ll bitch about how much they are being paid and want more.”

TMZ streams live celebrity video from streetcams

Celebrity website TMZ is streaming live video from a network of webcams at key celebrity hangouts in the US, according to a report by CNET news.

To create the 24-hour-surveillance-society-meets-celebrity-obsessed-culture venture, the webcams are not stationary, but are operated by crews sent out to different locations, whether these be top restaurants or hot dog stalls on a street corner.

“It’s fun and raw and fresh, and it fits the personality of our site,” says Harry Levin, executive producer of the site, in the article.

The cameras have already picked up Paris Hilton’s brother Barron being released on bail and were started during Britney Spears’ court appearances last October.

There’s nowhere left to hide.

BBC moblog reports from international mobile conference

The BBC has been experimenting with filing video reports from mobile phones as part of its coverage of Mobile World Congress 2008, in Barcelona this week.

Technology correspondent Rory Cellan-Jones explained the approach in a video post the BBC’s dot.life technology blog before the event:

[youtube:http://www.youtube.com/watch?v=s2SR-0WDQC0]

Then while in Barcelona he moblogged several interviews, including one with Isabella Rossellini about making movies available for viewing on mobile phones, using the footage to augment a text story by embedding a flash player in the head of the story for a nice piece of additional story telling.

The MoJo approach is finding increasing favour with large news organisations. Reuters put mobiles in the hands of delegates at last month’s World Economic Forum in Davos.

How long will it take to trickle down into the regional press though? My guess would be 18-24 months before we see the first serious use.