Tag Archives: freelance journalist

‘Twitchhiking’ freelancer Paul Smith completes journey

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Paul Smith, a freelance journalist who pledged to ‘Twitchhike’ the globe in 30 days, has completed his adventurous journey by reaching New Zealand.

The aim of the trip, during which Smith was only allowed to accept accommodation and travel help offered via Twitter, was to reach the furthest point – Campbell Island off the coast of NZ – from his starting location – Gateshead – to raise money for Charity:Water.

Lack of transport, poor telecommunications in New Zealand and – as a result – a smaller Twitter community thwarted Smith’s plans to reach the remote Campbell Island, he said in a blog post today.

“After two months of living and breathing this project, I’d reached my journey’s end. I wasn’t going to see Campbell Island, but it honestly didn’t matter anymore. The aim was to travel as far as I could from home as possible within 30 days, and by reaching Stewart Island I’d travelled to a place the majority of New Zealanders have never set foot on, never mind the rest of the world,” wrote Smith.

Congratulations to Paul – and a safe journey back to the UK – but perhaps this isn’t the end?

“The big question is: what happens next? I don’t feel like this is the end. I’m already mourning the loss of this project from my life. It now feels entirely natural to live out of a single messenger bag, to throw my belongings into the back seat of a strange car, to bed down wherever I’m offered charity.

“There’s something else there. I just don’t know what it is yet.”

Too old to become a journalist: UK journalism courses uncovered

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This blog has, so far, concentrated on the Lambeth College, National Council for the Training of Journalists (NCTJ) course. There are a multitude of other courses out there, many of which offer online teaching and IT skills, which, in the current climate especially, are essential.

Below are the experiences of three other journalists who recently undertook training courses at Sportsbeat/News Associates, Cardiff University and noSWeat.

Sportsbeat/News Associates
Vivienne Raper, 29, is a freelance writer and journalist and has just finished her NCTJ course at Sportsbeat/News Associates.

Prior to this she worked full-time as a writer for a healthcare and life science PR agency. Other highlights of her career so far include an internship at a think tank, a PhD in climate change monitoring, serving on the national executive of the Liberal Democrats’ youth wing, and a spell as a receptionist in a prison.

Yet surprisingly, she maintains that journalism is the most interesting thing she’s ever done. She particularly enjoys breaking off-diary news stories.

“The NCTJ accredited Sportsbeat/News Associates course is run by a sports news agency in Wimbledon, London. I did the course part-time over 10 months but they also offer a full-time, fast track option. It cost £3,500.

“Unlike most NCTJ courses, students don’t need to have a degree to be accepted onto the Sportsbeat course. You must sit an entrance examination and interview, conducted by the course director or one of the heads of journalism training and a senior editor.

“Most of the students on my course were career changers in their late 20s or recent school leavers who had jobs and didn’t plan to go to university.

“The part-time course was brilliant for getting through the NCTJ exams without giving up the day job. I have no complaints – it did exactly what it said on the tin. I’d heartily recommend it even though I’m not remotely interested in sports reporting.

“If you are, you can take a module in sports reporting and help out in the newsroom after class on Saturday evenings.

“That being said the course suffers from the inherent problems with taking the NCTJ part-time i.e. everything is geared to passing the exams and leaves little time for anything else. If you have more money and want to learn about feature writing, podcasting or the history of journalism, I’d recommend a one-year diploma.

“The tutors are very professional, extremely supportive, know exactly what the NCTJ requires and will help after the course has finished by checking CVs, offering additional shorthand classes and forwarding on job or story (usually sports) opportunities.

“Time pressure meant we couldn’t do much outside preparing for the NCTJ. However, we did a couple of projects to teach journalism, learn QuarkXPress and collect clips for our NCTJ portfolio. We were split into groups and given an area of London to cover. Each group had to find stories and design a fake front page with headlines.

“Like all NCTJ courses, it’s hard work. It’s a real challenge to combine NCTJ study with a full-time job and it’s particularly difficult to get through shorthand studying part-time. You need to be committed to journalism to get through a part-time NCTJ – amazingly, no one dropped out. Media law and public affairs are tedious and it was hard to stay awake at 9:30pm on a Monday evening or on a Saturday afternoon. This is a problem with the NCTJ exams and not the tuition.”

Cardiff University
Amy Davies, 22, is currently studying for her postgraduate diploma in magazine journalism at Cardiff’s Journalism School. She also did a journalism undergraduate degree at Cardiff – she must love it there – but is originally from the Midlands. She sees herself working for a variety of different magazines, even freelancing so as not to feel tied to one style. Eventually she wants to be an editor, but thinks this may be a long way off.

“The course at Cardiff is accredited by the PTC (Periodicals Training Council) and has quite a high reputation. It runs for one academic year, from September to June, and costs around £5,500.

“A degree in any discipline is needed to get onto the course. After applying candidates are called for a day-long interview and will sit a news knowledge and writing test. They will also have a formal interview with one of the tutors and must submit two feature ideas. Previous publishing experience is useful, but not essential.

“The course is fairly well run in most areas and certainly provides many interesting lectures and modules. However, sometimes marking can be slow and so I do feel that progress can be hard to judge.

“The diploma offers a choice of newspaper, broadcast or magazine options. All paths share some modules including media law (taught separately), public administration, reporters and the reported (a series of ethics lectures), online and mobile media and shorthand (although this is optional for the magazine and broadcast path).

“Before we started the course in September, our shorthand teacher sent us worksheets and tapes instructing us to get up to 30WPM.

“Shorthand classes were then Monday-Friday mornings from 9-11am and by December, a number of students (about half the class) were able to take and pass the 100wpm NCTJ paper.

“In addition to the core subjects, students on the magazine course are taught news writing, magazine craft (how to use programmes including InDesign and Photoshop) and feature writing.

“We also have the opportunity to create and publish our own complete magazine and website.

“The course benefits from a high number of guest lecturers, hailing from various newspapers, magazines, broadcasters and online publications, who come and talk on various changes in the media.

“Magazine students must also complete a minimum of two weeks of work experience at a magazine(s) of their choice.”

noSWeat
Tara Kelly, 27, is a freelance journalist and has just finished her NCTJ-accredited course at noSWeat Journalism Training in Clerkenwell, London.  Originally from New York, Tara has worked in corporate responsibility and the IT industry in Brussels and London. She holds an MA in International Conflict Analysis with a specialty in Conflict Diamonds. The fulfilment that comes with pitching and chasing up a story led Tara to journalism.

“NoSWeat Journalism was founded by a former journalist who noticed there were no part-time, London-based NCTJ courses on offer. The success rate of its graduates and its central London location are what attracted me to apply and enrol in the course. You don’t need a university degree to get in, but you do have to sit a written exam and have an interview with the school director. The tuition is £3,500, but you get a slight discount if you pay early.

“Media Law and shorthand were the most useful classes I took. We had the luxury of being taught by a practicing solicitor who is a renowned media law guru. The tutors held extra study sessions prior to exams, but have little patience for those who don’t attend class and make a sincere effort.

“Journalism classes entailed learning QuarkXPress, practicing sub-editing, attending mock press conferences and going out into town in search of a local story. Much of what they teach you is centred on passing the exams, so the outlook is rather local and regional given the nature of the NCTJ.

“The advantage of being a part-timer is that the course lasts 12 months allowing you more time to plan for work experience and complete your portfolio. On the other hand, part-timers working full-time may find it difficult to take advantage of the guest speaker lectures at lunch or the specially arranged day trips to the Old Bailey or House of Commons.

“Like the field of journalism, don’t expect to be spoonfed at noSWeat. Students must approach editors and secure work experience themselves. NCTJ is definitely the magic word for gaining work experience opportunities though. Some of the national newspapers that our class completed placements on included the Financial Times, the Guardian, The Independent, The Independent on Sunday, The Times and The Sunday Times.

“Studying part-time, freelancing and managing to do a full-time job was extremely challenging in the final few months of the course, especially with exams and the portfolio hanging over your head. But if your devotion to journalism is unquestionable, it is well worth your Saturdays and Wednesday evenings.”

@Twitchhiker ‘Twinterviewed’ by @journalism_live

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This afternoon @journalism_live ‘twinterviewed’ the Twitchhiker, aka Paul Smith, a freelance journalist from Newcastle. The background here is that on March 1, 2009, Smith will set off on a 30 day mission – to see how far he will get with the Twitter community as his only aid. Yup, he’s truly in the hands of Twitter altruism. And it’s all for charity: the same charity supported by Twestival, Charity:Water. Full details on his site, Twitchhiker.com. You can follow him, and his conversation with this search tag ‘#twitchhiker’.

So here’s how it went. When @twitchhiker ‘met’ @journalism_live

twitchhiker: Yes, hello. Good afternoon from a rather snowy North East of England.

Journalism_Live: So. No. 1. In 140 chs. what is @Twitchhiker all about?

twitchhiker: Twitchhiker is an attempt by me @paul_a_smith to travel the world in 30 days relying only on Twitter users

Journalism_Live: aha. so you have a real name,@paul_a_smith. And was this @dave_gorman style mission dreamed up in the pub?

twitchhiker: No, the slightly disappointing answer is the bread aisle of Gateshead Tesco about a fortnight ago.

Journalism_Live: Only a fortnight? You’ve acted fast. Has it been hard to organise?

twitchhiker: In terms of travelling, nothing’s organised. One of the rules is I can’t plan my route more than 3 days ahead.

twitchhiker: In terms of everything else, Twitter users are currently helping me to compile a list!

journalism_live:  blimey. so let’s hear the other rules…

twitchhiker:  I can only accept offers of travel and accommodation on Twitter, from Twitter users. No third party offers.

twitchhiker:  I only spend money on food and what I can carry. If there’s more than one offer, I choose. If not, I don’t.

twitchhiker:  Finally, If I’m unable move on from a location within 48 hours, the challenge is over and I go home.

journalism_live:  do you reckon people might join Twitter in order to help you out?

twitchhiker: I’ve had messages from people who’ve seen the press coverage and joined up, so here’s hoping they’ll help!

journalism_live: and we hear you’re a journalist by trade…?

twitchhiker:  No formal qualifications, but I freelance for the Guardian, write and edit for other sites and iPhone apps too.

journalism_live: ever worked as a travel writer before?

journalism_live:  (impatient! – ed) it ain’t over yet. Can your thumbs keep up?

twitchhiker:  A feature for the Guardian site, the iPhone app, some unpaid stuff, that’s it. More radio, tv and consumer.

journalism_live:  aha! now we see the Tweet! So could this be a venture into pastures new for you?

twitchhiker: Possibly, but it’ll be an aside. Anybody who writes can lend themselves to writing about their experiences.

journalism_live: so money: you want to get sponsored? For water? Pray tell us more…

twitchhiker: Charity: water is a brilliant charity supported by today’s equally brilliant #twestival. Hope to do my bit too

journalism_live: nice. And how will you be reporting back from the field?

twitchhiker: Hopefully a mix of blogs, video, images and tweets. Not sure of the detail yet – mobile tariff’s [sic] aren’t cheap!

journalism_live:  indeed! and making it to NZ – a realistic goal?

twitchhiker:  I think it’s possible -it’s more important we’re all in this together and prove Twitter can make a difference

journalism_live: ‘we’re’ – you’re on your own! @journalism_news will be in the warm eating toast when you’re rummaging in dustbins

twitchhiker: If I’m on my own, I’m going nowhere. That’s the point really. There are 3,175 followers who are here too

journalism_live: ok! let’s wrap this up if not Qs from the crowd? Your biggest fear… and your biggest wish?

twitchhiker: Biggest fear – not enjoying the experience. Biggest wish; make this work, raise the money, meet great people.

journalism_live: @twitchhiker lovely! That’s us done. And woo-hoo – a Q from @DannyDougherty: @twitchhiker?

DannyDougherty: OK, how ambitious are you. I’m over in Wash, DC — any chance you’re going to make your way out here? Do you have travel goals?

twitchhiker: @DannyDougherty Twitterers offer to get me places, I have to go to one of them. So I might come the States

DannyDougherty: So, you’re free as the wind, no personal goals you want to hit, eh?

twitchhiker: @DannyDougherty I am, but as a freelance, I still have to work. I’ve got my full time workload to fit in too

twitchhiker: @journalism_live There you go! Thanks everyone! That’s why this will work. It’s a brilliant community. Global but together #twitchhiker

journalism_live: Send any new Qs to @twitchhiker; have to get back to work. We’ll post link/s later via @journalismnews. Cheers @twitchhiker!

and then the party continued without us…

‘Accredited media’ not yet defined, Ministry of Justice tells Journalism.co.uk

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UK Justice Secretary Jack Straw’s proposals to ‘lift the veil,’ and open family courts to the media, bring with them a range of issues, as discussed by the Telegraph’s Joshua Rozenberg.

One of which is the question of what defines the category of ‘accredited media’? Will it include online-only publications, for example?

Journalism.co.uk rang the Ministry of Justice to find out what will constitute ‘accredited media’. A spokesperson said it is currently ‘being decided’ and will be announced ‘once rules are finally agreed’. “It is part of the decision making process,” he said.

What’s the time-frame? Journalism.co.uk asked. Along with other parts of the proposal, final rules will be established by April 2009, the ministry spokesperson said.

As Rozenberg commented, this is a significant part of the proposals. Rozenberg wrote:

” … Mr Straw does not seem to have given enough thought to what constitutes the modern media.

“If I decide to write about legal affairs on my own website, am I a freelance journalist who should be allowed access to the courts or a blogger who should not? And who is to decide?

“Mr Straw’s officials pointed out that press seats at criminal trials are allocated by court officials. But those denied such seats can usually attend as members of the public. That option would not be available here.

“Journalism is not a profession, in the sense of an occupation with controlled entry such as law or architecture. Anyone can call himself or herself a journalist. It is therefore essential that the final decision on who may attend the family courts as a journalist is one for the courts themselves, not officials.”

(Hat tip to Jon Slattery, who also flagged up the issues on his blog.)

Too old to become a journalist: How I started freelancing

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A couple of comments from last week’s post asked how I managed to get work published in the nationals as a freelancer sans training.

Short answer: I had the right story that only I could write at the right time. That’s a lot of rights.

Before my NCTJ I did a couple of brilliant evening courses:

Introduction to freelance journalism and stage two freelance journalism at adult learning college City Lit in Holborn, London.

At the time (2005) it was run by Liz Hodgkinson, who I remember always claimed that you didn’t have to be a particularly good writer to be successful. She also encouraged people to pitch, pitch and pitch – editors could only say no.

My First Pitch

The film, The Devil Wears Prada, about one girl’s gruelling experience assisting the editor of a top fashion magazine in America, was about to come out in the cinema.

The book, on which the film was based, caused a lot of controversy as its author, Lauren Weisberger, had worked for American Vogue editor, Anna Wintour, previously. Weisberger always claimed her book was entirely fictional.

Coincidentally I had just come back from a tough 3-month work experience placement at American Vogue.

I failed to put two-and-two-together, but a girl on the evening course pointed out that I could write about my experiences to coincide with the film’s release.

I thought I’d aim high (you never ask, you never get) so with the help of Liz Hodgkinson’s subbing skills I pitched the following to the Guardian:

Dear K,

The Devil Wears Prada told the unbelievable story of one girl’s baptism of fire
on a glossy fashion magazine but what’s the reality like?

Much worse if my three gruelling months of work experience at American Vogue are
anything to go by!

I wondered if you would be interested in my story to coincide with the film
version of The Devil Wears Prada starring Meryl Streep as the fiery editor and
Anne Hathaway as her long-suffering assistant.

The film is due out in the U.S on 30th June and in the U.K on 27th October. I
have a picture of me and the other interns standing in front of the Vogue logo
at Conde Nast.

My name is Amy Oliver and I’m a freelance journalist.

Best Wishes

Amy Oliver

——-

They politely declined.

Undeterred I pitched it to The Times.

They didn’t know me from Adam and asked me to write a couple of paragraphs on my experiences at Vogue, and also to submit some of my written work.

What do you send in to The Times if you’ve never had anything published? Unbelievably or perhaps naively I sent in a piece on window box gardening and a snippet on why there should be more nasty, abusive greetings cards on the market!

Both pieces I had done as homework for my course. Both pieces now make me cringe to my very core.

They bought it and the story. My first ever piece was a joint front cover for the Times’ T2 supplement (shared with now WSJ style magazine Editor Tina Gaudoin no less) complete with dreadful picture of me fingering a pile of old Vogues.

I was so overwhelmed I think I hid in the corner and didn’t write another word for six months. Not very ballsy hack with rhino skin… more Miss Marple.

No one else could have written that story and a personal experience timed with a current issue is usually the best way to start.

To give another example a woman on the evening course was caught up in the Asian tsunami in 2004 and was planning to write a personal experience for the anniversary.

If you don’t know who to pitch your idea to phone up the newspaper and ask. Be prepared for much sighing and monosyllabic answers from the other end – imagine how many people phone them every day to tell them about typos etc.

Also be prepared to pitch the crux of your idea over the phone. If they can cut you off without clogging up their inbox they will.

Now perhaps someone can advise me: I was always told to pitch ideas to one publication at a time. I have since met a very successful journalist who blanket pitches and usually sells the same story three or four times over. (I’ll try and get hold of blanket pitcher extraordinaire for an interview)

Do people who freelance already blanket pitch? Have you ever come up against anger from a publication and exclusivity?

This is the second post in Amy’s blog series: Am I too old to become a journalist? Read her introductory post.

Online Journalism in China: Can the Olympics change the Chinese media?

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Freelance journalist Dave Green reports for Journalism.co.uk from Beijing:

With the Olympic Games under way in Beijing, the political controversies surrounding the competition have taken a backseat while the world’s elite athletes grab the headlines.

There is a mood of optimism here that is difficult to define and a sense on the ground that the opening ceremony was a defining moment in history, one which it can be hoped will give China the confidence to move forward with the openness to question its past and, perhaps, admit to some mistakes.

Yet old media habits die hard: even foreign China Daily columnist Brendan John Worrell‘s assessment of the investment in “vital infrastructure” that has contributed to one of the most remarkable urban facelifts in history ignores the fact that many people have had their homes destroyed or walls constructed around their unsightly communities in the process.

Worrell conveniently ignores the protests in Tiananmen Square – perhaps unsurprising as the women marching against enforced relocations were given no coverage in the commercial press here – but he does go on to make a good point about China’s need to address “new pressing goals.”

Over on the country’s newsdesks, it took the influence of foreign editors to ensure the reporting of a US tourist’s murder received due prominence on the front pages and was not buried. Other coverage did not benefit from the same influence: the Xinhua News Agency’s report of five Tibet protesters detained in Tiananmen Square on the same day was tacked onto the bottom of the same reports of the tourist attack.

Perhaps the sheer insanity of protesting against repression in Tibet can justifiably be likened to that of stabbing three people and then committing suicide? Or perhaps it’s just because searching for the article online using the terms ‘Tibet’ and ‘protest’ will garner no references at all.

As Western eyes begin to adjust to the dark fact that the overwhelming security presence in Beijing may well be a necessary precaution given the attacks in the western Xinjiang Province, the media here is celebrating the mobilization of around 400,000 street-level forces. Yet you can’t help but feel that relishing the deployment of a 70,000–strong army of grandma vigilantes, as China Daily does, is a bridge too far.

The China Daily piece strikes an uneasy tone that veers between sinister and depreciating:

“Mind the suspicious strangers. You see one smoking guy over there is glancing this way and that, watch him, and report to the police station immediately once something is wrong,” it quotes 65-year-old Sun Li as saying.

“[C]atching bad guys is a policeman’s job but we’re here to help out and drink more water to prevent us fainting in this sunshine,” it concludes.

There are more serious issues to be resolved, in particular protests by the International Federation of Journalists over the constant presence of plainclothes police in the capital allegedly monitoring journalists, and more demonstrations will surely follow.

But, as Beijing’s media and its people feel the push and pull of global forces, it is safe to say that progress of a sort is being made. The key question remains what will happen after the circus leaves town, and will there will be enough residual pressure to keep the concessions that have already been made in place?

PA : Dispatches reporter Sean Langan released by Taliban

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Sean Langan, a freelance journalist kidnapped by the Taliban three months ago, has been freed.

Langan, who was working on a Channel 4 Dispatches programme, was taken on the border of Afghanistan and Pakistan.

He was released on Saturday night.

Innovations in Journalism – AccessInterviews.com

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We give developers the opportunity to tell us journalists why we should sit up and pay attention to the sites and devices they are working on. Today, it’s indexing interviews across the web from Access Interviews.

image of access interviews website

1) Who are you and what’s it all about?
My name is Rob McGibbon and I am a freelance journalist with a background in writing – mainly celebrity interviews – for various national titles. I launched Access Interviews.com in January 2008 after two years of development.

The website provides a unique index to the world’s interviews with subjects of all kinds and in every category. AI is a totally original concept, which is not bad going in such a crowded web world!

The site works on an open editorial platform. Web editors on newspapers and magazines and individual journalists submit links to the interviews, which they have published on their own websites.

Access Interviews does not carry the actual content but instead links back to the copyright owner’s website and automatically maintains a full searchable archive of the links to interviews that are submitted.

2) Why would this be useful to a journalist?
It is useful in many ways to journalists.  It is ideal for research because Access Interviews only carries genuine, professionally sourced interviews.

This material is often the most important for a journalist. You can save a lot of time you might otherwise waste on Google by going to AI first.

Access Interviews is also a great tool for journalists and publishers to promote their work. Individual writers can create a portfolio of their interviews, which is particularly useful for freelance journalists who work across a number of titles.

Newspapers or magazines can also promote their archives as a way of drawing new readers to their website or hard copy.

Some magazines and provincial newspapers have small circulations but get great access to high profile personalities because of the credibility of the publication.

Our website is a powerful independent platform to showcase exclusive work and bring a new audience to the work of smaller publications.

The AI site is also the perfect way of establishing the true origin and copyright of an interview. This is incredibly useful for journalists who originate so much material, only to see it ripped off in this digital world.

3) Is this it, or is there more to come?
I am already developing three other websites that will be launched later this year, but the priority is to get Access Interviews fully established and being used by the journalists.

There are already extensive plans to expand AI, so this is my focus.

4) Why are you doing this?
More is definitely not always best and the internet is living proof. It is congested with worthless and often inaccurate content. Interviews are the golden source of content and I want to create a 24-carat resource for journalists and to generally promote the value of the professional interview.

5) What does it cost to use it?
It is free to use and there is no need to register. Click and go. How can you resist?

6) How will you make it pay?
Regretfully, the money side is very much phase two. I expect any business-minded person would hear me say that and scream or laugh.

Essentially, my plan is to make a great website that becomes indispensable to journalists and users generally. By doing this, Access Interviews will have a powerful readership which, in turn, will make it an interesting proposition for big brand advertisers.

Online Journalism Scandinavia: Print and online integration ‘not the key to success’

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Image of Kristine Lowe Kristine Lowe is a freelance journalist who writes on the media industry for number of US, UK and Norwegian publications. Today Online Journalism Scandinavia asks why not integrating print and online may be the way forward.

Integration is not the recipe to become a nation’s newspaper of choice, says the editor-in-chief of Norway’s leading news site.

“It is very demanding to take the poll position both in print and online as VG has done in Norway. It demands a very strong focus on both platforms,” Torry Pedersen, the editor-in-chief of Schibsted-owned VG online, Norway’s most profitable and most read news site, told journalism.co.uk.

“Print and online are different disciplines and will only become more different. Until now, we have been so fortunate as to be able to develop on our own and build our own culture,” added Pedersen.

VG.no is organised in a different company than its printed sister publication, VG (short for Verdens Gang).

This separation has transfered into dramatic success because each company has a core business with specific aims, rather than often counter productive aims of a newspaper company producing online and print under one system.

In 2006, VG.no had a profit margin of 42.1 per cent compared to the 12.6 per cent of VG’s print edition. In week 11 2008, the news site had 3m users (according to TNS Gallup).

“Our success is to a large extent built on the fact that VG online has had its own floor and been separate from the rest of the newspaper. This is changing now that VG online has become so big we need more space, but I’m adamant that VG online will be a separate news operation,” Pedersen said.

Pedersen, who has staff keeping a constant eye on worldwide online innovation, told Journalism.co.uk that he had yet to see an example of online and print integration being fully successful.

Online Journalism Scandinavia: Should public broadcaster seek competitive advantage online by offering users content for free?

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Image of Kristine LoweKristine Lowe is a freelance journalist who writes on the media industry for number of US, UK and Norwegian publications. Today Online Journalism Scandinavia asks if public broadcasters should be more restrained in the content they offer for free online.

The head of the online division of Norway’s public broadcaster (NRK) has admitted that it intends to use its public mandate of supplying content for free as a competitive advantage on the web through increasing activity with file-sharing and social networks.

“I believe all public broadcasters more and more think along the lines that it is a competitive advantage that they can deliver content without charging it for it,” said Bjarne Andre Myklebust, head of the online division of NRK.

He added that the organisation is actively working to use its public mandate as a competitive advantage to strengthen its position online.

Not only are they working to make NRK’s content more easily available to download and share on social sites, such as YouTube and Facebook, but are also experimenting with file-sharing services such as BitTorrent and Joost.

NRK recently made its first programme series available to download in Bit Torrent, they liked it so much, they are thinking of doing more. (You can read about their experiences so far here.)

The broadcaster has also been working to get its own channel up and running on Joost, a project that has been delayed somewhat by the challenge of obtaining permissions from all the copyright holders involved.

In addition, it has recently made some of its footage available to use under a creative commons license on Flickr. Something Germany’s public broadcaster has also dabbled with.

So is this the way forward? A good way to give value back to all its license fee payers, or just a way of completely skewing the competition in the broadcasting market?

What if the BBC, in a time of intensified competition, started extending its own free delivery of content across Facebook and bit-torrent sites? It’s probably only a matter of time, but is it an unfair advantage over commercial broadcasters, news and otherwise?

Is it a way of better fulfilling its public mandate, or just an outright example of the rampant commercialism of public broadcasters using public funding as an advantage against others that find it more difficult to distribute content for free?