Tag Archives: photographer

Jimmy Carr mocks VJ’s camera: ‘That’s from home!’

A great video from the East Anglian Daily Times at this link. Its video journalist’s equipment just wasn’t big enough for Jimmy Carr’s approval last week. Photographers tried to grab shots of the comedian outside the court hearing in Suffolk on May 13 that saw Jimmy Carr’s speeding trial adjourned.

Carr told the VJ: “It’s not a proper camera. You’re not a proper journalist: look at that! That’s from home.”

Transcript:

Jimmy Carr:

“Do you want to grab a shot and then leave it?”

Photographer, off-camera:

“Can I get you both together?”

Carr, walking off:

“No, you definitely can’t now!”

Lawyer, to camera:

“No, we can’t make any comment at all at the moment. The case has been adjourned so it would be inappropriate to make any comment, ok.”

(…)

Carr, walking past cameras:

“(…)Thanks for coming, I feel very important. Very nice of you.

“If you’ve got shots… ‘cos I’m going to drive away – I don’t want people taking shots when I’m driving. It’s very dangerous.

“It’s not a proper camera. You’re not a proper journalist: look at that! That’s from home.”

Muffled muttering off-camera, not clear who says it:

“… Mickey Mouse camera”

Full story at this link…

(via the Guardian’s Media Monkey)

Journalism Iconoclast: News organisations – make more use of photos

New organisations have forgotten that people love photos, writes Pat Thornton, so why don’t they publish more?

“Why give a photographer $10,000-20,000 worth of equipment for just a few shots to appear in the newspaper and online?” says Thornton.

Stop thinking about captions, start thinking about tags, he adds.

Full post at this link…

Marc Vallée: Police cite Public Order Act 1986 and order media to leave G20 memorial protest

Images from photographer Marc Vallée, who specialises in documenting protests.

On his blog: “A City of London police inspector orders the media to leave the area as police ‘kettle’ protesters outside the Bank of England [Thursday 2 April 2009 in London].

“The police officer ordered members of the media to leave the area for 30 minutes under the threat of arrest by citing Section 14 of the Public Order Act 1986. The protesters had congregated to mark the death of a man who had died on an anti-G20 protest the day before.”

More images here…

Flickr.com/ara-maye: ‘Photographing the photographer photographing the photographers’

Following yesterday’s gathering of photographers at Scotland Yard in protest at a new terror law, this comes from Ara-Maye on Flickr. It’s an all rights reserved photograph so we can’t reproduce here but take a look at this link, for an example of photographers turning the lens on themselves, and again…

Gaza images projected on BBC Broadcasting House

Courtesy of photographer Fil Kaler come these images from BBC Broadcasting House on Portland Place, London, on Monday night: the International Solidarity Movement projected the DEC Gaza appeal onto the building in protest at the BBC’s decision not to broadcast the appeal. These other and other images relating to the Gaza protests can be viewed on Kaler’s Flickr account.

Gaza2

(c) All rights reserved Fil Kaler

Gaza1

(c) All rights reserved Fil Kaler

Tune in at 5pm (GMT) for a live Reuters video Q&A with Congo photographer

Come back to this link at 5pm to watch a live Qik video Reuters Q&A with Finbarr O’Reilly, an experienced photographer who has worked in the Democratic Republic of Congo.

O’Reilly will be asked about his experiences and motivations for working in the DRC, and users can contribute questions.

His biography can be read here and his video introduction to this Q&A is here.

Audio: Telegraph journalist Colin Freeman on his release from captivity in Somalia

In this Telegraph.co.uk audio interview, Colin Freeman describes how he and his fellow detainee, Spanish photographer Jose Cendon, slept in a cave and ate boiled goat during 40 days of captivity in Somalia.

“The kidnappers didn’t really treat us too badly,” says Freeman.

“We’re were also told on one occasion, the gang that were holding us had had an argument, they were threatening to hold us for another year. We don’t think they’d have really done that, but in that situation your mind dwells on the worst possibilities.”

Following his release on Saturday, Freeman said he would enjoy spending time with his family – and a strong pint of lager.

Stop-and-search: new guidance for police treatment of photographers

As reported by theregister.co.uk and the British Journal of Photography, new terrorism guidance for police officers has been issued. The National Police Improvement Agency (NPIA) has released its update ‘Practice Advice’ on stop-and-search powers, with reference to the Terrorism Act 2000.

The advice includes guidance for police officers on how to deal with photographers, but is not final. It has now been circulated to forces for final comments. After further consulatation it will need to be endorsed by the Assosiation of Chief Police Offices. (ACPO) [information courtesy of photojournalist Marc Vallée]

This announcement follows up from Marc Vallée’s assessment of the situation here and here.

The guidance:

“The Terrorism Act 2000 does not prohibit people from taking photographs or digital images in an area where an authority under section 44 is in place.  Officers should not prevent people taking photographs unless they are in an area where photography is prevented by other legislation.

“If officers reasonably suspect that photographs are being taken as part of hostile terrorist reconnaissance, a search under section 43 of the Terrorism Act 2000 or an arrest should be considered. Film and memory cards may be seized as part of the search, but officers do not have a legal power to delete images or destroy film.

“Although images may be viewed as part of a search, to preserve evidence when cameras or other devices are seized, officers should not normally attempt to examine them.  Cameras and other devices should be left in the state they were found and forwarded to appropriately trained staff for forensic examination.  The person being searched should never be asked or allowed to turn the device on or off because of the danger of evidence being lost or damaged.

“Film and memory cards may be seized as part of the search and images may be viewed as part of a search.”

Marc Vallée asks on his blog:


“What is going on here?  Does Section 43 of the Terrorism Act 2000 override the long held journalistic protection of Special Procedure Material under the Police and Criminal Evidence Act (PACE)?

“As an article on the EPUK website put it last year: ‘Under the Police and Criminal Evidence Act, material such as a journalist’s notes, photographs, computer files or tapes are classified as Special Procedure Material, which have a higher level of protection than ordinary possessions.’

“Which means if the police want to look at such material then they would have to go in front of a judge and explain why.”

Pictured: A press photographer files images on the move as environmental activists march from the Camp for Climate Action to Kingsnorth Power Station Hoo, Kent, England on Saturday August 9 2008. 2,000 campaigners marched on the Power Station with the aim to shut it down for the day. (Photo Marc Vallée/marcvallee.co.uk) (c) Marc Vallée, 2008.

In the meantime, until further information is obtained, Ray Mincoff, the NUJ legal editor, has issued this statement:

“We welcome the publication of unequivocal guidance showing that the Terrorism Act does not prohibit the taking of photographs in public places.

“The authorities must now ensure that police officers are aware of the limits to their powers. It must also be made crystal clear that the right to seize film and memory cards can only be used in the very exceptional circumstances where there are strong grounds for suspecting someone of being a terrorist.

“If section 43 of the Act ends up being casually used by officers in the same slapdash manner as other parts of the legislation, it would seriously inhibit the ability of journalists to work in our cities. The police cannot routinely use anti-terror or other legislation to stop journalists in their lawful and proper work. Neither must they see these guidelines as a green light to seize journalistic material, the special nature of which is recognised by law.

“We will also be looking carefully at other aspects of the guidelines to assess other possible effects on civil liberties and the free press.”

UPDATE:

Marc Vallée wrote to the National Police Improvement Agency (NPIA).

“Under the Police and Criminal Evidence Act, material such as a journalist’s notes, photographs, computer files or tapes are classified as Special Procedure Material, which have a higher level of protection than ordinary possessions,” he wrote.

“What is the view of the NPIA on this in the context of stop-and-search powers like S43? Could a UK Press Card carrying photographer use Special Procedure Material to stop or limit the scope of a stop-and-search under S43? or S44?”

They responded:

“There has been no change to the law. These guidelines remind officers that they can only stop-and-search photographers in exceptional cases where they believe they are involved in some kind of terrorist information gathering activity.”

UPDATE TWO (02/12/08): the NPIA has now added this statement:

“The Practice Advice makes it clear that there has been no change in the law. Journalist material will continue to enjoy the higher level of protection offered under PACE.

“For example, if a police officer suspects that photographs are being taken as part of terrorist information gathering they will rightly investigate. But once the stopped person makes it clear that they are a journalist then this will usually reassure police that they have legitimate reasons for taking photographs.”

Live streaming from Norwegian journalism event

There’s a live video from the Free Media conference at the Norwegian Institute of Journalism in Fredrikstad today, courtesy of Journalisten.no.

You can’t rewind the video but you could opt in at the points you want to (Norwegian time is one hour ahead UK time).

Here’s the programme:

Thursday November 6

10.00
Welcome: Trine Østlyngen, director, The Norwegian Institute of Journalism
Opening remarks: Håkon Gulbrandsen, State Secretary, Ministry of Foreign Affairs

10.15
Strengthening media in the developing world – what does it take to ensure access for people living in poverty? Stephen King, director, BBC World Service Trust

11.15
The Muhammad Cartoons – an imagined clash of civilizations?
Opening remarks: Why I published – and how do I reflect upon my decision today? Flemming Rose, cultural editor, Jyllands-Posten
Panel discussion The caricatures as seen by the press around the world. Presentation of the new anthology summarizing the Muhammad cartoons controversy in several countries with Rose, Elisabeth Eide, researcher at Culcom, University of Oslo, and Risto Kunelius, professor and director of the journalism program at the University of Tampere, Finland
Moderator: Journalist and author Solveig Steien

14.00
Caucasus burning: The need for a free and independent media – and how to develop it? Danish SCOOP with support from International Media Support has started a program to help train journalists and develop media infrastructure in the Caucasus. The first national seminars were held last month in Armenia, Azerbaijan and Georgia. With Antti Kuusi, country coordinator, International Media Support; editor Boris Navasardian, Yerevan Press Club; and former Russia-correspondent Arne Egil Tønset, Norwegian Broadcasting Corporation, who recently returned from a journey in the region. Moderator: Aage Borchgrevink , writer and advisor at the Norwegian Helsinki Committee

16.00
A Cameroonian journalist in exile: Philip Njaru and Jan Gunnar Furuly, SKUP/GIJC

Friday November 7

09.00
A thousand words – the camera as a tool. Well-known Iranian photographer Reza presents his “100 photos for press freedom”

09.45
Safety for journalists. A global overview. Sarah de Jong, Deputy Director and Project Manager  INSI (International News Safety Institute).

10.30
Conflict-ridden Colombia: The role of the media
A journalist’s perspective: From death threats to a life in exile – reflections from Maria Cristina Caballero
Followed by a panel discussion where Jan Egeland, former UN Under-secretary general and the secretary general’s special adviser on Colombia, and NRK-journalist Sigrun Slapgard, will join. Moderator: Journalist and former Latin-America- correspondentHaakon Børde

11.30
Closing speech: Former presidential candidate and FARC-hostage Ingrid Betancourt