Tag Archives: gaming

Ten examples of games used to tell news stories

One of the sessions at news:rewired – media in motion will look at how newsgames and gaming mechanics are being used in journalism.

Shannon Perkins, editor of interactive technologies at Wired.com and who created Cutthroat Capitalism, a game where the player puts themselves in the position of a Somali pirate, will be coming over from the US to speak at news:rewired. In a Journalism.co.uk podcast he said a reader should “develop a deeper sense of the underlying themes of a story” by playing a game.

Another speaker presenting in the newsgames session at news:rewired is Bobby Schweizer, a doctoral student at the Georgia Institute of Technology and co-author of Newsgames: Journalism at Play. He will also be joining us from the US.

Here is a list of 10 newsgames to give an idea of how games can be used in storytelling.

1. The world at seven billion (BBC)

This BBC interactive, which uses gaming mechanics, is proof that newsgames go viral. The world at seven billion was the most shared and “liked” news story on Facebook of 2011 with 339,149 shares, comments and likes. It was also the most clicked story on Facebook this year and was the fourth most popular news story on Twitter in 2011 with 73,783 tweets.

2. Charlie Sheen v Muammar Gaddafi: whose line is it anyway? (Guardian)

A newsgame was also the second most popular news story on Facebook in 2011, with 219,023 shares, likes and comments. It is the Guardian quotes quiz where readers are asked to guess whether a line is a quote from former Libyan leader Muammar Gaddafi or actor Charlie Sheen.

This one was “produced very quickly”, according to the Guardian, and is an idea that could inspire small news organisations without a budget for big game development.

3. Cutthroat Capitalism (Wired.com)

This newsgame was created by news:rewired speaker Shannon Perkins after reading an article in Wired Magazine. The player becomes a Somali pirate. The game states:

You are a pirate commander staked with $50,000 from local tribal leaders and other investors. Your job is to guide your pirate crew through raids in and around the Gulf of Aden, attack and capture a ship, and successfully negotiate a ransom.

4. Los 33 (Chilean miners) (Chilean design firm Root33)

This newsgame is based on the rescue of the Chilean miners trapped underground in 2010. According to Bobby Schweizer, who will be speaking at news:rewired, the game, which asks the player to rescue the miner, provides an insight into the slow process involved in rescuing each miner.

You perform the rescue 33 times if you want to finish the game – which is impossible really to complete. It’s trying to get across that concept that maybe you can’t explain in a written article.

When you see video clips edited together of each of the miners returning to the surface you have three to five seconds of each of their faces, you don’t get that real sense of how long it actually took. The game was able to express that in the way that other stories couldn’t.

5. How should I vote in the General Election? (Telegraph)

This is a game produced by the Telegraph. It asks users to answer a series of questions to find their values and concerns. The game then cross-checks responses with party pledges and the player is then told how they should be voting. This game received much attention as voters were often surprised by the results the game returned.

6. The budget calculator (most major news sites)

Perhaps the most widely used form of gaming mechanics used in news is the budget calculator. The viewer enters a salary, the fuel-type of their car, amount of alcohol units consumed per week and other details and then gets told how much better or worse off they will be based on the new budget.

This budget calculator from the BBC shows gaming mechanics in online news is nothing new – going back at least 10 years. Here are BBC examples from 2002, 2003, 2004, 2005, 2007, 2008, 2009, 2010 and 2011.

7. Christmas on the high street: retail winners and losers (Guardian)

At the beginning of this year the Guardian produced an interactive based on the Monopoly board. By clicking on each retailer the player finds out how business faired last Christmas.

8. Obameter (PolitiFact)

PolitiFact also uses gaming mechanics, such as with its Obameter, which tracks the US President’s campaign promises, the Truth-O-Meter (which also comes in app form) to test politicians’ and the GOP Pledge-O-Meter to rank political promises.

Speaking at the World Editors Forum in October founder and editor of the site Bill Adair said he felt there was “a tremendous lack of imagination” in the news industry in how to take advantage of new publishing platforms.

It’s like we’ve been given a brand new canvas with this whole palette of colours and we’re only painting in grey. We need to bring all the other colours to this new canvas.

9. Dollars for Docs (ProPublica)

US investigative news site ProPublica regularly uses gaming mechanics in news stories, such as with Dollars for Docs which enables people to find out whether their health professional has received money from drugs companies. Speaking at the World Editors Forum Scott Klein, editor of news applications, told the conference that as well as adding context, a news app has the ability to personalise and place the user at the centre of the story and offer them the ability to see the impact on them. “It doesn’t just tell a story, it tells your story,” he said.

10.  Fix the deficit (New York Times)

Here’s a budget puzzle from the New York Times. The reader is asked to work out where to make spending cuts to balance the books and hopefully get a sense of the financial challenges, tough decisions and the size of the shortfall.

Want to find out more about newsgames? Book a ticket for news:rewired here.

Recommended reading, viewing and listening:

This is a cross-post from news:rewired.

#wef11: ‘Many journalists are slaves to a CMS – think beyond that’

There was a fascinating session at the World Editors Forum today titled ‘looking beyond the article’, which saw a number of speakers discuss the news game, and the ways news outlets are using gamification methods to offer wider context and understanding to news stories, events and scenarios.

One of the first speakers, Bill Adair, who is founder and editor of PolitiFact said he felt there was “a tremendous lack of imagination” in the industry in how to take advantage of new publishing platforms.

It’s like we’ve been given a brand new canvas with this whole palette of colours and we’re only painting in grey. We need to bring all the other colours to this new canvas.

He later said:

Many of us are slaves to our content management systems, which are slaves to the old way we were publishing. We have to think beyond that.

Scott Klein, editor of news applications at ProPublica, shared many examples of news apps which are doing just that. Klein’s presentation of these examples can be found at this link.

He told the conference that as well as adding context a news app has the ability to personalise and place the user at the centre of the story and offer them the ability to see the impact on them, “it doesn’t just tell a story, it tells your story”, he said.

You can hear him speak more about this in the audio interview below:

Scott Klein of ProPublica by journalismnews

Another member of the panel was Bobby Schweizer, co-author of Newsgames: Journalism at Play. He said video games give the opportunity to look beyond the traditional news story and called on conference delegates to try and “make something”.

And he himself is trying to help make this happen, working on the development of new software called the Cartoonist to help journalists produce their own news games, a project which won Knight News funding last year.

In the short audio clip below I ask him more about what this software will offer journalists:

Bobby Schweizer, co-author of Newsgames by journalismnews

When asked about the implications of news games being able to be created quickly and potentially running alongside more breaking forms of the story, Schweizer said news outlets and journalists need to ask themselves why they are making the game.

You have to ask what do you have to gain over a written article? If you only need to answer who, what, when and where maybe you don’t need a game. This has to be a balance that each organisation will have to find for themselves.

#ijf11: Playing at engagement and verification with Citizenside

Journalists, a lot of journalists in this room probably, recoil at the G word. “Oh you want to turn my really serious story into a game…

This was Citizenside editor-in-chief Philip Trippenbach speaking in an #ijf11 session earlier today called Beyond the Article.

Trippenbach has been trumpeting the benefits of gaming for journalism for some time now. He made a convincing case for gaming at a recent Journalism.co.uk news:rewired event called, coincidentally enough, Beyond the Story.

Trippenbach has worked on interactive projects for the BBC and a host of other outlets. But clearly the “G word” is still a long way from taking root with most journalists.

He made a convincing case again today. This time – having joined citizen press agency Citizenside in January – for the power of gaming for citizen journalism initiatives.

The most powerful interactive form is gaming, in terms of interactive journalism, that is where the win is. When you talk about gaming baked right into the heart of a package, that is very profound.

With the addition of Trippenbach to its staff, Citizenside is certainly baking gaming right into the heart of its operation, and he outlined how it is using the form for two key purposes.

Citizenside users are encouraged to progress from level to level by accomplishing certain tasks, or “missions”, just like you did when you played computer games as a kid (or maybe as an adult too – according to Trippenbach more people in Western Europe and North America play computer games than don’t, although I forgot to ask where he got the data for that one).

And just like those computer games, the missions at Citizenside get harder as you go along, with the early stages requiring you to capture a relatively easy-to-obtain image, and the latter requiring, say, a good image of a state leader or an important newsworthy event.

Perhaps the most interesting thing Trippenbach talked about was how the agency uses that points-based gaming system not just for engaging users, but to help  with assessment and verification of user-generated content, always a thorny issue for citizen press agencies.

If we get a picture from a level 35 user, well, it takes a long time to get to level 35 or 45, and the Citizenside editorial team know that that user has demonstrated commitment to our values.

So not only does the gaming element of the operation help engage users by breaking down their involvement into a series of incremental tasks and levels, it also is a huge advantage to Citizenside for an indication of the reliability of the content it is receiving.

If its someone who has submitted five packages and five of them have been refused, well, we know what that is, but if it’s someone with a 100 per cent record, well, fine.

We have a trust system that allows some users to post directly to the homepage and be post moderated.

As well as information about the user, Citizenside uses software to access data about the package itself.

This technical side of the verification process can potentially allows the agency to see whether an image has been edited in PhotoShop or uploaded to Flickr, and reveal when and where it was taken and uploaded.

I want to return to the issue of gaming and engagement quickly before I finish. However many journalists Trippenbach has seen turn their noses up at gaming, I have seen examples at this festival of gaming creeping in to some of the best and most popular mainstream journalism taking place.

Citizenside’s example of breaking the user engagement down into small, incremental stages has echoes in the Guardian’s MPs expenses app, which aimed to crowdsource the examination of the 458,000 documents published.

The app had two million hits in the first two days but, as the Guardian’s Martin Belam explained recently, users were unenthusiastic because the process hadn’t been broken down into achievable-seeming stages.

When a second batch of documents were released, the team working on the app broke them down into much smaller assignments. That meant it was easier for a small contribution to push the totals along, and we didn’t get bogged down with the inertia of visibly seeing that there was a lot of documents still to process.

So gaming doesn’t necessarily mean the fully-fledged computer games we play on a PlayStation, it can be the simple interactive engagement of the Guardian app, or the New York Times’ Budget Puzzle interactive in which you attempt to solve the deficit.

As Trippenbach acknowledged after the session, gaming is not yet taken seriously as a medium. But at Citizenside it may be the solution to the two key problems facing any citizen agency, engagement and verification, and for that reason you can bet that they take it very seriously.

See more from #ijf11 on the Journalism.co.uk Editor’s Blog.

New Scientist: ‘The best journalism of the future might not be read, but played’

New Scientist looks at some examples of video games that are editorial games too – in particular Burger Tycoon and Escape from Woomera – and asks how the design and principles behind these games might best be used in journalism.

Video games do not offer a panacea for news organisations. But they offer a truly new way for journalism to contribute to civic life by amplifying the how instead of the who. Video games offer models of how the world works and how it might be improved, rather than skin-deep stories about what ails it. That’s why the best journalism of the future might not be read, but played.

Full story on New Scientist’s CultureLab blog at this link…

We’ll be discussing journalism and gaming at the next news:rewired event on 16 December. For more information visit the news:rewired website.

Imagine you’re a journalist – you can for just £19.99

It’s been out a while but UK:RESISTANCE blog has brought it to our attention – Imagine:Journalist, the Nintendo DS game where you can experience all the thrills and spills of being a journalist.

Reads the Play.com listing:

  • Make yourself a great career as a journalist
  • Start as a columnist for a local newspaper and end up as an international reporter, heading your own TV show
  • Get your own press pass
  • Have fun with the full range of journalists’ accessories: notepad, handheld recorder, mic, camera

UK:RESISTANCE has some suggestions for bonus features:

  • Lie to yourself about products being better than they are on a daily basis
  • Develop your plagiarism skills
  • Never quite be important enough to have the final say on anything

Anyone road tested it? CNET Australia’s 2009 review: “Might keep the kids busy for 20 minutes (…) 20 minutes later they’ll want something actually fun.”

Tech Watch: Future to launch paid-for ‘games show’ on PlayStation

Future Publishing will launch FirstPlay – a games show delivered directly to PS3 consoles. The show will feature video reviews, details of new releases and a downloads section and will be priced at 99p per weekly episode or £8.99 for a three-month subscription, reports Tech Watch.

There will be six ad slots in the show, a trailer of which is available on the Future website.

Full story at this link…