Tag Archives: BBC

New appointment: Ayers is made regional web publishing director at Trinity Mirror Regionals

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A week with particularly brutal cuts across UK regional media, but news of a new digital appointment comes from Trinity Mirror this morning:

Richard Ayers has been appointed regional web publishing director for Trinity Mirror Regionals.

“In this key position Richard will work closely with the regional teams across the division to implement digital best practice and develop content and online services to drive usage, audience and online revenues across the regional network,” a release from the group said.

“Richard has a first class background in online publishing and I am delighted to welcome him to the team,” said Chris Bunyan, digital director of Trinity Mirror Regionals.

“The audience for our regional sites has increased by over 30 per cent year-on-year to around 5.5 milllon users a month. Richard’s experience and expertise will strengthen our digital team and will ensure we continue to deliver and drive compelling online user experiences for this growing audience across our regional websites,” Bunyan said, in the release.

Ayers career includes ten years at BBC News online, in ‘a number of senior digital roles;’ he was ‘portal director’ for Tiscali.co.uk, and more recently he was the managing director of a digital production agency, Magic Lantern.

The Trinity Mirror release also announced that Shaun Collins has been appointed as digital recruitment director, a role which sees him focus on ‘driving digital recruitment products and their performance’.

MediatingConflict: Do news orgs need to double-check Twitter?

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Following up on a post looking at the Channel 4 News’ use of Twitter (picked up from the Journalism.co.uk ‘Twinterview’ with Krishnan Guru-Murthy) Daniel Bennett looks at at the BBC’s policy:

“First, I said I’d be surprised if any of the BBC’s Twitter feeds are checked either. So I was surprised when I discovered that the BBC’s Global News feed does actually pass through an editorial process whereby someone double-checks a tweet before it is published.”

Bennett uses an earlier comment from Charlie Beckett about verification in the process of reporting television news, and then asks, “What do journalists double-check and why? What doesn’t get checked and why? Does the checking process make any sense?”

Full post at this link…

Q&A with an information architect (aka @currybet aka Martin Belam)

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Martin Belam, of the CurryBet blog, has recently been appointed as ‘information architect’ for Guardian.co.uk. Journalism.co.uk asked him what he’ll be doing for the site…

For those who don’t know what you do, fill us in your background and the new gig…
[MB] I was at the Hack Day that the Guardian’s technology department ran back in November 2008, and the talent and enthusiasm that day really shone. I’ve really enjoyed the freedom of working as a consultant over the last three years, much of the time based either in Crete or in Austria, but the opportunity of coming to work more permanently for an organisation as forward-thinking as the Guardian is being with initiatives like the Open Platform was too much to resist.

So, an ‘information architect’ what does that mean and what are you doing?
Information Architecture has been defined as ‘the emerging art and science of organising large-scale websites’.

All websites have an inherent information structure – the navigation, the contextual links on a page, whether there are tags describing content and so forth. It is about how people navigate and way-find their way through the information presented on a site.

What I’ll be doing at the Guardian is influencing that structure and functionality as new digital products are developed. It involves working closely with design and editorial teams to produce ‘wireframes’, the blueprints of web design, and also involves being an advocate for the end user – carrying out lots of usability and prototype testing as ideas are developed.

Is it a full-time role?
I’m working four days a week at The Guardian, as I still have some other commitments – for example as contributing editor for FUMSI magazine – although already it feels a bit like cramming a full-time job into just 80 per cent of the time!

It’s not happy times for mainstream media brands: where are they going wrong?
I don’t think it is only mainstream media brands that are suffering from the disruption caused by digital transition, but we do see a lot of focus on this issue for print businesses at the moment. I think one of the things that strikes me, having worked at several big media companies now, including the BBC and Sony, is that you would never set these organisations up in this way in the digital era if you were doing it from scratch.

One of the things that appealed most about joining the Guardian was that the move to Kings Place has brought together the print, online and technical operations in a way that wasn’t physically possible before in the old offices. I’m still very optimistic that there are real opportunities out there for the big media brands that can get their business structures right for the 21st century.

What kind of things do you think could re-enthuse UK readers for their newspapers?
I think our core and loyal readers are still enthusiastic about their papers, but that as an industry we have to face the fact that there is an over-supply of news in the UK, and a lot of it – whether it is on the radio, TV, web or thrust into your hand as a freebie – is effectively free at the point of delivery. I think the future will see media companies who concentrate on playing to their strengths benefit from better serving a narrower target audience.

Do you see print becoming the by rather than primary product for the Guardian – or has that already happened?
I think there might very well be a ‘sweet spot’ in the future where the display quality on network-enabled mobile devices and the ubiquity of data through-the-air means that the newspaper can be delivered primarily in that way, but I don’t see the Guardian’s presses stopping anytime soon. Paper is still a very portable format, and it never loses connection or runs out of batteries.

Your background is in computer programming rather than journalism, will the two increasingly overlap?
I grew up in the generation that had BBC Micros and ZX Spectrums at home, so I used to program a lot as a child, but my degree was actually in History, which in itself is a very journalistic calling. I specialised in the Crusades and the Byzantine Empire, which is all about piecing together evidence from a range of sources of varying degrees of reliability, and synthesizing a coherent narrative and story from there. And, of course, I’ve spent most of this decade blogging, which utilises ‘some’ of the journalist’s skill-set ‘some’ of the time.

Whilst I’d never suggest that journalists need to learn computer programming much beyond a smattering of HTML, I think there is something to be gained from understanding the software engineering mindset. There are a lot of tools and techniques that can really help journalists plough through data to get at the heart of a story, or to use visualisation tools to help tell that story to their audience.

One of the most interesting things about working at the Guardian is the opportunity to work alongside people like Kevin Anderson, Charles Arthur and Simon Willison, who I think really represent that blending of the technical and journalistic cultures.

You’ve spoken out about press regulation before; why do you feel strongly about it?
In a converged media landscape, it seems odd that Robert Peston’s blog is regulated by the BBC Trust, Jon Snow’s blog is regulated by Ofcom, and Roy Greenslade’s blog is regulated by the PCC.

At the moment, I believe that the system works very well for editors, and very well for the ‘great and the good’ who can afford lawyers, but does absolutely nothing for newspaper consumers. If I see something that offends me on TV, I can complain to Ofcom. If I see an advert that offends me in the street, I can complain to ASA. If I see an article in a newspaper that I think is wrong, inaccurate, in bad taste or offensive, unless I am directly involved in the story myself, the PCC dismisses my complaint out of hand without investigating it.

I don’t think that position is sustainable.

The last thing I want to see is some kind of state-sponsored Ofpress quango, which is why I think it is so important that our industry gets self-regulation right – and why I believe that a review of how the PCC works in the digital era is long overdue.

BBCInternetBlog: BBC begins to roll out embed function on news videos

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For some videos, starting with those in the News Technology section, the BBC has started to roll out the ‘Embed’ function.

“When you roll over the Share button at the bottom of the embedded Flash player, you will now get an Embed option which allows you to take the embed code and embed the video on your site,” the BBC Internet Blog reports.

Full story at this link…

DNA09: ‘The Established Media React’

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A look at how mainstream media (MSM) is seizing upon, or resisting technological changes.

A panel chaired by Wired Magazine’s Ben Hammersley. He is joined by:

  • Guido Baumhauer, director of marketing, sales and distribution at Deutshe Welle.

Hammersley points out this been happening for a long time. So why are we still having the same conversations about the mainstream media reacting? There wasn’t really an answer to that one but there were some other big questions raised:

Are ‘publishers’ and broadcasters ending up in the same space?
It’s not really a relevant distinction, the BBC’s Loughrey tells Journalism.co.uk after the discussion.

“I do not see myself as part of the established media,” Hans Laroes is keen to point out at the beginning.

The broadcast enterprise is still quite a separate one from the web at Sky, says Bucks – although web users already have some influence on television content, and maybe, the future could see online increasingly dictating television content.

What on earth is ‘database journalism’?
Neil McIntosh said that while ‘it has to be said it’s being used for extremely boring journalism,’ it’s about pulling together raw material in exciting ways, such as in crime mapping. There is lots of potential for the Wall Street Journal, he added. https://klgirls.net

How do we manage editorial, strategy and sales relationships?
Following on from his keynote speech, Vandermeersch stresses that editorial, sales and strategy will have to work closer together.

However, how far that goes is up for debate he says: for example, do you drop stories which are less good commercially?

Meanwhile, at Deutsche Welle, marketing team, editorial and media sales representatives are meeting in small ‘competence teams’  in order to address monetising and editorial issues in different countries (they have 4,500 media partners worldwide), explains Baumhauer.

Live ‘Twinterview’ with Channel 4’s Krishnan Guru-Murthy (kicks off 3pm)

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It’s coming up to 3pm, @krishgm will soon be ready and waiting – it’s time to put some questions to him via Twitter through our live coverage account @journalism_live. Feel free to throw in your own too, just Tweet @krishgm with the tag ‘#ch4’.

A bit of background: Krishnan Guru-Murthy is one of Channel 4 News’s presenters, based in the UK. You can find his full biography here on the Channel 4 site. Here’s an interview with commissioning editor Vicky Taylor on the channel’s web strategies. He has been Twittering since early February this year (first Tweet here). Channel 4 News has had a presence on Twitter for longer.

We live-tracked it here but we’re now reproducing the questions and answers from the Twinterview with @krishgm here. Mainly questions from us with a few from the crowd (order of Tweets altered or split slightly to make it clear). Enjoy!

journalism_live: @krishgm hello there! all set? #ch4
krishgm: @journalism_live #ch4 yep – here and ready

journalism_live: @krishgm great! here comes your first Q then… #ch4 journalism_live: @krishgm Were you reluctant to start Twittering? #ch4
krishgm: @journalism_live i wasn’t reluctant at all – just a bit bemused. but people on twitter really help you – it is a very warm experience #ch4

journalism_live:@krishgm Was it your idea? #ch4
krishgm:@journalism_live yes i just wanted to see what the fuss was about so gave it a go, and within a week or so i really got it. #ch4

journalism_live: @krishgm How has your use of it changed now you’ve been going at it since early feb? #ch4
krishgm: @journalism_live I also use it for random personal stuff about me and my life – i find myself opening up a bit! #ch4
krishgm: @journalism_live but i can see myself and the programme using it more and more to contact people about stories #ch4
krishgm: @journalism_live i think the most exciting thing is the way networks overlap – so people you are not following end up talking to you

journalism_live: @krishgm who does the Twittering for @channel4news – is that you as well? #ch4
krishgm: @journalism_live no not me – i do actually have a job too. identity is a state secret. like the banker on ‘deal or no deal’ #ch4

journalism_live:4 @krishgm ooo… mystery. Are you thinking as ‘presenter of channel 4 news’ when you submit a Tweet via @krishgm? #ch4
krishgm: @journalism_live sometimes i tweet purely with work in mind…but there’s a fair amount of personal stuff too. I wonder if it jars…? #ch4

journalism_live: @krishgm #ch4 is Twitter beating Channel 4 to breaking news stories and is this something @krishgm is more aware of now? (@lauraoliver)
krishgm: @journalism_live i think it offers something totally different and not competing. we don’t do 24 hr news. we want to be best not first #ch4
krishgm: @journalism_live i must clarify ‘best not first’ comment. we do also like to be first where we can (i.e. scoops) but we not 24 hr news #ch4

Britt_W: @krishgm #ch4 Does Twitter in any way ‘slow down’ people at work do you think? Or is it inspiring and makes them more productive instead?
krishgm: @Britt_W yes! it does slow us down when we twittering rubbish! #ch4

journalism_live: @krishgm and are there drawbacks of journalists sourcing via Twitter? #ch4
krishgm: @journalism_live you have to verify all information – so the same rules apply. i think there are potential man-traps – such as liars. #ch4
journalism_live: @krishgm Yes, you recently Tweeted it’s ‘just a new medium’ for finding people – Or could you ever call people’s Tweets ‘journalism’?#ch4
krishgm: @journalism_live You can tell an accurate story in 140 characters so yes in theory it can be journalism. But mostly, no! #ch4

programx: @krishgm You and @channel4news have asked for user ideas/opinion on prog content. How does mgt see this? Infringing on their domain? #ch4
krishgm: @ProgramX well we have three meetings a day between C4 News and News at Noon where mgt are there and we discuss it all #ch4

journalism_live: @krishgm #ch4 is quite conversational via its use of @channel4news – was that a deliberate strategy?
krishgm: @journalism_live @channel4news is a sort of window on the newsroom and all the bonkers stuff said in here so yes #ch4
krishgm: @journalism_live we think its a mistake to tweet lots of ‘breaking news’ updates that are really just driving traffic to websites. #ch4

journalism_live: @krishgm 140chs must be a constraint for conversation: any plans to develop a fuller blog for yourself? #ch4
krishgm: @journalism_live not right now. I think i’m better suited to twitter! a blog is hard work – and i write a daily email when on #ch4

TGRWorzel:@krishgm I think it is a good way for audience to suggest questions, if we know who you are going to interview
krishgm: @TGRWorzel i really love all the suggested questions for interviews. please send more #ch4

journalism_live: @krishgm someone asked earlier if Ch4’s ‘freer’ tone was because didn’t have constraints of BBC licence fee? (@buffsrawlinson) #ch4
krishgm: @journalism_live wouldn’t overstate it but yes i think that is a factor. plus we smaller, less bureaucratic, fewer bosses, etc #ch4
journalism_live: @krishgm yes were surprised how small! http://is.gd/l6F5
krishgm: @journalism_live that article obviously didn’t mention the 100 odd people making C4 News on the telly #ch4
journalism_live: @krishgm of course! to clarify that’s just the website #ch4

journalism_live: You just mentioned that you now incorporate viewer suggestions into interviews?#ch4
krishgm: @journalism_live I don’t promise to incorporate (I don’t quote) – but they inform me when I’m deciding what to ask and what is ‘big’ #ch4
journalism_live: @krishgm but again with being aware that people might have an agenda? #ch4
krishgm: @journalism_live yes of course – you wouldn’t just use a tweet as uncorroborated source. there’s all sort of bonkers types out here! #ch4

journalism_live: @krishgm do you think inc. more informal tone and method will influence TV prog. content? #ch4
krishgm: @journalism_live i think tv tone naturally changes with the times and often becomes more informal and more direct. it is one influence #ch4
krishgm: @journalism_live i think there’s still so much confusion about what twitter is, and what its for in general population #ch4
krishgm: @journalism_live you keep hearing ‘we’re on twitter’ on tv/radio without it always being an interesting use of twitter that adds value #ch4

Britt_W: @krishgm #ch4 Another question: Are you divided in your views regarding using Twitter or are you all for it? Does it cause a problem?
krishgm @Britt_W nobody is against it, but lots just don’t understand yet why anyone would botherbeing on twitter. they will #ch4
Britt_W: @krishgm #ch4 Sorry, didn’t express myself properly. Meant: Is C4 STAFF (not just you) divided in their views ie some for – some against?

programx: @krishgm You’ve tweeted while on air, something @declancurry also does. Is there scope 4 making C4News even more interactive this way? #ch4
krishgm @ProgramX ssshhhhh! the boss wouldnt approve! I’m supposed to be concentrating solely on the show! but its fun. #ch4
krishgm @ProgramX as before – really like getting feedback/suggestions live on air #ch4

journalism_live: @krishgm and has there been any mention of Ofcom? Of course it’s a very grey area what they do and don’t police #ch4
krishgm @journalism_live never heard anything about ofcom – but our reputation is at stake on all media so we have to be careful. #ch4
krishgm @journalism_live and twitter is not overseen by an editor – so there are potential problems. blogs are checked before publication #ch4
krishgm @journalism_live god, i’ve just thrown up a massive issue there about overseeing output…#ch4
journalism_live @krishgm Vicky Taylor said journs are ‘prof journalists – they’re aware of what they can and can’t write’ so it’s not a ‘major prob’ #ch4
krishgm @journalism_live well that’s good and a great and supportive position from the Channel – until somebody screws up! #ch4

journalism_live @krishgm will pursue that one with more than 140 chs… Q from @gemmanewby – will twitter threaten journo/researcher/photographer jobs?#ch4
krishgm @journalism_live i can’t see why it threatens anything at all. it enhances. #ch4

krishgm @journalism_live last q….am going to have to go do some work soon! #ch4
journalism_live @krishgm yes, us too. a silly Q from @thespyglass Does Krishnan ever consciously compete with Jon on the tie front?! #ch4
krishgm @journalism_live well i love ties too and have about 300 on a wall at home, so maybe a bit. we have v diff styles. me flowers/insects #ch4
journalism_live @krishgm great – a v impt Q and insight to end on. Cheers Krishnan. Apologies to his fllwrs for hogging the chat. #ch4

krishgm @journalism_live a pleasure – lets do it again sometime. #ch4
journalism_live: @krishgm see you around. Bye for now! #ch4

Royal Television Society journalism award winners in full

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As Tony Burman predicted, the ‘news channel of the year’ award at last night’s Royal Television Society awards didn’t go to Al Jazeera. Instead, it went to the BBC – who did rather well on the night in several categories. Here’s the full list, with the judges’ comments:

Young Journalist of the year: Hannah Thomas-Peter – Sky News
“A combination of fantastic access and great insight has enabled our winner to help transform health coverage on Sky News.”
Nominees: Joe Crowley – Inside Out BBC South / Kate Taunton – Channel 4 News ITN for Channel 4 News

Nations and Regions Current Affairs: The Story of Michael Barnett – Inside Out BBC Yorkshire
“A powerful programme with a sure touch…with the confidence to let the story tell itself.”
Nominees: A Friend in Need – Focus ITV Meridian / Meat Hygiene – Week In Week Out Special BBC Wales

Nations and Regions News Coverage: Weston Pier Fire – The West Tonight ITV West for ITV1
“… comprehensive, engaging and professionally presented.  It had outstanding pictures and a real sense of an event which affected the whole community.”
Nominees: Boris’s Deputy – Ray Lewis Investigation BBC London News / The Darwin Trial North East Tonight for ITV1

Scoop of the Year: HBOS/Lloyds TSB Merger BBC News Channel
“… indeed ‘an extraordinary exclusive’ which heralded the extraordinary changes in the British banking system.”
Nominees: China – The Moment the Earth Shook ITV News / Canoe Man – Gerard Tubb Sky News

Presenter of the Year: Jon Snow – Channel 4 News ITN for Channel 4 News
“…yet another superb year, whether it was in the studio – interrogating politicians and bankers – or out in the field – from the Middle East to the United States. One jury member said ‘he’s just brilliant. There’s nothing more to say.'”
Nominees: Kay Burley – Sky News Sky News / Andrew Neil – BBC News

News Coverage – Home: The British Banking Crisis BBC News
“The winning entry started with a scoop of the first order and followed it with reportage and explanation of the highest quality. It was without doubt the story of the year and showed BBC News at its very best.”
Nominees: Ipswich – Guilty ITV News / Heathrow Crash BBC News

News Coverage – International: Congo Crisis ITN for Channel 4 News
“Top class coverage of a consistently high standard… It was totally comprehensive, enterprising and managed brilliantly to use small individual stories to explain the bigger picture.”
Nominees: China – The Earthquake ITV News / Conflict in the Caucasus – Newsnight BBC Newsnight for BBC Two

News Channel of the Year: BBC News Channel
“The winning news channeldelivered a fantastic series of scoops on the story of the year. It was a channel you had to watch to keep abreast of the breaking economic news.”
Nominees: Al Jazeera English News Al Jazeera English News / Sky News Sky News

Current Affairs – Home: Primark: On the Rack – Panorama BBC for BBC One
“… not only an engaging watch but… thorough and also went the extra mile to lay bare the whole chain from refugee camp to the High Street rail.”
Nominees: Omagh: What The Police Were Never Told – Panorama BBC for BBC One / The Secret Peacemaker BBC for BBC Two

Current Affairs – International: Undercover in Tibet – Dispatches True Vision for Channel 4 Television
“…a truly great current affairs film that sheds light on the future. Filmed just months before Tibet erupted into rioting, this extraordinarily brave programme, made at great personal risk and with much hardship, illuminated the tensions and troubles of the country, with powerful testimony and pictures.”
Nominees: Britain’s Most Wanted – This World Mentorn Media for BBC for BBC Two / Iraq’s Lost Generation – Dispatches Hardcash for Channel 4 Television

Innovative News: 10 Days to War – Newsnight BBC Newsnight for BBC Two
“The winning series harnessed everything from drama documentary to a special website to re-examine events leading to the Iraq war in 2003. The jury saw this as a brave and successful venture to capture a new and younger audience.”
Nominees: Unplugged Sky News / On The Frontline – Afghan Headcams ITV News

Specialist Journalist of the Year: Robert Peston – BBC News
“One journalist dominated this year’s specialist category.  [He] owned the story of the Credit Crunch and its impact on the whole economy.”
Nominees: Faisal Islam – Channel 4 News/ Channel 4 News at Noon ITN for Channel 4 News / Jason Farrell – Five News Sky News for Five News

News Programme of the Year: BBC News at Ten BBC News for BBC One
“In a vintage year for news output, this programme shone through. The jury felt it had led the way on a wide range of major stories and the experience and quality of its leading correspondents had simply been unmatched anywhere else. It had triumphed on the big story of the year but had supported that with first-class reporting throughout.”
Nominees: Five News with Natasha Kaplinsky Sky News for Five News / News at Ten ITV News

Camera Operator of the Year: Garwen McLuckie – Sky News Sky News
“The winner’s work in Africa was fearless and showed a remarkable empathy for the problems faced by people across the continent. His story-telling was impressive and his work demonstrated immense personal bravery and the highest technical skills.”
Nominees: Raul Gallego Abellan – Associated Press Television News Associated Press Television News / Stuart Webb – Channel 4 News ITN for Channel 4 News

Television Journalist of the Year: Robert Peston – BBC News
“The winning correspondent produced probably the most sustained run of scoops and exclusives in the history of broadcast news in the UK… It would not be an exaggeration to say that a large part of the nation hung on the winner’s words every night – he personally revived appointment-to-view.”
Nominees: Martin Geissler – Africa Correspondent ITV News / Emma Hurd – Sky News Sky News

Lifetime Achievement Award: Peter Wilkinson
“This year’s winner is, for the first time, a cameraman.  He is not a household name – but you will all recognise his work. Many of the defining moments of our era have been captured through his lens, and he is one of the true pioneers of his trade.”

Judges Awards: Zimbabwe News Teams
“[This year’s Judges’ Award] recognises and salutes the work of a disparate collection of journalists, cameramen, producers and others who work under the radar, who have helped the outside world to report and understand a major international story that would otherwise have remained largely hidden from view.”

Gold Medal: Stewart Purvis
“[The Gold Medal goes] to someone whose name may not be widely known by the public but who has influenced, directly or indirectly, virtually everything we’ve seen on screen tonight. He is, without doubt, one of the makers of modern television news.

Peter Horrocks’ new job as BBC World Service Director

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So finally, and after some (inaccurate) speculation the new head of BBC World Service has been announced. Peter Horrocks leaves his role, as head of the BBC’s multimedia newsroom, to replace Nigel Chapman, as director of the BBC World Service. Chapman is off to become CEO of international child development agency, Plan International. Horrocks wasn’t available for any more interviews today, but Journalism.co.uk will chase for more information soon, to find out what Horrocks hopes to bring to his new role.

Gaza, African coverage and tonight’s RTS awards – breakfast table chat with Al Jazeera

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This morning Al Jazeera English’s managing director, Tony Burman, held a breakfast meeting in London and invited journalists along to ask about latest developments at the channel.

Burman is in town for tonight’s Royal Television Society Awards (2007/8), for which the channel has been nominated for the ‘News Channel of the Year’ award – and it’s up against BBC and Sky.

Burman was, however, not overly optimistic and said that he thought it would be the BBC’s win. However, “next year will be the Gaza year and we will be here again,” he told the group. We’ll report back with an update tomorrow.

Burman’s message was clear: the channel is increasingly strengthening its reputation (that includes within the US, he said) and he emphasised that the fact it broadcasts to nearly 140 million households, after two years on air (it launched in November 2006) was a feat he considered very impressive. Getting Al Jazeera onto the satellite and cable networks in North America is a priority, he said.

The real topic of the morning was the crisis in Gaza: the two correspondents, Ayman Mohyeldin and Sherine Tadros, who had been on the ground prior, and during the 22 day conflict were also there to answer questions.

It was again confirmed that Al Jazeera English was the only English-language broadcaster to report from the Gaza strip before the press ban was lifted (see a previous interview with the channel’s head of new media, Mohamed Nanabnay).

So, here a few of the things that were discussed. Journalism.co.uk will be following up in more detail on these and other points raised, in due course.

Gaza:

Tony Burman said that ‘coverage was really very comprehensive’ and that the reaction to the channel’s output ‘was a reminder that there is a hunger in the world, to get a sense of what is going on’.

The Al Jazeera site had, at times, seen a 600 per cent increase in traffic during Gaza coverage, he said.

Because Israeli, as well as other international media couldn’t access the area either during parts of the conflict, Al Jazeera was watched by a bigger Israeli audience too, he said.

Sherine Tadros, who said it was just ‘chance’ that she ended up reporting from the ground (she is normally the Jerusalem correspondent) said that ‘everything was a risk’. ‘There was no green zone,’ she added. She ‘wasn’t meant to be there’ she joked.

Tadros was asked to go and do a feature from the region before the media clamp-down became apparent, and she hadn’t even packed clothes to take, thinking that her stay would be brief.

To be the only English channel on the ground could be a ‘one-off experience’ during her career, she said. While she thrived on being part of the only English-language media team on the ground – ‘everything we did was exclusive’ – Tadros was aware of the responsibility to cover as much as possible for an English speaking audience.

There was no way they could go away and ‘Google’ for additional information, for example, she said. All the information from the ground had to be gathered by themselves directly. While Tadros said she was already quite familiar with the region, she also had to adapt very quickly to the surroundings and context, she said.

Ayman Mohyeldin described how other international broadcasters were eager to use their material and how he did then feed back to US networks. One of the main differences between the Arabic and English coverage was the level of detail in the reports, he said.

Reports can’t assume context for an English-language audience, whereas an Arab audience has grown up very aware of 60 years of history, he said. As a result, English coverage must supply more detail and background. So while the English and Arabic channels worked closely via multimedia channels (there is a joint new media team) and shared information and sources in their newsrooms, the output can vary.

The style of English reporting is also different, Tadros added. Whereas an Arabic channel might do one hour of footage inside a hospital, that wouldn’t be something they would necessarily do on the English channel.

Expanding into Africa:

With a good presence in Nairobi, Zimbabwe and Johannesburg they’re keen to meet the needs of a ‘growing’ African audience, Burman said.

In regards to whether a full bureau would be opening in Nairobi (to add to bureaux in Washington, Doha, London and Kuala Lumpur), Burman was hesitant. In the current economic climate he ‘can’t talk about expansion,’ he said. For now, little is being said about big investments he explained, adding that Africa is a very important region for them and more correspondents would be added around the continent.