#MozFest – First draft of new Data Journalism Handbook written in 48 hours

The first draft of a handbook to help journalists deal with data has been created this weekend, with plans for it to be published next week.

You can read the table of contents of the Data Journalism Handbook here.

The book was written in 48 hours at the Mozilla Festival in London, with contributions from 55 people, including staff from the BBC, Guardian and New York Times. It has six chapters and 20,000 words and is a response to a challenge set by Mozilla, a nonprofit technology company, to “assemble a utility belt for data-driven journalists”.

The challenge stated:

There’s increasing pressure on journalists to drive news stories and visualisations from data. But where do you start? What skills are needed to do data-driven journalism well? What’s missing from existing tools and documentation? Put together a user-friendly handbook for finding, cleaning, sorting, creating, and visualising data — all in service of powerful stories and reporting.

Jonathan Gray from the Open Knowledge Foundation and Liliana Bounegru, European Journalism Centre hosted sessions at the Mozilla Festival to create the handbook.

A blog post written by Gray lists some of the contributors

Interested in getting started in data journalism? Kevin Anderson is leading an introduction to data journalism one-day training course for Journalism.co.uk in January 2012.

The top 10 most-read stories on Journalism.co.uk, 29 October-4 November

1. Newspaper image recognition app Paperboy launches for UK titles

2. Journalists get a photo byline in Google News (but only those on Google+)

3. Independent launches site redesign and new iPad app

4. Dying for the truth: drug cartels target journalists in Mexico

5. Phone hacking: Internal NI documents published

6. Fifth of FT.com traffic coming from mobile devices

7. Tool of the week for journalists – TimeKiwi, to create social media timelines

8. Jo Yeates’ landlord: media responsible for ‘extraordinary tissue of fabrications’

9. Investigative journalism news site ExaroNews launches

10. Injunctions furore has calmed, editors tell select committee

#followjourn – @bydanielvictor Daniel Victor/social media editor

Who? Daniel Victor

Where? Daniel is the new social media editor at ProPublica

Twitter? @bydanielvictor

Just as we like to supply you with fresh and innovative tips, we are recommending journalists to follow online too. Recommended journalists can be from any sector of the industry: please send suggestions (you can nominate yourself) to rachel at journalism.co.uk; or to @journalismnews.

Guardian: Number of possible phone hacking victims close to 5,800, say police

The number of possible phone hacking victims is now close to 5,800, the Met police have confirmed.

This is 2,000 more than previously stated by the force.

A spokesman for Scotland Yard said:

It is not possible to give a precise figure about the number of people whose phones have actually been hacked but we can confirm that as of today’s date, 3 November 2011, the current number of potentially identifiable persons who appear in the material, and who may therefore be victims, where names are noted, is 5,795. This figure is very likely to be revised in the future as a result of further analysis.

See the full story on Guardian.co.uk at this link.

SoundCloud launches HTML5 widget viewable on iPhone and iPad

SoundCloud has today released an HTML5 player enabling audio recordings embedded in news stories to be viewed on an iPhone or iPad.

The move will no doubt be welcomed by news organisations and podcasters, keen to embed audio in posts but aware that the iPad and iPhone audience cannot view them as Apple devices do not support Flash.

In an announcement SoundCloud lists the features of the public beta version of its widget and named those who have been using the first test version.

  • iPad/iPhone mobile support
  • Attractive new waveform design encourages more interactivity with the sound
  • Timed comments now are more usable on the widget (at the request of users)
  • Easier to view information about the sound (e.g. title, person)
  • Easier sharing (e.g. Facebook Like, Google+ and Twitter sharing options)

In addition, this HTML5 widget is the first move to provide creators with clearer indicators of possible sharing actions and further transitions SoundCloud away from a pure music player to more robust, interactive sound object. Thus far, Britney Spears, Big Time Rush, Wattpad, Intelligence Squared (a global forum for live debate), Future Human Podcast and West African Democracy Radio have been using SoundCloud’s HTML5 widget and as this beta test is the first iteration, subsequent versions will include even more social elements.  The public beta is built on a new HTML5 technology platform that will allow SoundCloud to add new features to the widgets at a faster pace from now on.

Last month, SoundCloud announced a partnership with Storify, allowing users to add SounCloud recordings to the curation site.

Journalists get a photo byline in Google News (but only those on Google+)

Google has started the roll out of a new feature giving journalists a photo byline for stories displayed on Google News. But there is a caveat – for the byline to be displayed journalists must have a Google+ account.

The highlighted picture and author name will show how many followers that journalist has, which may encourage more connections as readers can then choose to add the named journalist to one of their Google+ circles.

It could be a smart move from Google’s point of view as it could encourage journalists to start using Plus and may prompt those who signed up early but whose interest has since waned to pay more attention to the social network.

There are instructions on how to link your Google profile to your news stories to enable your photo byline to appear in Google News.

An announcement on the Google blog fully explains how and why journalists are to be highlighted in Google News.

Steven Morris: How I tweeted the Vincent Tabak trial

The Guardian’s Steven Morris has an insightful post up today on how he went about tweeting from the trial of Vincent Tabak for the murder of Joanna Yeates.

With the attorney general reportedly considering a contempt prosecution against someone who tweeted about Tabak’s interest in pornography, which had been banned while the case was active, Morris’ post is a timely look at the dangers of posting live to the social network in real time. (That said, the only contempt prosecution brought so far in the case has been over stories printed in newspapers).

Making sure coverage made up of necessarily self-contained 140-character tweets is both legal and, in a case like that of Yeates, sensitive to younger followers or family, is no mean feat, Morris’ post highlights.

He doesn’t just look at the dangers though, which inevitably are more scrutinised, but also the opportunities. Opportunities to provide detailed, live coverage alongside a traditional newspaper report.

It turned out that the Twitter format – 140 characters a tweet – was not as problematic as it might seem. Reporters are used to transforming long-winded sentences into pithy paragraphs. The format seemed to work particularly well for courtroom exchanges. Here are some examples taken from the heart of the case: Tabak’s six hours in the witness box.

“Prosecutor asking why Tabak wanted to kiss Joanna Yeates. ‘It’s nice to kiss someone’ – Tabak.”
“Tabak: I didn’t want to hurt her, I didn’t want her to die. I didn’t want to cause her any harm.”
“Prosecution: Were you looking in her eyes? Tabak: I can’t remember.”

But what of the dangers? When you tweet, no second pair of eyes is looking at what you write before you send it. It is all down to you. Members of Tabak’s defence team certainly monitored tweets carefully and, no doubt, would have made great play if something prejudicial to their client had crept out.

See Morris’ full article on Guardian.co.uk at this link.

How a hyperlocal is calling on the community for crowdfunding with Pitch-in!

The Port Talbot Magnet, a hyperlocal launched by a group of journalists six months ago, has been asking the community to fund stories in an bid to make the site sustainable.

One of those behind the hyperlocal, Rachel Howells, told Journalism.co.uk:

Last month we launched Pitch-In! which was our call to the community, to let them know that we are here and that we want to collaborate with them and we want them to be a part of the news service.

Pitch-in! follows crowdfunding initiatives such as Spot.us, based in the US, in asking readers and interested parties to donate money.

The Port Talbot Magnet is asking the community to meet targets to “sponsor our football results service”, “help us buy public liability insurance”, “sponsor a court reporter for a day” or contribute to the development fund or offer general support.

Howells, one of the directors of the Port Talbot Magnet, explained:

These are just a taste of what we would like to achieve. We have a long list of goals, including reporting council meetings and news, police and emergency services news, increasing our coverage of business news, sport, arts, music, entertainment, charity groups and campaigns – things we don’t have the resources for at the moment. And we are looking for local people to tell us what they would like us to cover, as well as giving journalists the opportunity to pitch in with ideas for investigations or news that they think should be covered.

A month on from launching Pitch-in! as a “call to community” and Howells said it has had “some success”, appearing to have generated around £40 in donations.

It’s a little more than we would have had if we hadn’t asked.

The Port Talbot Magnet is the result of cutbacks in South Wales and the closure of the Trinity Mirror-published Port Talbot Guardian, which shut in 2009.

A group of journalists, the majority of whom were members of the Swansea branch of the National Union of Journalists, started discussing how to “do something proactive to keep ourselves in journalism”.

Howells herself is former editor of Big Issue Cymru, who was made redundant when her job moved to Glasgow.

We could see there were changes in the industry that were particularly affecting Wales and that were affecting journalism generally.

As they were setting themselves up as a cooperative the group toyed with various ideas, settling for a news site for Port Talbot to fill the “natural vacuum” left by the closure of the local paper.

When the Port Talbot Guardian closed we just thought; here is a group of people who need local news, we are a group of journalists who want to provide it, surely there must be a way of filling the gap and creating some employment for ourselves as well.

The journalists’ joint effort developed into a local news site for the town of 35,000. Eight professional journalists are on the board of the Port Talbot Magnet, plus there are 20 “interested parties”, including academics and PRs.

The site launched in April 2011, in the same month as the Passion, a three-day play starring Michael Sheen, was performed in the local area and the hyperlocal became a community partner for the National Theatre Wales. Howells said this provided traffic and a “great test and great showcase” for the site.

Attempts to get public funding had proved unsuccessful, prompting the group to last month turn to community funding and also set up a membership scheme.

We can’t run it just as volunteers for ever, we want it to grow and develop, but we recognise that we can’t do it by ourselves.

Howells is hoping the community will answer the call, to subsidise the money generated through advertising.

Along with her role as journalist and director of the news site, Howells is also studying a funded PhD at Cardiff University, looking at what happens to a town that loses its local paper, the implications for democracy, and looking at possible sustainable business models. For obvious reasons her research is focused on Port Talbot.

Asked about her findings so far she explained it was too early to provide results from her research.

What I can tell you is that there were all these awful predictions that the number of local newspaper titles would drop significantly and that up until 2015 we were going to lose a percentage of them. This hasn’t happened at all and the number of closures has been minimal.

But underneath the surface though, when you look at the number of staff that have gone, if you look at how newspapers have merged with each other, the pagination of newspapers, there is an encroaching poverty in the newsgathering, particularly in this area.

Jo Yeates’ landlord: media responsible for ‘extraordinary tissue of fabrications’

Chris Jefferies, who successfully sued eight newspapers for damages after his release. Image: Tim Ireland/PA

Chris Jefferies, the landlord of Joanna Yeates who was arrested on suspicion of her murder but later released, told Radio 4’s Today programme this morning that he was “very disturbed” by the “extraordinary tissue of fabrications” published by the press following his arrest.

Jefferies was appearing on the programme to talk about his work with the Hacked Off campaign to exclude privacy and defamation cases from proposed government reforms to conditional fee agreements (CFAs), otherwise known as “no-win-no-fee” agreements.

After his release Jefferies successfully sued eight newspapers – the Sun, Daily Mirror, Sunday Mirror, Daily Mail, Daily Star, Daily Express, Daily Record, and the Scotsman – for damages. Two of the titles – the Sun and the Daily Mirror – were also successfully prosecuted by attorney general Dominic Grieve for contempt of court.

Jefferies told the today programme that during his time in custody he had been unaware of his treatment at the hands of the press, which had caused Grieve to issue a warning to all news outlets over possible contempt.

The landlord said that the press had had “a field day” with his reputation and said he had “become a household name for all the wrong reasons”.

Arguing against the proposed CFA reforms, Jefferies claimed that there is “absolutely no question that I would not have been able to take the action I did against the newspapers” if no-win-no-fee agreements were restricted. He went on to say that access to justice would be “undoubtedly denied” to victims of libel or privacy intrusion if reform went ahead.

I think there is absolutely no question that I wouldn’t have been able to take the action that I did because at the moment, one is able to take out a conditional fee agreement and that means that the lawyer’s success fees, which are a percentage of the total legal costs of taking the action, will be paid by the other side and one won’t be responsible for those.

Because these cases can be dragged out over considerable periods of time, particularly if they go to court, then legal fees are astronomic. One couldn’t begin to potentially expose oneself to the risk of having to pay tens if not hundreds of thousands of pounds in advance.

Precisely for that reason I felt I had no other course but to take the legitimate action that was recently concluded against the eight newspapers.

Jefferies’ solicitor, Louis Charalambous, said after damages were awarded that the newspapers were paying them “knowing that once the conditional fee agreement rules are changed next year victims of tabloid witch hunts will no longer have the same access to justice.”

Yeates neighbour, Vincent Tabak, was convicted of her murder last week and sentenced to a minimum of 20 years in prison.

Ariel: BBC launches 2012 local reporter scheme

The BBC this week launched its 2012 Community Reporters scheme, according to an article by in-house magazine Ariel, which will see the trainees ultimately get the chance to pitch an idea to BBC London.

According to the report the 18 trainees include “a minicab driver from Brick Lane, an artist from Hackney and a Marylebone youth worker”.

The new recruits, who are actively involved in their communities and have no paid broadcasting experience or qualifications, will get six days of advice from experts across the BBC, including the College of Production, CoJo and journalists at BBC London.

They will then pitch their ideas to the BBC London editorial team, who will choose which ones to develop for broadcast in a week of production in December.