Category Archives: Events

#MarketBriefing: How audience measurement has increased digital revenues for Incisive Media

B2B publisher Incisive Media’s improved understanding of analytics has resulted in an increase in digital revenue and profit over the past two years, according to Jon Bentley, head of online commercial development.

Bentley told a conference on ‘audience revenue tools for online publishers’ today that Incisive has achieved an average of 10.34 minutes “dwell time” on its “gated” paid subscription sites, when the average dwell time is  7.55 minutes, according to analysis by AOP.

So what does Incisive do differently?

It measures analytics closely, both for subscription sites and those which do not require readers to pay, Bentley explained. In an introduction to the event, Patrick Smith, editor and chief analyst of TheMediaBriefing.com had put forward this idea saying:

It’s only through the measurement and analytics that you realise who might pay and why they might pay.

Incisive uses Web Analytics and Google Analytics and is starting to talk to Scout Analytics. Bentley detailed what Incisive has done over the past two years to improve the understanding of the audience:

  • It has improved governance and reviewed all analytics.
  • Defined and re-defined the business needs. It has done this by talking to people within the publishing business.
  • Incisive re-wrote its tagging strategy, technically categorising content types.
  • Integrated digital and offline data, merging email and web databases.
  • Developed communications.
  • Set up regular reviews.

The monthly analytics review “clinics”, which feature those from the web, commercial and editorial teams sitting round a table, are “probably the most successful thing we’ve done”, Bentley added.

As well as looking at unique users, page impressions, visits, active email addresses, – which are “one of the most valuable indicators you have” – Incisive also focuses on the sell-through rate, which “is one of the key indicators for revenue”.

Bentley echoed Patrick Smith who said earlier that “the measure of success is no longer about reach”.

It matters but who readers are and what they do is just as important.

#MarketBriefing: How the FT is measuring its shift to mobile

Multichannel analytics is key for the Financial Times, which is well known as a leader in understanding its audience and using the data to increase revenues.

The FT, which has 4.5 million registered users of its digital offering and 285,000 paying digital subscribers, has a team of 30 people focusing on web analytics, data and digital marketing for the title.

The digital subscriber base grew by 29 per cent last year, demonstrating how understanding the audience pays off.

Why audience analytics is key

Tom Betts, head of web anaytics as the FT, told today’s ‘audience revenue tools for online publishers’ conference how it has grown its subscriber base and used data to help “fuel” their shift to mobile.

One of the things the FT has been doing for the past two or three years, Betts said, is personalising the communications with readers based on the types of editorial content they are are interested in.

The FT looks at customer DNA, at how much of each type of content, such as “markets”, “world”, “personal finance”, they read.

The FT can then tailor newsletters “to personalise the experience that people have with us”, Betts explained.

How mobile alters the digital landscape

But simply looking at digital analytics is not enough. Platform-specific data can give a better picture of the individual.

For example, Betts explained how if a reader has not read “weekend” or “personal finance” content online, it might be that they read it on a tablet or mobile when they are at home.

Mobile is altering the way our customers read our content.

And this information can turn into revenue. At least 20 per cent of new FT subscriptions comes from behaviour-driven data marketing, Betts said.

He also said it is essential to understand whether if people are engaging across platforms.

“Are the platforms generating a new audience or are we just moving the audience from one platform to another?” Betts asks the data, as that will dictate how much it is worth investing in digital offerings for different devices.

The FT famously created a web app in order to have a direct relationship with the customer, which it was not able to do with its previous iOS native iPad app.

As well as providing data from the web app and bypassing Apple’s 30 per cent levy, the technology behind the app also makes “deployment easier”, Betts said.

“HTML5 makes deployment easier” as the “core remains the same with different wrap-arounds” overlaid for the Android and Windows 8 native apps.

And looking at the data demonstrating when the various devices are used is also beneficial.

Betts demonstrated with a graph to show the main smartphone and tablet usage peaks at breakfast, with another rise in the evening.

Existing subscribers are not just reading during the business day.

They therefore get better value of their subscriptions and less likely to cancel.

Update: This post initially quoted Tom Betts as saying “everything we’ve done that has been successful at the FT has been related to data”. The FT would like to clarify that Betts was referring to the fact that “the intelligent use of data has been a significant driver of our commercial success”.

#GEN2012: ‘If journalism isn’t there to protect people, people get hurt’

Monetisation of digital journalism, described earlier today as the “elephant in this room” by CNN’s Peter Bale, formed the basis of an afternoon session at the News World Summit in Paris today, with a focus on financing investigative journalism.

There was no dancing around the importance of the issue. As Howard Finberg of the Poynter Institute put it:

The challenge, as Paul [Steiger] pointed out, is if we don’t do this people die. If journalism isn’t there to protect people, then people will get hurt.

This is not just a matter of economics to keep jobs, this is about economics that support democracy.

I feel passionately that we need more experiments, more subscription models, more donation models. We also need to figure out how we can tell the public the value of investigative journalism … even if they don’t support if financially they can support it in other ways.

He called for more creative solutions. Online it is “going to be increasingly difficult for traditional media”, adding that recent figures showed 68 per cent of online display advertising in the US controlled by the five big technology firms.

Our difficulties are fairly well documented so we need to start looking for some solutions that are different.

Also speaking about the issue on the panel, ProPublica founder Paul Steiger said he expects the decline in print advertising accelerate, “so the challenge of getting more and more revenue from online is going to be greater rather than less”.

He said ProPublica, which is funded largely by donations, is “looking at the possibility of subscriptions, but we need to make all of our stuff accessible and so the challenge is to figure out to how to keep in the conversation and how to find a variety of sources of revenues.”

He added that investigative journalism is significant for democracy and therefore “worth supporting in multiple ways, including charitable contributions”.

#GEN2012: Startup projects showcased in new contest

The Global Editors Network launched a new contest at the News World Summit in Paris today, which has seen a number of new startups already outline their service or product to delegates, who will then vote on what they have seen.

The Startups for News competition saw more than 50 startups enter, with 13 selected who will present to the conference over today and tomorrow.

Speaking to the conference, GEN’s deputy director Antoine Laurent said there was “a need for more contact and more communication between media groups, editors-in-chief and smaller companies, startups offering editorial services”.

The 13 selected startups are mostly French outlets, but there are also four others from other parts of the world.

The winner will be declared on Friday.

#GEN2012: ‘Trolls’ can become an asset in data journalism projects

The creator of a data-driven fact-checking tool for the French presidential election says data journalists should welcome having their own work fact-checked by readers – and says “trolls” who question your methodology can become an asset.

Sylvain Lapoix, a senior journalist at online news site OWNI, has just finished working on Véritomètre – a fact-checking tool analysing the statistical claims made by the presidential election candidates during the campaign – and which took a year to build.

He said the project was inspired by US political journalism and had not been done properly in France before.

In France, there is a tradition in political journalism which is mainly a Voltaire way of doing things – a very literary way. Politics is about speech, attitude, how you behave. Getting numbers and all the facts back into the subject was a (challenge) we had to go through.

Speaking at the News World Summit in Paris today, Lapoix said:

One thing we learnt is that when you’re a data journalist or a web journalist, you should never ever ever – I insist – ever assume that your readers won’t look that close into your own (work) because eventually they always do.

A guy actually did all the maths from the quotes we fact-checked. At some point we considered him a troll – but he was taking it very seriously so we decided to answer to him.

Lapoix said he eventually “became an asset” to them. He added:

Your readers are your biggest database of experts you could ever have. They realise they matter to journalists. At some times the readers were defending us against other readers who were doubting us.

#GEN2012: ‘The most interesting people to be heard are those who do not have a blog’

The founding editor of a successful French participatory news website has urged journalists to do more to find and train people to tell their stories – and says “bloggers are not especially the most interesting people to be heard”.

Social media consultant Benoît Raphael set up LePost.fr in 2007 – a sister site for Le Monde newspaper which became part of the Huffington Post network earlier this year. He has since gone on to oversee the launch of a new citizen news site for Le Nouvel Observateur called Le Plus.

He said the thinking behind both sites was “the conviction that a lot of voices can’t be heard because people do not have time”.

We thought it was the mission of the journalist to find these voices.

Raphael remembered when Le Post launched:

Back then people were already saying that citizen participation was crap – but we proved that it was not just about giving a mic to people and saying express yourself.

Le Post had a team of 10 journalists curating stories and attracted 3.2 million unique visitors a month by 2010.

Speaking at the News World Summit in Paris today, Raphael said:

It was not about having a team of bloggers – bloggers are not especially the most interesting people to be heard. They are just people with time to write, but the most interesting people might be hidden – they don’t have a blog. Most of the time they don’t have the time, the energy or the vocabulary to express themselves.

At Le Plus, a small team of six journalists and a community manager help members of the public write stories. Raphael said the site attracted 1.4 million visitors a month, with more than 10 per cent of traffic coming from Facebook and Twitter.

Raphael said:

Go to your participants, train them, meet them in person when you can, invite them into the world of news by organising events and meetings.

It’s about working as journalists with your contributors and that’s the key of success.

He also urged news groups not to try mimicking the role of social networks:

Please don’t try to be Facebook or Twitter. I’ve heard media saying we are going to be the Facebook of news. The problem is that media are not social networks – they are media. Instead of trying to be social networks, you are better using social networks as a collaborative tool.

Update: Sharon Moshavi, vice president of new initiatives at the International Center for Journalists in Washington DC, agreed with in a later session at the News World Summit.

She said:

It’s interesting – we worked with bloggers (on a project in Malaysia) and they were the worst people to work with. They were not interested in journalism. They wanted to get their opinion out and scream as loud as possible.

Discussing visual journalism at #GEN2012 – ‘Everybody has to think visually’

Visual journalism “is not about being pretty”, it is about explaining a story more effectively – this was the advice of visual editor at LaInformacion.com Chiqui Esteban, speaking at the News World Summit in Paris today.

In his presentation to the conference Esteban explained why he felt entire newsrooms need to think visually whether staff are writers, developers or designers, with the overall focus on telling the story in the most effective way.

He outlined how visual journalism can be used to explain, show trends, give geographical information, personal information and help media outlets “be different”.

Here are two of the examples he ran through showing this sort of visual journalism in action:

How Presidents’ Pay Compares with [Professors’ salaries]

Rock-Paper-Scissors: You vs. the Computer

The key is “being different”, he said, citing this as the reason for LaInformacion’s survival.

Everybody has to think visually. We have to propose things in morning meetings but the rest of newsroom has to tell [us what they would like also] … Sometimes the best visual ideas come from people who don’t work on visuals.

He also shared some interesting thoughts on newsroom integration when it comes to working on visual storytelling.

In LaInformacion all the newsroom is 30 people, we are obligated to collaborate if we want to have something.

But he said “everybody wants to do graphics” and writers have seen “that it works”.

They’ve learnt something that they don’t have to write a story, they just have to think and between all of us we will decide how is the best way to show it – if it’s text with video, interactive multimedia or a graphic.

We have been journalists with them, we care about information and not with things looking pretty, they trust us, We earn their trust and we trust them with their stories and everyone respects each other.

#GEN2012: There is ‘great opportunity’ in local advertising

Local online advertising is one of the top opportunities for growth for news publishers this year, according to a new trends report by World Newsmedia Network due to be published in September and previewed at the News World Summit in Paris today.

World Newsmedia Network chief executive Martha Stone said:

Local advertising is on the up – it is a great opportunity – but half is coming from pure players like Google, Microsoft, Facebook. Only a quarter is from newspapers, 10 per cent is going to local TV and about 11 per cent directories like Yellow Pages.

We can’t let the pure plays and telecom groups take that money from us. We need to take that opportunity and run with it.

The group’s new World Digital Media Trends report will also identify the Asia Pacific region as a key growth area.

The opportunities for revenue are diminishing in traditional media – they’re in negative territory for newspapers, zero per cent growth in television and you see all kinds of opportunities for digital forms of media. The traditional media aren’t looking good.

Traditionally the strong markets for online advertising have been the developed countries of North America, Europe and Japan but that’s starting to change in a big way and the developed world is starting to kick in with the advertising opportunities online.

She added:

South Korea is the biggest consumer of downloading apps next to US, Sweden, South Africa and Japan.

#GEN2012: Follow the Global Editors Network News World Summit in Paris

For the rest of the week Journalism.co.uk will be reporting from the Global Editors Network’s News World Summit in Paris.

The three-day event will is following the mantra of “Converge. Hack. Innovate.” As GEN says:

This is the strategy that newsroom executives everywhere need to follow to drive their organisations successfully through a cross-platform media world. This is the strategy that the News World Summit (NEWS!) will define through sessions, debates, and workshops.

We will be reporting on Journalism.co.uk and tweeting live via @journalism_live and @journalismnews where you can follow events with the #GEN2012 hashtag.

The future of video journalism: What will audiences be watching?

Still from 1929 film Man with a Movie Camera directed by Dziga Vertov, via Wikimedia Commons

I was asked to give a talk to a BBC Global Video away-day on the future of video, looking at what their audiences will be watching in the coming years.

The Global Video department was launched last year and makes video to run cross-platform in multiple languages on all the BBC’s Global News outlets: World News, BBC.com and 27 World Service language services. The team never makes a video just for one language or site, changing the voiceover and translating the film into two or more languages.

The future of video journalism

Below is an outline of the talk I gave on the day:

What will audiences be watching?

There are countless examples of innovations in video journalism, including many from the 40 videos a week produced by Global Video.

Here are a few examples of trends in online video journalism and innovations using emerging technologies.

Documentary:  Just as long-form journalism has a place in the digital sphere, so too do long-form video documentaries using TV and cinema conventions of storytelling.

For example, here is the Guardian’s 32 minute ‘I will never be cut’: Kenyan girls fight back against genital mutilation, which recently won a Webby award.

Web native: As online video has developed, it has found its own style and some filmmakers are telling stories using a new set of rules. Multimedia producer Adam Westbrook has written many articles arguing for online video to encourage subjects to look directly at the camera, abandon the “noddy” (the way video often hides an edit by showing a clip of the interviewer nodding) and instead add a flash to white or black, acknowledging the edit to the viewer.

Storytelling: With the advent of online came new storytelling techniques such as audio slideshows, graphics and ways of visualising data. The BBC Global Video unit has its own fantastic examples, including this video made by Tom Hannen using Adobe After Effects and brilliantly telling the story of blood doping.

The Economist too is experimenting with storytelling in words. Here is an example.

Videos filmed on small, cheap cameras: The Global Video unit itself is equipping its journalists in the field with video news gathering skills. Elise Wicker from the department has written about how she has been training staff overseas to use Kodak cameras to capture footage.

Here is an example of an Al Jazeera documentary filmed entirely on an iPhone. Syria: Songs of defiance is a first-person film made by a journalist who spent many months in Syria but could not risk being seen with a video camera. This film, complete with time lapses shows how a great film can be made in the process of the edit.

Contextual video: Advances in web browsers allow new possibilities. Here are three examples made using Popcorn JS, a JavaScript open-source library from Mozilla allowing video to link to real-time web content such as tweets, Google Maps and Wikipedia entries.

History in the Streets is an audio recording uploaded to SoundCloud with locations linked so that when the audio refers to a place, the viewer is taken to that location on Google Street View and can navigate and explore.

Open Images, Open Data is a Dutch film showing a video surrounded by real-time links to content from several sites, including Wikipedia.

This example of a film about freedom of the press in France links to the source documents, demonstrating how journalists can link to data or research to back up a claim.

Development of Mozilla’s Popcorn Maker tool could allow video journalists without coding skills to produce similar video.

How will audiences be finding and sharing content?

Social sharing is key to the future of video and the format lends itself to a social experience with YouTube demonstrating how videos can go viral.

Social is overtaking search as a way to discover content. Facebook overtook Google in March as a traffic driver to the Guardian, largely down to the news outlet’s “frictionless sharing” Facebook app.

New audiences will be finding and frequently watching video on social networks, whether they be Facebook, Twitter, or Chinese site Renren.

Video is often a component of a wider narrative too. Storify is a free tool allowing anyone to curate a story by dragging in tweets, Flickr photos, SoundCloud audio and video from YouTube and Vimeo.

And platforms such as Storify, YouTube, Vimeo, Bambuser, and many more have their own communities and networks too.

Here is an example of what Mark Boas, one of the Knight-Mozilla Fellows, is doing. He is embedded within the newsroom of Al Jazeera and looking at how you can socially share content without detracting from the experience of viewing a video.

Boas told me that part of what is driving this is social, partly the second screen, partly web-enabled TV, partly browser technologies.

He is experimenting with social sharing text from within The fight for Amazonia. Content is pulled live from a Google Doc, he explained.

Writing on his blog, Boas describes the possibilities of social.

Technology is available now to allow people to chat and comment over the web. Certainly this is an experience we could build in. Imagine if you could see all the people currently watching the same programme as you and interact with them.

Boas believes this social layer is key but that it should not “significantly distract from the main content”.

He thinks the social experience benefits from integrating existing social networks and will “perhaps create new ones surrounding the video medium”.

People like to share their experiences in general and this certainly seems to hold true of video and media in general.

He has ideas for future implementations, including “the use of word accurate hyperlinked transcripts, full support for mobile devices and second-screen synchronisation.”

In an email Boas told me:

I think many like me are experimenting just now. I myself am very interested in making experiences that don’t distract too much from the principle act of watching video but I feel that the challenge here is to allow the viewer to choose the level of interactivity and make that choice as plain as obvious and seamless as possible.

3. What will people be watching video on?

Web-enabled TV: Web technologies and television are converging with the advent of web-enabled TV.

The New York Times earlier this month asked “Why can’t TV navigation be more like a tablet?” That looks likely with the next generation of viewing options, including video on demand available on games consoles and an increasing number of TV apps.

Web-enabled TV is expected to offer users an experience more like navigating using a tablet, with viewers able to control the screen by a series of touch screen gestures and swipes.

If rumours of the new Apple TV are to be believed, this may take the form of a Siri voice-activated TV made by Apple (a later development than Apple TV, a box which is plugged into a regular TV to stream iTunes content).

It is also reported that set-top manufacturer LG will be offering televisions with Google TV later this month, with features including voice activation, the ability for viewers to watch video-on-demand content and web videos and control of content by touch screen and swipes.

Google TV will also allow friends or contacts in different locations to watch video together as it will incorporate Google Hangouts, the Skype-like video option from Google Plus.

Desktops/laptops: BBC Global Video’s audience may access content on different connections than those that spring to mind when you first think of web video.

The number of home broadband connections are low in some of the countries covered by the 27 language services, with large proportions of audiences connecting with dongles and other 3G connections in some countries. Video may be easier to stream on a 3G connection at certain times of the day, and impossible at busier times.

Audiences may also use proxies to circumvent internet restrictions in countries such as China, which can give a slow connection.

Tablets: Tablets are increasingly popular in some of the countries served by BBC Global Video, and take-up is low in other countries.

Whether they become an important platform in poorer countries remains to be seen but there is no doubt that they have already become important for more affluent audiences.

And tablets can provide a beautifully tactile viewing experience, with readers encouraged to use the touch screen to play a video embedded within a news story.

Mobile: The popularity of mobile and likelihood of possibilities for video viewing should not be ignored.

It is worth noting that 87 per cent of the world population has a mobile phone, compared with just 8.5 per cent having fixed broadband. According to stats on Mobithinking, there are 5.9 billion phones compared with half a billion fixed broadband connections.

In Jordan the number of mobiles exceeds the population with 6.2 million phones to 6 million people, according to Ayman Salah, a technology expert based in the Middle East.

In Egypt there are 74 million mobiles for a population of 84 million, Salah said, with mobiles being introduced commercially in 1997. That compares with 11 million landlines, first introduced almost 100 years ago in 1920.

The BBC World Service sites and BBC.com are well served by mobile sites that recognise the phone type and format video accordingly.

But of course mobiles are not all Androids, BlackBerrys and iPhones. Smartphones are less common in poorer countries, and different brands dominate. According to the Economist, Nokia ranks with Coca-Cola as Africa’s most recognised brand.

So what is the future of video in Africa if smartphone penetration is low? I asked mobile expert Peter Paul Koch (also known as PPK online).

“Don’t focus too much on smartphones,” he warned.

Today’s feature phones are getting more and more functionality, and I wouldn’t be surprised if they add video in the near future. The line between smartphones and feature phones is blurring, and pretty soon we’ll see “feature phones” (as in cheap) with “smartphone” functionality.

And video is growing on mobile. Cisco predicts that two-thirds of the world’s mobile data traffic will be video by 2016.

Mobile video will increase 25-fold between 2011 and 2016, accounting for over 70 percent of total mobile data traffic by the end of the forecast period.

Mobile is intimate. It is in your pocket, it is personal and is there when you have a spare five minutes to watch a web video.

What is the future of video? With a growing trend in social sharing, an ever-expanding range of devices and internet connections, including to mobile, the future is bright.