Category Archives: Events

FishbowlNY: Atlantic Media announces 2010 Michael Kelly Award finalists

Atlantic Media today announced the finalists for the 2010 Michael Kelly Award. The award recognises fearless journalism in the pursuit of truth.

The finalists are:

Ken Bensinger and Ralph Vartabedian, Los Angeles Times

For their coverage of malfunctioning cars produced and recalled by Toyota.

Sheri Fink, ProPublica

For her coverage of medical treatment in the wake of Hurricane Katrina

Jeffrey Gettleman, the New York Times

For his coverage of pirates in Somalia, the of spread of Islamic radicalism, and mass rape in eastern Congo.

David Rohde, the New York Times

For his coverage of his own kidnap and seven-month imprisonment by the Taliban, and his eventual escape.

Michael Kelly, a former editor of the Atlantic and the National Journal was killed while reporting from Iraq in 2003.

Full story at this link…

#askthechancellors: How important was the digital audience in the UK Chancellor debate?

Last night I enjoyed lurking on the Twitter backchannel while watching Channel 4’s Ask the Chancellor debate – trivia mixed with observational insight.

I liked Evening Standard journalist Paul Waugh’s tweet about George Osborne’s ‘invisible pedal’ left-foot habit, as much as the economic 140-character analysis and Channel 4’s live poll via tweets, as the Chancellor hopefuls and incumbent fought it out (Vince Cable was the eventual winner, with 36 per cent; leaving Osborne and Darling with 32 per cent each).

Twitter also gave us an insight into the Channel 4/BBC political debate rivalry – spotted in tweets between Channel 4’s Faisal Islam and Radio 4’s Evan Davis. This, from Islam, for example:

amused by @r4today s licence-fee funded sniffiness about #askthechancellors Obviously nowt to do with this: http://bit.ly/aoc4MH

Probably worth noting this too, spotted via @the_mediablog:

RT @DominicFarrell: Those who will decide the #election were watching Coronation Street #askthechancellors

That was a sentiment supported by this morning’s TV stats: Brand Republic reports that Ask the Chancellors peaked at 2.1 million, while 9 million watched Eastenders.

So how important was this backchannel and the digital audience? That was the question Jim Naughtie posed to POLIS director Charlie Beckett on this morning’s BBC Radio 4 Today programme (audio at this link). Beckett said:

I think the real winner (…) despite some of the media cynicism, was in a sense ‘democracy’. I detected a lot of people who were quite pleased to hear a lengthy debate in detail, in public, by these people.

Beckett elaborates here, on his blog:

It all makes for much richer, multi-layered reportage. The TV debate alone would have been worth it. But the fact that tens of thousands of people were taking part reminds us that citizens do care about politics. And they want to be part of reporting the debate as it happens.

Celebrity journalism at the Frontline Club

The Frontline Club has speedily posted its video of last night’s celebrity and media panel, featuring Jane Bussman, author of ‘The Worst Date Ever’; Popbitch founder Camilla Wright; Heat magazine editor and broadcaster Sam Delaney and Sharon Hatt, celebrity liaison at the National Autistic Society.

The verdict, the Frontline Club reports, was that, “if anything, the dominance of ‘slebs’ on public discourse and news media will only increase in the age of online social networking”.

Full post at this link…

MediaGuardian: British Press Awards results

The Guardian has the full results from last night’s British Press Awards: the Telegraph took the big one, for newspaper of the year, while the Guardian’s Paul Lewis walked away with reporter of the year. Overall, the Telegraph won six prizes for its expenses story, including journalist of the year for its editor Will Lewis.

Heather Brooke got acknowledgement for her role in the expenses exposé, with a judge’s award. The Guardian reports:

The judges’s award went to freelance journalist and freedom of information campaigner Heather Brooke whose tireless campaigning did so much to keep the story in the public eye. She praised the Telegraph for doing a brilliant job but appealed to Fleet Street to be more co-operative on major stories.

“I don’t begrudge the Telegraph and I hope they don’t begrudge me. The fact is I’m fucking proud,” she said.

Full story at this link…

There’s a Guardian Twitter liveblog too, if you want to catch up with it as it happened.

Brighton Future of News: telling the election straight

Freelance journalist John Keenan reports from last night’s Brighton Future of News meetup. This post originally appeared on his blog.

As the general election lumbers ineluctably into view, householders across the United Kingdom must brace themselves for an avalanche of political leaflets. But hold on a minute before you bin the bumf.

According Richard Pope, web designer and political provocateur, there is a mine of unintended information in the annoying pamphlets littering your doormat. Pope told the meeting of the Brighton Future of News Group (BFONG) at the Skiff last night that careful monitoring of such material can prevent politicians getting away with murder.

Pope’s election leaflet project, The Straight Choice, is an attempt to turn the propaganda back on the spin doctors. He outlined a number of ways that journalists (and by implication any engaged citizen) can use leaflets to dig out inconvenient truths. Among these were:

  • Track down ‘fake supporters’. Pope highlighted how a supposed group of British National Party members featured in one leaflet were, in fact, a group of Italian models whose photo the BNP had lifted from another source.
  • Follow the money. A close reading of the small print detailing where the leaflet was printed can lead you to often surprising information about political donors.
  • Spot the spoof: in a desperate attempt to snare your attention, the parties will dress up their dreary slogans as gossip magazine fodder. And you thought photos of celebs in front of their mantelpieces were dodgy – you ain’t seen nothing yet.
  • Capture the contradictions. We all know that politicians of every stripe will promise the moon in order to get elected. But they trust us to forget about their lunar pledges as soon as we have tossed aside the handbill. Pope’s website aims to keep them on message and under the microscope.
  • Splat the stats. It is amusing and instructive to compare the surreal use of statistics as politicians play the numbers game to support any policy they choose.

Pope was candid over his desire to see a party official lose a job over a gaffe highlighted by his website. A more measured ambition is to improve the quality of political debate – moving it away from gratuitous character attacks to sensible arguments over policy.

Don’t fret, however, if you are not deluged with leaflets in the coming weeks; this simply means that you live in an area where a donkey with the right rosette would find itself in Westminster.

As Dan Wilson, who is campaigning for Nancy Platts in the Brighton Pavilion constituency, told the meeting, the prime purpose of leafleting is to gather names and addresses of each party’s supporters so they can get the vote out on the day. “I’m not convinced that the Argus wields political influence,” he said, sucking the air out of the room.

Brighton Future of News group was founded by Journalism.co.uk’s Judith Townend and journalist/blogger Sarah Booker. Find out more at this link. You can see tweets from last night at this link.

#ds10: Ultraknowledge – search and visualising the news

Why does search have to produce the same set of results that we always get?

One of Andrew Lyons’, commercial director of Ultraknowledge (UKn), opening questions at the Digital Storytelling conference last week as he talked delegates through UKn’s work with the Independent.

The Independent’s NewsWall, launched in January, is a new way of organising stories and navigating through them. It provides a “visual documentation” of a topic and what’s happened in that subject area. (Similar efforts are being made by Daylife’s technology and the Guardian’s News Zeitgeist.

When searched, the wall will return 30 picture-led stories as results, and figures for dwell time on the wall are proving interesting, said Lyons.

The next part will be the ability to save my search for a topic to my Facebook page and then only have it update when it’s relevant to me.

UKn can now start to produce sponsored NewsWalls around events such as the forthcoming World Cup or general election. It will also be opening up the archive of content available through the Independent’s NewsWall from two years to the full 23 years of its history.

UKn has already worked with other publishers to create more intelligent and visually organised search results pages, such as those produced by an initial search on Metro.co.uk.

But the firm wants to take this a step further, by helping news organisations build topic pages for breaking news items by cleverly tagging and organising archived work, and through its latest – and yet-to-be launched project – StoryTriggers – a way to help journalists and news organisations find new leads and spot breaking news trends.

Sometimes the story that you’re after isn’t on your beat, so how do you find it. But when you’re dealing with news its changing, fast – how do you SEO for this? How do you tag it and relate it to what’s happened in the past and what’s happening in the future? (…) We want to be an innovation lab for publishers.

#ds10: Blinked.tv – the emphasis is on live video and audio

Last week technology firm Blinked.TV demoed its mobile phone app for livestreaming audio and video to delegates at the Digital Storytelling conference (#ds10).

[Disclaimer: Blinked.TV was a sponsor of Journalism.co.uk’s news:rewired conference in January]

The app, which will soon be available for iPhone users, lest you record and stream audio and video, and send text updates. Users can create channels archiving this multimedia content and different permissions, which can be embedded in their sites. Users can also switch between broadcast, audio and text modes without losing connection to a server during the stream, said co-founder Andrew Cadman.

The problem that digital journalists have is constantly swapping between applications to do multimedia work. Switching between applications is time lost.

The app’s interface is illustrated in this roughly-shot video below:

According to founder Andrew Cadman the app allows for “digital storytelling with a single broadcast” – an important part of this is the metadata attached to each piece of material. By itself a broadcast won’t tell a story, said Cadman, but with captions and location data attached to it, it can. The app also allows for multiple users to contribute to the same channel from different handsets and locations.

Providing high-quality livestreaming is the company’s ultimate aim – current 95 per cent of content uploaded via the Blinked.TV site is streamed live, said Cadman. Blinked.TV will also be trialled by a big UK media group in the next few months and is looking a charging larger companies for use of its embedded channels or charging on a bandwidth use basis.

Competition

As part of the Digital Storytelling event, Blinked.TV is running a competition offering prizes of £350 for the best individual and best team broadcast produced using the application. The deadline for entries, which will be judged by Blinked and digital journalism collaborative not on the wires, who organised the event, is 3 May.

From the frontline: how ‘true’ is the media’s picture of Afghanistan?

Journalists gathered to discuss the British media’s coverage of the war in Afghanistan at last week’s video conference at Coventry University.

The ‘Afghanistan – are we embedding the truth?’ event, chaired by the editor of the BBC College of Journalism, Kevin Marsh, brought journalists such as Vaughan Smith and Stuart Ramsay together with academics Richard Keeble and Tim Luckhurst, and the Ministry of Defence’s head of Operational Communication, Brigadier Mark van der Lande.

Vaughan Smith offered what was perhaps the most troubling thought: “Sports journalist knows more about sports than war correspondents know about war, and that is a cultural problem”.

Vaughan, a news pioneer and independent video journalist who has in the past managed to disguise and bluff his way into an active duty unit to shoot uncontrolled footage of the Gulf war, also held up two photographs as part of his speech; one of Hiroshima’s mushroom cloud, and another of an injured civilian in Nagasaki.

He used these photographs as evidence to explain that you never see enough of the second type, showing the injured and other devastating side effects. Instead, the audience is shown ‘Bang Bang’ images; “a fundamental problem,” he said.

Jonathan Marcus, BBC’s diplomatic correspondent, had a mixed response to the event’s theme: “I think it’s a pointless question, we are embedding some truth, and the truth is very complex. War through a keyhole is what war correspondents are giving you.”

Nonetheless, he doesn’t think that embedding is bad practice, when taken as a whole: “If you put all these keyholes together, you start to form a bigger picture and understand what is going on.”

“However, it is a problem that paradoxically, with advances in technology and globalisation, we can do a lot more. Yet, we are reporting less than we used to,” he said.

Brigadier Mark van der Lande argued that they don’t instantly show casualty because they have a duty to inform next of kin first. “We are not hiding things for the cost of war; we are looking out for individuals,” he said.

It is difficult for the MoD, he said, because the ‘Bang Bang’ is what the audience and the media in general is interested in.  Most of the time the more important things that the military look into aren’t released simply because “it is of less interest to the media and the audience,” he argued. Attention Canadian casino enthusiasts! Searching for the perfect online gambling destination? Look no further. At https://casinosss.com we’ve curated a comprehensive guide to the best online casinos Canada has to offer. Dive in to find expert reviews, top-rated selections, and all the insights you need to elevate your gaming experience. Why gamble with your choices? Trust casinosss.com for the finest in Canadian online casino recommendations.

The media do, to a certain extent, manufacture stories, agreed Tim Luckhurst, a Professor of Journalism at the University of Kent, but it is not because of dishonesty, it’s because “we simply cannot stay away from the impact kinetic stories get; embedded journalism serves the needs of the state.

“We do not see humanitarianism or suffering children because it bears no relevance to the needs of the states.”

“Views of the military and government do not comply with journalists’ views, and today’s conference has revealed the extent of that fact.”

Robert Williams is a student at Coventry University.

Read more here, over at Daniel Bennett’s blog, including detail of the video contribution from Channel 4 News’ Alex Thomson.


Charlie Beckett: Do we have an information overload?

Charlie Beckett, director of think tank Polis, reports on last week’s Media CSR Forum and Polis event, In Media We Trust?

The debate questioned information overload, and how to manage media literacy – raising issues on which audience and panellists were divided. Beckett concludes:

[I] am more concerned about whether we have the curators to help shape these information flows and whether those people or organisations that do the filtering and connecting are informed by some kind of ethical value system. Data is not neutral. Information is beautiful but it is also political. Networks are powerful and so they also need to be transparent and acountable. Step forward the networked journalist, your digital public sphere needs you.

Full post at this link…

Future of unpaid cit-J models: Dan Gillmor and Rory Cellan-Jones (audio)

I managed to grab a few minutes with both the Knight Center’s Dan Gillmor and BBC technology correspondent Rory Cellan-Jones at yesterday’s Guardian Changing Media Summit 2010 to talk about the future of community generated journalism.

Rory Cellan-Jones thinks that “the place where citizen journalism is actually triumphing is Wikipedia”.

“It is becoming an instant news agency as well as a kind of journal of record and deep explanation of events, in a way the newspapers might find difficult to compete with.” But speaking as a journalist, he finds unpaid contribution based models, such as the Huffington Post’s, a “difficult” concept.

This and more (on Spotify and predictions for 2011) in this AudioBoo:

Dan Gillmor, director of the Knight Center for Digital Media Entrepreneurship, and advisor to crowd-sourced site Spot.us, says there are questions to raise about unpaid models and sustainability. “People who run these sites should of course be fully aware there will be an ebb and flow of active users, that some people will start and then give up, and then some will be highly committed.” Citing fellow panellist iVillage network general manager Rebecca Miskin’s experience, he described how some unpaid community moderators eventually become paid employees.

Audio: Dan Gillmor on crowdsourced journalism: