Author Archives: Rachel Bartlett

About Rachel Bartlett

Rachel Bartlett is editor of Journalism.co.uk

Media release: PA signs UK video news deal for US with AP

The Press Association has signed “a landmark deal” with the Associated Press to distribute PA’s UK video news footage through the US wire’s archive.

Under the new agreement AP’s archive customers will be able to access more than 18,000 UK videos, with new content from PA added on a daily basis.

A release from both parties says the deal will help the PA extend the reach of its footage beyond the UK and “significantly bolster the UK news element of AP’s video offering”.

It added the stories supplied to AP have been “specifically designed as ‘archive-friendly’ compilations of the rushes from which the story was created”.

Fully shortlisted, the stories provide customers with longer sequences and greater depth than the tightly edited packages offered by other suppliers.

See the full release here…

Facebook appoints Mashable community manager in new journalism role

Mashable’s community manager and social media strategist Vadim Lavrusik is to take up Facebook’s new role of journalist program manager.

Journalism.co.uk reported in February that Facebook had created the role in its marketing team in order to bring in an experienced journalist to help news organisations understand how the social network can be used as a reporting and distribution tool.

Announcing his new role on his Facebook page Lavrusik said he will be “leading the charge” to build programs that help journalists utilise Facebook in their reporting.

This includes the likes of the recently launched Journalists on Facebook Page and Facebook Journalism Meetups program, as well as resources for journalism educators, but also taking insightful feedback to product on how Facebook can be improved for journalism.

Ministers confirm UK adoption of cookie rules

In a release today the Department for Culture, Media and Sport announced ministers have confirmed the UK will adopt an amended framework on electronic communications “exactly as set out by the EU”, which will include the need for website owners to get the user’s permission before a cookie – a text file used to store information such as user preferences – can be used.

Today’s announcement follows a consultation where concerns were raised about the impact of changes to the use of cookies.

To address these concerns, the Government has said it will work with browser manufacturers to see if browser setting can be enhanced to meet the requirements of the revised directive.

The updated directives must be implemented by 25 May, the release added, and the Information Commissioner’s Office will publish further guidance on the use of cookies.

Last month Information Commissioner Christopher Graham said the new law will be a challenge but “will have positive benefits” by offering more choice and control over what information businesses and other organisations can store on and access from consumers’ own computers.

But he added that the limited time remaining until the directive becomes European law was causing concern.

#media140 – Top tips on managing your online identity

The final session of media140 looked at building an online identity.

Throughout the session plenty of useful tips and pieces of advice were imparted by the speakers – Ricard Espelt, co-founder of redall.cat and Gemma Urgell, journalist, blogger and consultant for redall.cat – and delegates alike. Here’s a collection of some of the thoughts shared:

  • Ask yourself who you are and how you are going to be seen, and want to be seen.
  • Have a good attitude, it is not only what we do ourselves it is what we say and what everyone else says about us.
  • You can control what you say, you can’t control what other people say, so you have to take that into account.
  • Should be transparent, need to be unique, you can adapt your own identity.
  • Be conscious about what you use it for, you have to remember it will still be there tomorrow.
  • We make mistakes and we learn from them on the net. If you see someone else make a mistake on the net you should learn from that too.
  • Main attitudes– transparency, common sense, share your knowledge, be humble, be constant/current, be updated.
  • If you have a specialism – use it to find your own community.
  • Use lists on Twitter to find and follow sources.
  • Broadcast journalists – use online platforms to offer extensions to short broadcasted news snippets, add depth.

But there were a couple of points of disagreement, too, such as audience statistics.

While some encouraged the use of analytics and audience statistics, others felt a better representation of audience feedback is in the comments left behind and the focus should be on quality of content, rather than quantity to increase statistics.

If you have anymore to add please do so using the comments below.

#media140 – Impure visual data tool to tell the story

There has been a range of session formats at #media140, from in-depth keynote speeches and discussion roundtables, to more jam-packed workshops showcasing some of the latest tools in social technology.

Today I attended one of the latter, a session on visualising data by Spanish design house Bestiario.

While it was, in a way, a whirlwind tour of the company’s information processing platform Impure, delegates managed to get a great overview of what it can produce (on my part only with thanks to my translator!)

The focus of the session was not about the written story, but simply visualisation, telling the story with infographics using, in essence, a drag and drop technique.

Just today the Guardian published a visualisation by Bestiario looking at who the UK gives aid to and how it has changed.

For a more detailed explanation of how to use the tool you can visit the site itself, but in simple terms the platform enables journalists to create data visualisation projects.

Users can import data files (csv), convert into a table, pull out specific fields, create different data structures and also select from a range of visualisation formats, based on the data you’re working with.

The final visualisations are publicly published on Impure, and users can also embed the infographics on their own site.

At the moment the application is free to use, and the company says there will always be “an open version”, in order to build and maintain a community.

#media140 – Choice of multiple business models as traditional press ‘dies off’

Throughout media140 so far, when it has come to a discussion of business models for journalism, most speakers seem to be in agreement that there is no single solution, rather the path is multi-directional and a mix is best.

Yesterday Pat Kane discussed the main two pathways which appear to be being taken at the moment, the open web versus the paid content model, but he said a mixed model may be best.

Similarly Jay Rosen, when asked by Kane at the end of the professor’s keynote later in the day about revenues, also said there is no one single model.

At today’s first session, Ismael Nafria, director of digital contents at La Vanguardia, spoke along the same lines, although also indicated a commitment to a foundation of advertising in the press.

He said 90 per cent of income comes from advertising.

Despite this difficult situation, there is a business model for information, it is one that has existed for many decades now and is still possible.

Working in online information, after having tried and experimented on many occasions for me it is quite clear what the business model should be … in general terms information depends on advertising.

You have to have media open as possible reaching out to the widest audience as possible … we cannot all hope for the same rating, there are different battlefields, so to speak, so in your own niche you need to aspire to reach the highest-quality product so advertisers will invest.

On top of that – as advertising is the foundation upon which we should all organise our models – we need additional elements, such as payment or subscription.

This is not the solution, at least by itself, it is an additional element, revenue source, but we need to complement it with others.

He added for this to work, publishers need to fully understand the internet as a medium, and how it differs from other existing mediums.

There are all types of consequences of how you create information, how you reach out to audiences, what are the professional profiles that you need to offer that message to your audience.

If you don’t understand that many users come through browsers, so it is very important for browsers to find you, if you don’t understand the internet is a multimedia environment, so your content should not only be textual but have multimedia and interactive elements, this information fits better in the internet environment.

It’s the only way to have a competent product. As long as you are able to offer your internet product in the way that the internet demands it, it’s not a problem.

In order to achieve this content and commercial teams should be working “hand in hand” he added.

“They are part of the very business we’re working for. It’s not always the case and it’s not always easy. Whoever is neglecting it is making a big mistake,” he said.

I don’t believe that our job is coming to an end, its the opposite.

The more info available in the world the more necessary are these figures that can help us as citizens to process and digest all that information.

Similarly fellow speaker Carles Capdevila, who is director of daily title ARA, which offers a premium part of its content via a sign-up, while the rest of its content remains open online, said the title is in the process of looking for a multi-platform business model.

We are learning by doing, we created a business, we are trying to look for the right model and we’re doing that live, everyday.

We know the traditional press model is dying off and other models are popping up and we’re committed to choice. We aim for it to be sustainable, looking for different models at the same time.

He also went on to talk about the value of social media in the development of ARA’s business model and popularity. “We were created through the social media”, he said.

We explained every day who we were and what we wanted to do.

We began operating with a constant dialogue with users.

We’re so flexible as to modify what in the past was known as a market study, we have one every day … We are a newspaper that was created together with its users through social media, but it also goes through the newsagents, offers a supplement … I declare myself to be agnostic, or multi-agnostic to platforms.

I don’t let myself get carried away by anyone. We don’t believe in paper we just practice it. We practice our paper religion but its a temporary faith. We are believers in Facebook.

Online your market, your users, enter into a dialogue with you, so you have an opportunity to know what they’re thinking about. Is there any business for journalists online? Well I compare myself with doctors and teachers – thanks to internet and social media our customers wise up.

A doctor gives you medicine and you take it, maybe you were cured, maybe you died.

Now you go and say, ‘I think I have this because I looked it up on Google’. So are doctors going to disappear, no. We still go look for a doctor to make sure you’ve got it right. I need dialogue.

#media140 – El Pais writer Joseba Elola ‘witnessing history’ with WikiLeaks

“I’ve never lived something like that and I don’t think I will live something again like that,” – these are the words of El Pais staff writer Joseba Elola, reflecting on his work on the diplomatic cables released by WikiLeaks.

Speaking on a WikiLeaks roundtable discussion at #media140, Elola spoke about the journey from arranging to meet with Julian Assange for an interview, to helping El Pais join outlets such as the Guardian and Der Spiegel as a media partner of the whistleblower website in its release of more than 250,000 secret and confidential cables sent by US embassies around the world.

Three months after requesting an interview with WikiLeaks founder Julian Assange, the pair met, Elola told the conference.

He is a fascinating character, a brilliant person, extremely intelligent.

At the end of the interview I asked him if he had anything on Spain. Why don’t you include also a Spanish media as part of your launch, I asked him, why don’t you transfer your documents to El Pais, we will help.

He said let him mull it over. I came back to Madrid, I was excited and then quite an ordeal began.

You meet them, you see them, but then it takes a long, long while to get to see them.

I got an email from him three weeks afterwards and in the newsroom we were excited, finally that long-awaited email came asking for the specific number for the director.

I have never lived anything like it in my life, it was like witnessing history of the 21st century.

All of a sudden you get new information every day, day after day, it was a very exciting experience.

Speaking further with Journalism.co.uk he added that while he fears it will take “years before we manage to get another release of such relevant information”, he is “so happy to have been able to play a little role in that story”.

I hope we keep on being a reliable media for any platform; WikiLeaks, OpenLeaks, KanariLeaks, BrusselsLeaks or whatever.

I think the important thing is to keep your brand reliable to the public and I hope that the fact we were involved in Cablegate might raise some confidence in the people who leak information into the public, too.

I really think the media for years have been a little bit asleep and didn’t do their job properly, and I think WikiLeaks brought something really good for journalism and for society.

#media140 – Jay Rosen’s eight points of the ‘great horizontal’

Press critic, writer and professor of journalism at New York University, Jay Rosen, presented eight specific points within his presentation titled The Great Horizontal at #media140 today.

He described the ‘great horizontal’ as when people are connected across to other people as effectively as they are connected up to “big media”.

You can see each of his points Tweeted from his Twitter account which can be viewed here.

Huff Po bloggers take legal action for back pay

The Guardian today reports a group of unpaid bloggers for the Huffington Post, unhappy with the money being made from the $315 million sale of the site to AOL, have filed a $105 million lawsuit for back pay.

According to the Guardian the action is being led by Jonathan Tasini, a writer and trade unionist, quoted as complaining that “people who create content … have to be compensated” for their efforts.

Discussing the action with Journalism.co.uk’s senior reporter Rachel McAthy at #media140 today was Pat Kane, who also blogs on the Huffington Post. Speaking following his keynote speech at the event he said he was “very skeptical” about the action.

I never regarded the Huffington Post space as a commercial space.

I think what’s more interesting is the extent to which the blog community keeps an eye on the Huffington Post and sees that its leveraging its investment in the right way.

Is it becoming an even stronger platform for citizen involvement, for raising voices, for providing an alternative to the mainstream media or is it becoming absorbed by the mainstream media, are there subjects that it just won’t cover now?

So to me the question is more about monitoring them as an enabling enterprise … And the extent to which they fail or trip up on that is the extent to which you don’t participate.

One of the things about the internet is the exodus and not participating is often some of the most effective action that could possibly happen. The sense that something has lost its bloom on the internet … is a real caution to people.

But as I say if one hears stories of the editorial breadth and integrity of the operation being constrained then that’s the point at which I wouldn’t write for it.

I’d rather test it out and practice than actually go down a route that says I’m doing this because I expect a return.

You participate in these things because you want to be part of a community and you want the freedom to express and then you also want to be part of a big conversation you weren’t part of before.

The extent to which you make an earning part of your portfolio is a different question, I’m not as anxious about that.

#media140 – Get messy with mobile journalism, says Adam Westbrook

Quantity over quality – that needs to be the mindset for mobile journalists, UK online video journalist Adam Westbrook said today at the #media140 conference in Barcelona.

While there are similarities between video journalists and mobile journalists, being the latter, by its nature, is about being in a particular place, he said, and the ability to get information out quickly, and in volume.

You need the drive to be where the story is and once you’re there to get as close as you can. You’re not restricted to being close to the action. There is also the mindset of speed … You have to have an ‘always on’ mindset, always carrying your gear with you and always be looking for a story. Switch on and get your phone out and get some coverage straight away.

Because mobile journalism is still so new, you also need to be very willing to experiment. This runs across all spheres of journalism. It is about getting messy, in a way, there is no roadmap, there is no path.

Westbrook opened his presentation with the great example of UK journalist Alex Wood and his colleagues’ coverage of the G20 summit in 2009, despite being kept in a containment area. Unlike the mainstream media, unable to get their tapes out of the area, Wood’s team were able to connect to wifi and report on what was happening using their mobiles.

They sent Tweets and uploaded photos from their phones. For Alex and his colleagues its became quite a landmark moment for their journalism. Because they were mobile they had the advantage over the mainstream media. It really shows the potential that mobile journalism has.

Another practical advantage was illustrated in a photo Westbrook showed next, of a broadcast team filming an interview with numerous members of crew, a camera, autoprompter, lighting and “miles of cable”.

In comparison, the typical mobile journalism setup consists of a camera which doubles up as a phone, a high quality microphone, a mifi connector and a small tripod, he said.

Technology has allowed mobile journalism to happen as it does. Also the infrastructure has improved, there’s wifi in more places and high speed broadband.”

So what could the future hold for mobile journalism? Westbrook’s ideas were:

  • Location based news
  • Geo-tagging
  • Mobile moving mainstream
  • More citizen reporting