Foreign Policy: One year on, Oleg Kashin is still waiting for justice

One year on from the brutal beating that left Oleg Kashin with a broken hand, leg, skull, and jawbones, Foreign Policy magazine’s Julia Ioffe talks to the Moscow-based journalist about the failure of the authorities to bring anyone to justice.

Given the volume of the outcry and the apparent sincerity and generosity of the official response, there was, one year ago, some faint reason to hope that this case might be solved. Kashin, after all, was a mainstream, well-connected figure. He was no Anna Politkovskaya, killed on Putin’s birthday in 2006, whose work was so obviously dangerous (Kashin compared her to a suicide bomber). Nor was he like the other journalists and human rights activists whose work in the Caucasus has brought Caucasus-style revenge on their heads.

He was no Paul Klebnikov, gunned down in 2004, or Mikhail Beketov, assaulted and maimed in November 2008, who went against powerful financial interests. Kashin wrote about youth movements. Yet despite the seeming harmlessness of his beat, despite his luck that night, despite the big names and big money that immediately kicked into action, despite the wide shock and wide media coverage — even state news lead with his beating the next day — despite all these advantages that Politkovskaya and Beketov and Klebnikov and Chervochkin and dozens like them didn’t have, in the year since the first photographers arrived to take pictures of the blood-spattered ground in Kashin’s courtyard, Kashin’s case has gone cold, exactly like theirs.

Read the full article here.

Yesterday was the first Day to End Impunity, to mark the second anniversary of the “Maguindanao Massacre” in the Philippines.

Related articles on Journalism.co.uk

More on Oleg Kashin

Second journalist beaten in Moscow

Coverage of Anna Polikovskaya murder

‘The problem with journalism in Russia is not censorship, that would be easy to deal with’

 

Two-year anniversary of massacre of 30 journalists in Philippines

Two years ago today 30 journalists and two support workers were killed in the Philippines in the “Maguindanao Massacre”, and what Index on Censorship has described as the “single deadliest event for the media”.

Today, 23 November, also marked the inaugural International Day to End Impunity; last year a Global Day of Action was held to mark the first anniversary of the massacre.

Index on Censorship, Article 19, the Committee to Protect Journalists and English PEN have joined forces with several freedom of expression pressure groups around the world to call for demanding justice for journalists’ murdered in the line of duty.

In a post, Index on Censorship said:

In the past 10 years, more than 500 journalists have been killed. In nine out of 10 cases, the murderers have gone free. Many others targeted for exercising their right to freedom of expression — artists, writers, musicians, activists — join their ranks.

On this day two years ago the single deadliest event for the media took place when 30 journalists and two support workers were brutally killed in Ampatuan, Maguindanao province, The Philippines. The journalists were part of a convoy accompanying supporters of a local politician filing candidacy papers for provincial governor. In total the “Maguindanao Massacre” as it has come to be known, claimed 58 victims. Not one of more than a hundred individuals suspected of involvement in the atrocity has been convicted yet.

We join those in the Philippines not only in honouring their slain colleagues, friends and family members, but demanding justice for them and hundreds more in Russia, Belarus, Pakistan, Sri Lanka, Mexico, Colombia, Iraq and Somalia and other countries where killings of journalists and free expression activists have repeatedly gone unpunished. Above all we demand an end to the cycle violence and impunity.

 

Tips for freelance journalists on National Freelancers’ Day

Today is National Freelancers’ Day. We have compiled a list of 10 things every freelance journalists should know.

We crowdsourced and gathered advice for freelance journalists from fellow freelancers and editors.

Here are some of the responses:

Ten things every freelance journalist should know

Image by monkeywing on Flickr. Some rights reserved.

To mark National Freelancers’ Day we have been gathering advice for freelance journalists. Here is our Storify of curated tweets of advice for freelancers.

Our 10 tips include thoughts from freelancers and editors who responded to a request for advice from @journalismnews on Twitter, and we have added advice gathered over the years.

1. Don’t be afraid to pitch to editors (by email)

Commissioning editors positively encourage you to approach them with ideas and pitches.

 

 

2. Recognise that it is tough to go it alone

Make no mistake, it is not easy to start out as a freelancer. It requires you to be a great journalist, sales person, book keeper, networker and you need to be able to manage your own time. There may be periods when you are working long days on multiple features, at other times you may have too much free time.

Journalism.co.uk has a number of must-read guides, which can help if you are just starting out.

This updated feature on how to get started as a freelance journalist is an essential.

You can also take tips from this guide on how to effectively diversify as a freelancer, plus there is a two-part guide on how to make a successful transition to freelance journalism.

It may be hard, but believe in yourself and don’t give up.

3. Get a handle on your finances

Some freelancers advise getting an accountant, others manage their own accounts and submit their own self-assessment tax return.

It is wise to put away one third or one quarter of what you earn. That way you will have a lump sum ready when the 31 January deadline comes round. Alternatively you can set up a standing order to pay HMRC monthly so that you don’t face a large bill in January.

Self-assessment tax returns are relatively simple to fill in. You can make the process much easier by keeping expenses and receipts in a series of envelopes, one for every month of the year.

4. Invoice, politely remind, and then take action

Invoice after you have submitted your story, and give publishers a deadline, perhaps 14 or 30 days.

If you do not receive payment, telephone the accounts department and ask that the bill is settled.

Freelancers can feel awkward about hassling publishers for payment and may fear not being commissioned in the future. However, you are entitled to that payment, your own rent or mortgage needs to be paid and it is likely you won’t have a large cash flow.

If the publication delays, £2 + VAT will get you a legal Letter Before Action from a debt collection agency such as Thomas Higgins. An official letter will no doubt encourage slow payers to speed up.

This Journalism.co.uk guide on how to get paid on time has some excellent tips, advice on setting your own terms, chasing payments and threatening legal action.

5. Do not let others steal your work

Simon Crofts, a former lawyer who is now a photographer, has written about claiming damages for breach of copyright on EPUK (Editorial Photographers UK).

The article, published last week, details copyright law, what you are entitled to claim from an infringer, and how to assemble and present a claim. Although aimed at photographers, nearly all of it is relevant to writers who have had their articles ripped off.

6. Be strict with yourself

There is a danger of working too hard or not putting in enough hours and therefore losing potential commissions.

7. Think pictures

Consider selling your stories and photographs as a package. You could partner with a photographer or source your own images.

Selling a words and pictures package can make a story more appealing to a busy editor, and it could boost the amount you earn.

8. Consider syndicating abroad

This is not relevant for every type of content but there are various agencies who can sell on features for you, providing you have the rights to sell the story outside the UK.

This Journalism.co.uk guide details how to syndicate freelance articles abroad.

There is also a recently launched Canada-based platform called MediaCooler that maybe worth uploading content to. Journalism.co.uk has published a question and answer interview with MediaCooler’s CEO.

9. You need help from others when going it alone

Working from home and not having an employer to support you can be lonely and challenging. There is no editor or colleague to turn to for advice, there is no social contact, no post-work drinks or office Christmas party.

In order to learn from others and benefit from a support network, join a local freelancers’ meetup group, become a member of Journalism.co.uk’s freelance directory, which not only provides exposure but also gives you access to other freelancers with years of experience and those just starting out.

Also, set yourself an annual budget to pay for yourself to go on training courses (Journalism.co.uk runs one-day training courses, and has links to other short courses), attend journalism conferences (such as our news:rewired event where you can learn about the latest trends in digital journalism), and go to networking events.

10. Take advantage of the quiet month

The second half of December and first half of January is deadly quiet for many freelancers. You can either twiddle your thumbs and worry that you will never land a commission again or you can take advantage of the freelance life and go on holiday for a month.

For more news for freelancers, bookmark the freelance news section of Journalism.co.uk.

  • The freelance database on Journalism.co.uk contains hundreds of members from all over the world. A listing includes an individual page on the site where you can post links to your work, as well as a branded email address – yourname@freelancejournalism.com and access to the freelancejournalism.com group. You will also be able to purchase discounted training courses run by Journalism.co.uk. Sign up as a freelancer here.

Leveson inquiry releases witness statements

Written witness statements submitted as part of the Leveson inquiry have been released.

Submissions from those who gave evidence to the hearing yesterday (Monday 21 November) are now on the Leveson inquiry website.

Journalism.co.uk is providing full coverage of the Leveson inquiry. News and reaction from the last 24 hours:

Dowler family ‘afraid to open front door’

Sally and Bob Dowler also tell the inquiry of their anger after being photographed retracing daughter Milly’s steps after she went missing

Glenn Mulcaire denies deleting Milly Dowler’s messages

Private investigator at the centre of the hacking scandal denies that he was responsible for deleting voicemail messages on the teenager’s phone while she was missing

Columnist ‘amazed by detail’ in Mulcaire’s notes

Joan Smith tells inquiry that investigator Glenn Mulcaire was an ‘obsessive notetaker’ who recorded information about her whereabouts and private phone conversations

Hugh Grant claims evidence links Mail to hacking

Actor tells Leveson inquiry that story published by Mail on Sunday could only have been obtained by phone hacking, a claim disputed by counsel QC Robert Jay

Mail titles hit back at Grant over ‘mendacious smears’

Mail on Sunday denies claims by actor Hugh Grant that it hacked his phone in 2007, calling his allegations ‘mendacious smears driven by a hatred of the media’

Hacking victims suspected ‘continuous’ intrusion, says lawyer

Graham Shear told the inquiry clients would change their mobile telephone numbers ‘two or three times a year’ to try and keep information private

 

Sourcefabric promises a free, multi-platform solution for news outlets

Sourcefabric, a non-profit, has announced it is working on a new platform: Superdesk, an open source newsroom tool designed by journalists that covers the entire journalistic process from source to signal.

When it is released in summer 2012 Superdesk promises to be a tool newsrooms can use to pull in news feeds from social media and APIs, and then output the signal to a range of different platforms, such as television, radio, mobile, tablets and online.

As free software it can be used by organisations of all sizes, from hyperlocal or global, and by print or online. As with Sourcefabric’s other two open source platforms, Superdesk will be accessible through any web browser after being installed on one Linux server.

Although not yet publicly available Superdesk is already being used by new Swiss online-print hybrid paper TagesWoche, launched last month in Basel, 14 months after the city’s liberal Basler Zeitung was sold to investors. By using the platform the news organisation is helping Sourcefabric shape its development.

An announcement from Sourcefabric states:

Superdesk is a newsroom tool made by journalists, for journalists, which will offer new ways to source, manage, verify, process and present the facts behind a story.

Whether you source your news from Reuters or random RSS, stringers or Storyful, citizens or Open Calais tags, Superdesk streamlines your workflow.

It centralises and standardises your content allowing you to move it around the newsroom to other journalists, editors or translators for further editing or sign off. Superdesk will then deliver the finished article to any platform or device – web, mobile, print, radio, television. All will be at your disposal.

Adam Thomas from Sourcefabric told Journalism.co.uk that the software has been developed by journalists who understand exactly how newsrooms work.

We have this ethos of creating once and publishing everywhere to really create efficiency within the newsroom.

Sourcefabric has two existing platforms: Newscoop, a CMS, and Airtime, for radio stations.

Newscoop

Newscoop is a content management system, a demo of which provides a taster. As with Superdesk and Airtime, Newscoop needs to be installed on a Linux server and can then be accessed using any web browser from a device running any OS.

Asked how it differs from WordPress Thomas said:

WordPress is great for blogs and Newscoop is great for newsrooms. It’s built by journalists for journalists and has lots of tools that journalists really like, like workflow hierarchies. It’s multilingual, you can upload to SoundCloud, it’s very friendly to audio and works very nicely with images.

Being multilingual is key for the software, Thomas explained.

We work in a lot of post-conflict areas, a lot of transitional democracies, where a multitude of languages are often spoken, so it is multilingual both in the back end, for the journalists, and also for the front end, so readers can get the news in different languages.

Airtime

Airtime is Sourcefabric’s open source radio automation package. Thomas explained how it works:

It allows radio stations, for free, to download software and set up a professional radio station and manage a media archive, build shows and then output via webstream, by FM or digital.

One of the radio stations using Airtime is West African Democracy Radio, a radio network operating out of Senegal but covering the whole of the West African region.

They use Airtime alongside Newscoop. They get the journalists to write the articles on Newscoop, they take these and prepare them as scripts, give them to the radio shows who then broadcast via Airtime.

Airtime records automatically to SoundCloud so then these shows are recorded to SoundCloud, uploaded to the web, and then shared by Facebook and Twitter.

Sourcefabric launched in its current form, as a non-profit organisation, in April 2010 but the seeds of the organisation and platforms date back as far as 1999, when a team first started creating digital newsrooms.

The current incarnation of the organisation has bases in Europe and North and South America: in Prague, Berlin, Toronto, Warsaw, Guatemala, Serbia and Minsk.

Thomas said:

The software is actually only seven months old. We’ve re-factored and made new versions, we’ve renamed them so these are new products. We have really tailored then for the web and for modern journalism.

Tool of the week for journalists – Greplin, to search your private files and profiles

Tool of the week: Greplin

What is it? A private search engine for your personal files and social media accounts

How is it of use to journalists? Greplin allows you to search your Gmail, Google Docs, Facebook, Twitter, LinkedIn and Dropbox accounts in the same way as you would use Google to search the web.

Recommended by Amy Webb at US journalism conference #ONA11 as “a way of sort of defragging your brain”, Greplin is a tool that can help journalists find a key piece of information in a second or two.

For example, you may be working on a story about a company or subject and have information in emails, your Dropbox account, Google Calendar and LinkedIn. One search in Greplin will allow you to surface the source documents and references to the company or topic.

The basic subscription is free and includes those accounts listed above. You can unlock services such as Delicious by tweeting about Greplin, and there are some services, such as Evernote, only available with Greplin Premium.

There is a free iPhone app and also a browser extension for Chrome, which is well worth adding. This enables you to search your files simply by prefixing your query with a “g”.

 

FT web app has been used 1m times

The Financial Times is reporting that its web app has clocked up one million hits since it was launched in June.

Around 45 per cent of users have bookmarked the FT web app to a iPhone or iPad, replicating a native app experience by providing an app icon on the device’s home screen.

The app, which is free to download but through which content is limited due to a cross-platform part paywall, saw 150,000 uses in the first 10 days; five months on it has achieved one million clicks on the app.ft.com url.

The web app, built with HTML5 technology, has two advantages for the FT over its previous native iPhone and iPad apps: it avoids the FT paying Apple a 30 per cent cut, the charge for any music, app or book publisher selling through its store, and the FT gets to access and own its audience data.

In a post on its blog the FT said the web app has “significantly boosted mobile and tablet traffic”.

FT.com now sees 20 per cent of total page views and 15 per cent of new B2C subscriptions each week coming directly from mobile and tablet devices. These readers are also more engaged, with FT.com users who register on mobiles and tablets 2.5 times more likely to subscribe, as well as being more active in giving feedback.

The FT has also produced an infographic.

The top 10 most-read stories on Journalism.co.uk, 12-18 November

1. Stephen Lawrence judge refers Spectator over possible contempt

2. ‘Wherever there was news, we went’: Libya’s ‘A-Team’ fixers on getting the story out

3. How to: get noticed by journalists

4. Ten free apps in the Chrome web store that journalists should know about

5. Phone hacking: Tom Watson attacks BBC over coverage

6. More than 50 Trinity Mirror jobs under threat in Midlands

7. Coverage of Libyan conflict dominates Rory Peck Awards

8. Rippla, a site to monitor the social media ‘ripples’ of news stories, launches

9. Tool of the week for journalists – WhenToTweet

10. Independent and Standard announce merger appointments

#followjourn – @sookio Sue Keogh/editor

Who? Sue Keogh

Where? Sue producer of all things editorial for organisations such as AOL, Yahoo!, BBC, ITV, Magic FM, Heatworld, Media Week.

Twitter? @sookio

Just as we like to supply you with fresh and innovative tips, we are recommending journalists to follow online too. Recommended journalists can be from any sector of the industry: please send suggestions (you can nominate yourself) to rachel at journalism.co.uk; or to @journalismnews.