Category Archives: Photography

ProPublica photographer followed by BP employee, detained by police

Police in England have come in for a fair amount of criticism recently for their treatment of photographers (see here and here), but their US counterparts have received some attention too after detaining freelance photographer Lance Rosenfield, who was working for ProPublica at the time.

Rosenfield was driving away after taking photos of a BP refinery in Texas City, Texas when he was followed by a BP employee, blocked off by two police cars and detained. Rosenfield had remained in a public space outside the refinery while working. The police reviewed his pictures and recorded his date of birth, Social Security number and other personal information. According to Rosenfield these details were then shared with BP.

Paul Steiger, editor-in-chief of ProPublica, said:

“We certainly appreciate the need to secure the nation’s refineries. But we’re deeply troubled by BP’s conduct here, especially when they knew we were working on deadline on critical stories about this very facility. And we see no reason why, if law enforcement needed to review the unpublished photographs, that should have included sharing them with a representative of a private company.”

Full story at this link…

via Fishbowl NY blog

Police remove teenage photographer from parade, citing terrorism act

Jules Mattsson, a 15-year-old photographer, challenged police officers attempting to restrict his photographing of an Armed Forced Parade in Romford on Saturday. As the recording posted to YouTube demonstrates, Mattsson was unrelenting in asserting his rights to the policeman, who eventually resorted to telling him he was a “threat under the terrorism act” and confiscating his camera. Mattsson can then be heard accusing the officer of pushing him down a flight of stairs.

Mattsson writes about the incident on his blog:

Especially poignant this incident took place the day after photojournalist Marc Vallee and videographer Jason Parkinson won their case against the met for an incident outside the Greek Embassy where Marc had his camera grabbed and Jason had his lens covered by an armed police officer. Many have hailed this ruling as ‘a victory for press freedom’, and I would be inclined to agree. However, until the met’s guidance on photography and a clearer understanding of the law filters down to the streets, we will continue to see incidents like this.

Read more on the Marc Vallee/Jason Parkinson case on Journalism.co.uk.


Source: Boing Boing

Flickr/Getty deal brings new revenue opportunity for photographers

The photo-sharing website Flickr has introduced a new option which allows photographers to publicly nominate their images for licensing by Getty.

When another user sees an image they would like to licence, they will be put in touch with Getty to arrange the sale.

In short, the new Flickr/Getty feature, called Request to License, lets photographers nominate their photos directly to users searching for photos to license – without first going through Getty.

Cnet News has a report with a bit of context here:

In Flickr’s initial partnership with photo licensing powerhouse Getty Images, Getty representatives cherry-picked Flickr photos and photographers they liked. Later, Flickr members could offer their own candidates for evaluation by Getty for licensing.

More detail from the Flickr blog:

When a prospective licensee sees an image marked for license, they can click on the link and be put in touch with a representative from Getty Images who will help handle details like permissions, releases and pricing. Once reviewed, the Getty Images editors will send you a FlickrMail to request to license your work, either for commercial or editorial usage. The decision to license is always yours.

Flickr recently added the 100,000th photo to the Flickr Collection on Getty Images.

Photography campaign group launches new copyright proposals; ‘National Cultural Archive’ among plans

Earlier this year the stop43 campaign successfully campaigned against the introduction of Clause 43 in the Digital Economy Bill, arguing that the legislation would take away the rights of photographers and artists.

Campaigners, which included members of the Association of Photographers, the British Institute of Professional Photography, the British Press Photographers’ Association, Copyright Action, EPUK, the National Union of Journalists and Pro-Imaging, were worried that proposals to collect a fee for commercial use of works whose creator could not be identified (so-called “orphan works”) were in the interest of commercial publishers rather than the original producer.

They got their way, and Clause 43 was removed from the Bill, before it became an Act.

While Clause 43 may be dead, Stop43 isn’t and it has been developing a ‘New Thinking’ proposal, to take to the new coalition government.

Stop43 supporter and photographic consultant Pete Jenkins told Journalism.co.uk that parliament will again be looking at orphan works and copyright, after the summer. “[W]e need to ensure that they are working on the right models – that is models that are creator friendly rather than publisher friendly as witnessed in the past,” he said.

The campaign has now unveiled its new proposal, which lays out plans for “cultural use” of orphan works, “and for this cultural use to switch all other uses and users to “known” works, to stimulate cultural and economic activity to the benefit of everyone”.

To enable this we propose some changes to current copyright law and the establishment of a National Cultural Archive, which must be free to use.

The group will continue its efforts to replace “inequitable and unworkable proposals” in the failed Clause 43, says Paul Ellis, co-founder of Stop43, in the latest announcement. The New Thinking proposal, he believes, “should benefit everyone”.

The Conservatives promised in their manifesto to introduce an Intellectual Property Act and we would like our proposal to be incorporated into that Act.

Although our proposal concerns itself with photography we believe it could easily be extended to all media types to create a massive cultural and economic resource of immense value, and Stop43 is eager to work with creators active in other media to achieve this.

This proposal was first introduced at the 2nd National Photography Symposium at the beginning of May, and was received well, with almost unanimous support, says the group.

The proposal has three parts [PDF at this link]

Jenkins is optimistic that the new Conservative-Liberal Democrat government will listen. “[P]ersonally I am hopeful that we (photographers) will get a better response from the new government than we did with the old regime,” he said.

But there are challenges, Jenkins warns, citing the British Library’s recently announced partnership with DC Thompson’s brightsolid, as an example. Plans to digitise newspapers and make the British Newspaper archive available to the public for a fee, trouble him.

Whilst their initial efforts involve out of copyright material, if all goes to plan it will not be long before the partnership is digitising work which is in copyright. Although questions have been asked of the British Library as to the clearance of copyright they have refused to answer any of them.

Photographer tracks down subjects from 30-year-old photos

From last week a nice story from Peterborough Today (and picked up elsewhere) about photographer Chris Porsz – nicknamed the ‘paramedic paparazzo’ because of his day job – who with the help of the local paper has tracked down some of the subjects of photos he took in the 1980s, finding out what had happened to the people in them and recreating the original pictures.

Full story at this link…

More pictures from Porsz are featured in this Mail Online article.

Fast Company: AFP’s legal row with photographer – and Twitter

Fast Company takes a look at the legal row between news agency AFP and photographer Daniel Morel – and where Twitter fits in. In summary, AFP is currently embroiled in a rights row with Morel after using photographs of Haiti that had been uploaded on Twitpic. Morel reportedly sent cease-and-desist letters to which AFP responded with threat of a law suit.

Fast Company writes:

AFP, like a lot of more established organizations, seems unable to change their perspectives on Twitter to address what the service actually is. That Morel posted some of the most important photos of the decade on Twitter before any other publication shows the power and flexibility of Twitter as a legitimate news service. AFP’s argument, that Twitter is in some way nothing more than a digital bulletin board with no accompanying rights, is worrisome – it’s a different kind of news outlet than AFP, but that doesn’t mean its value in news can simply be ignored.

Full Fast Company story at this link…

More from Russian Photos Blog at this link…

Outsourcing photography – what cost to local news organisations?

Last week, the Associated Press’ (AP) commercial photography arm, AP Images, launched a new service and a new revenue stream. The new Editorial Assignment Service offers other news organisations the chance to hire out its photojournalists to cover events for their reporting.

(Read more about the launch on the British Journal of Photography’s site and Photo Archive News.)

Twenty-five AP photographers are available via the assignment service and the images on display on the marketing site are great quality. For the AP it’s a new source of revenue and use of existing resources to create a money-making service; for other news organisations – as far as the agency is hoping – it could be a labour-saving device, allowing them to outsource work on far-flung or one-off assignments.

I’m thinking in particular of local media and newspapers here. Many of whom are already AP members in the US – some of whom have left the agency as a results of increased membership fees. Much is made of multimedia and the potential of online publishing platforms to mix words with rich images and more. But where do images from the field stand on a local or regional newsroom’s budget at a time of cuts/limited financial resources?

Some such news organisations are turning photo departments into visual departments – adding video to images – and creating their own money-making products by putting these desks at the heart of the newsroom. US newspaper the Star-Ledger and its website NJ.com is now generating revenue from specialist coverage of local events, in particular high-school sports, and as such video and images remains high on the agenda.

While outsourcing could bring a greater range of images to some news sites and free organisations from the labour of obtaining them, the local knowledge and understanding of an audience can’t be outsourced or replaced by the AP. Local media outlets wanting stronger visuals would do well to develop their own rather than outsource and build products for both a multimedia and potentially commercial end.

Wikileaks releases video showing Apache shooting of Reuters news staff

Wikileaks today released a video depicting the slaying of more than 12 people – including two Reuters news staff – by two Apache helicopters using 30mm cannon fire.

The attack took place on the morning of 12 July 2007 in the Iraqi suburb of New Baghdad. Two children were also wounded.

Among the dead, were two Reuters news employees, Saeed Chmagh and Namir Noor-Eldeen. Chmagh was a 40-year-old Reuters driver and assistant; Noor-Eldeen was a 22-year-old war photographer.

An investigation by the US military concluded that the soldiers acted in accordance with the law of armed conflict and its own rules of engagement.

Reuters has been unsuccessfully trying to obtain the video through the Freedom of Information Act since the time of the attack.

More information can be found on the Collateral Murder website.

Warning: the following video contains highly disturbing imagery.

AP photographer’s iPhone gallery from Afghanistan

Associated Press photographer David Guttenfelder has produced a stunning gallery of shots covering US military operations in Afghanistan’s Helmand Province using his iPhone and a Polaroid film filter app.

“I was trying to take pictures that would be similar to those rough, keepsake photos that marines might make for themselves,” explains Guttenfelder in an audio clip.

Full slideshow at this link…