Category Archives: Online Journalism

#MozFest – Build ‘social video’ using Popcorn Maker

A still from “History in the Streets”

Imagine being able to add tweets, maps, and Wikipedia information to online video without coding skills. Consider having the ability to layer video with images from Google Street View as easily as hypertext allows you to link together web pages.

You can now do exactly that using the Popcorn Maker, a tool launched in alpha on Friday at the Mozilla Festival on media, freedom and the web in London.

Popcorn Maker is a web application that allows journalists who cannot code to add YouTube or Vimeo videos and select to add tweets, Flickr images and maps, plus use additional plugins to include images from Google Street View and even primary source documents from Document Cloud. Users of Popcorn Maker drag the elements onto the timeline using a platform that looks like Final Cut and other familiar software. Completed projects can then be embedded into news stories.

Online video journalism has had the tendency to follow TV conventions of talking heads, noddies (a cutaway of an interviewee nodding his or her head to hide an edit) and narrated video packages. What Popcorn offers is an easy way to create a web-native form of video storytelling. And because it is “social video” or “semantic video” experiences are dynamic, constantly updating, and customised right in the web browser for each user.

Popcorn.js is Mozilla’s HTML5 media toolkit, a javascript library for integrating the web into video production, launched version 1.0 at the festival.

The challenge of building Popcorn was first launched a year ago and since then the library has been gathering plugins thanks to an army of open source developers.

Popcorn has already being used in some newsrooms but until the launch of Popcorn Maker it has required embedded developers to code the mashups.

Brett Gaylor, project lead for Mozilla’s Popcorn told Journalism.co.uk what Popcorn offers video journalism.

It’s the ability to link to the relevant content that that video is about.

The basic function that Popcorn serves it to act as a timing layer over a video or audio file which means you are able to link times within video or audio to other content on the web.

For example, between 30 and 40 seconds into a video you could show a map of where where this interview took place. Or if you are doing a report on the second world war and you what to show where the Canadians were in Dieppe you could have a Wikipedia article that would appear at that given time.

And because it has the ability to link out to changing web content, a video, say, on the credit crisis will link to a hashtag and give the latest tweets.

In the above test example I added a YouTube video and grabbed the Twitter tool (bottom right), adding it to my timeline and searched for the #MozFest hashtag.

Gaylor hopes the beta version of Popcorn Maker will launch late spring 2012, with a polished, finished product by the end of next year.

We are now working on how to allow the user to lay those out on the page. We’ve conquered how to do it and now we have to make it a pleasing experience for the author to place those items on a page.

There several inspiring demos online, including History in the Streets, which links to Google Street View, and, on Wired.com, there is the documentary the One Millionth Tower, premiered at the festival and showing at the Frontline Club this evening (Monday 7 November) and produced by the National Film Board of Canada.

Popcorn gave filmmakers the ability to control a 3D environment and augment that environment with real time information from Wikipedia, Yahoo Weather API, Flickr and Google Maps.

Still from “The One Millionth Tower”

Ideas and examples of potential uses shared by Mozilla:

  • Pull a football player’s real-time stats, Wikipedia entry or twitter feed right into the action of a game or sportscast;
  • Pull a politician or pundit’s “truth score” history or voting record into an online interview;
  • Dynamically inject photos from Flickr as “b-roll” or context for video or audio stories;
  • Match footage about an oil spill with real-time footage of the spill’s present size in real time;
  • Annotate political speeches or newscasts with viewers’ own media, commentary and social responses;
  • Pull Google Street View onto the screen to dynamically explore depicted neighbourhoods and places.

Examples of uses of Popcorn so far include:

News

PBS Newshour used Popcorn to annotate President Obama’s 2011 State of the Union Address.  The French/German broadcaster Arte augmented current affairs programming using the platform. Both implementations involved developers working in the newsroom to code the social video.

Radio

Popcorn’s ability to augment video also applies to audio.  Radio pioneers Radiolab used Popcorn to invite fans to create accompanying visualizations for their “seeking symmetry” episode, while Danish Radio augmented their broadcast with an innovative “hyper-transcript” that allowed viewers to see a dynamic transcript of the audio, and select parts of the broadcast to tweet to their followers.

Commercial applications

Semantic video pioneer RAMP is using Popcorn to augment commercial content like the People’s Choice Awards.  RAMP’s MediaCloud technology produces automated tags and transcripts across 1800 videos and seamlessly integrates celebrity content from across the web into their video archive.

Video-conferencing and other applications

At the application layer, the open source web conferencing platform Big Blue Button has adopted Popcorn for playback of presentations and webinars. The educational platform Grockit also uses Popcorn to provide richer feedback from learners and teachers.

Project lead Brett Gaylor told Journalism.co.uk technology correspondent Sarah Marshall more about Popcorn.

Popcorn.js, an HTML5 javascript library for integrating the web into video production by journalismnews

Steven Morris: How I tweeted the Vincent Tabak trial

The Guardian’s Steven Morris has an insightful post up today on how he went about tweeting from the trial of Vincent Tabak for the murder of Joanna Yeates.

With the attorney general reportedly considering a contempt prosecution against someone who tweeted about Tabak’s interest in pornography, which had been banned while the case was active, Morris’ post is a timely look at the dangers of posting live to the social network in real time. (That said, the only contempt prosecution brought so far in the case has been over stories printed in newspapers).

Making sure coverage made up of necessarily self-contained 140-character tweets is both legal and, in a case like that of Yeates, sensitive to younger followers or family, is no mean feat, Morris’ post highlights.

He doesn’t just look at the dangers though, which inevitably are more scrutinised, but also the opportunities. Opportunities to provide detailed, live coverage alongside a traditional newspaper report.

It turned out that the Twitter format – 140 characters a tweet – was not as problematic as it might seem. Reporters are used to transforming long-winded sentences into pithy paragraphs. The format seemed to work particularly well for courtroom exchanges. Here are some examples taken from the heart of the case: Tabak’s six hours in the witness box.

“Prosecutor asking why Tabak wanted to kiss Joanna Yeates. ‘It’s nice to kiss someone’ – Tabak.”
“Tabak: I didn’t want to hurt her, I didn’t want her to die. I didn’t want to cause her any harm.”
“Prosecution: Were you looking in her eyes? Tabak: I can’t remember.”

But what of the dangers? When you tweet, no second pair of eyes is looking at what you write before you send it. It is all down to you. Members of Tabak’s defence team certainly monitored tweets carefully and, no doubt, would have made great play if something prejudicial to their client had crept out.

See Morris’ full article on Guardian.co.uk at this link.

How a hyperlocal is calling on the community for crowdfunding with Pitch-in!

The Port Talbot Magnet, a hyperlocal launched by a group of journalists six months ago, has been asking the community to fund stories in an bid to make the site sustainable.

One of those behind the hyperlocal, Rachel Howells, told Journalism.co.uk:

Last month we launched Pitch-In! which was our call to the community, to let them know that we are here and that we want to collaborate with them and we want them to be a part of the news service.

Pitch-in! follows crowdfunding initiatives such as Spot.us, based in the US, in asking readers and interested parties to donate money.

The Port Talbot Magnet is asking the community to meet targets to “sponsor our football results service”, “help us buy public liability insurance”, “sponsor a court reporter for a day” or contribute to the development fund or offer general support.

Howells, one of the directors of the Port Talbot Magnet, explained:

These are just a taste of what we would like to achieve. We have a long list of goals, including reporting council meetings and news, police and emergency services news, increasing our coverage of business news, sport, arts, music, entertainment, charity groups and campaigns – things we don’t have the resources for at the moment. And we are looking for local people to tell us what they would like us to cover, as well as giving journalists the opportunity to pitch in with ideas for investigations or news that they think should be covered.

A month on from launching Pitch-in! as a “call to community” and Howells said it has had “some success”, appearing to have generated around £40 in donations.

It’s a little more than we would have had if we hadn’t asked.

The Port Talbot Magnet is the result of cutbacks in South Wales and the closure of the Trinity Mirror-published Port Talbot Guardian, which shut in 2009.

A group of journalists, the majority of whom were members of the Swansea branch of the National Union of Journalists, started discussing how to “do something proactive to keep ourselves in journalism”.

Howells herself is former editor of Big Issue Cymru, who was made redundant when her job moved to Glasgow.

We could see there were changes in the industry that were particularly affecting Wales and that were affecting journalism generally.

As they were setting themselves up as a cooperative the group toyed with various ideas, settling for a news site for Port Talbot to fill the “natural vacuum” left by the closure of the local paper.

When the Port Talbot Guardian closed we just thought; here is a group of people who need local news, we are a group of journalists who want to provide it, surely there must be a way of filling the gap and creating some employment for ourselves as well.

The journalists’ joint effort developed into a local news site for the town of 35,000. Eight professional journalists are on the board of the Port Talbot Magnet, plus there are 20 “interested parties”, including academics and PRs.

The site launched in April 2011, in the same month as the Passion, a three-day play starring Michael Sheen, was performed in the local area and the hyperlocal became a community partner for the National Theatre Wales. Howells said this provided traffic and a “great test and great showcase” for the site.

Attempts to get public funding had proved unsuccessful, prompting the group to last month turn to community funding and also set up a membership scheme.

We can’t run it just as volunteers for ever, we want it to grow and develop, but we recognise that we can’t do it by ourselves.

Howells is hoping the community will answer the call, to subsidise the money generated through advertising.

Along with her role as journalist and director of the news site, Howells is also studying a funded PhD at Cardiff University, looking at what happens to a town that loses its local paper, the implications for democracy, and looking at possible sustainable business models. For obvious reasons her research is focused on Port Talbot.

Asked about her findings so far she explained it was too early to provide results from her research.

What I can tell you is that there were all these awful predictions that the number of local newspaper titles would drop significantly and that up until 2015 we were going to lose a percentage of them. This hasn’t happened at all and the number of closures has been minimal.

But underneath the surface though, when you look at the number of staff that have gone, if you look at how newspapers have merged with each other, the pagination of newspapers, there is an encroaching poverty in the newsgathering, particularly in this area.

Investigative journalism news site ExaroNews launches

A new investigative journalism site is today marking the launch of its “field trial”, during which time it will test the platform and carry a selection of articles “to give people an idea of what is coming”.

ExaroNews aims to “hold power to account” and will launch as a fully-fledged, paywalled investigative news site “in a few weeks”, with a focus on appealing to readers in the business community, Mark Watts, the site’s editor told Journalism.co.uk.

The new organisation plans to encourage WikiLeaks-style whistleblowing, hoping those with a potential story will contact the Fleet Street-based editorial team or leave the documents in an anonymous drop box, which will launch at a later date, Watts explained.

The server is physically located outside of the jurisdiction which means it makes it much safer in terms of attempts to find out who has passed information on.

As well as hoping to have leaked documents to investigate, the team of mainly freelance journalists will spend the majority of time “crawling public data for stories that are generally going missed”.

The journalists will be “investigating governments in the widest sense of that word, investigating public bodies and what they are up to” by analysing the “increasing volume of public data available”, Watts said.

Journalists working for a mainstream media title don’t really have the time to assess and make sense of that data.

The team of journalists

The growing team of journalists working for the organisation includes “people who have worked on both broadsheet and tabloid newspapers, people who have worked in broadcasting and people from trade magazine backgrounds”, Watts told Journalism.co.uk.

One of those is former Westminster correspondent for the Guardian David Hencke, he said, plus there are “those who are much fresher out of journalism college, particularly those who have learned a bit about data journalism and a bit about how to make use of information that is put in the public domain by an array of public bodies”.

Watts himself ran the investigations unit at the now-defunct Sunday Business, and has worked on the Sunday Times and on TV programme World in Action.

Sample stories

One of the stories currently on the site is on negotiations between the new Libyan government and the UK, which, according to Watts, was later reported in the Sunday Times.

Former Guardian journalist David Hencke has a series of stories on the site “how auditors found crazy examples of misspending by all sorts of Whitehall departments and all this was gathered from audit reports that were in the public domain but had not been picked up on”, Watts said.

Subscription costs

Paywall prices have not yet been set and readers will be able to access the site by paying for a subscription or can opt to micro-buy articles, Watts explained.

The site is particularly, but not exclusively, aimed at a business and City audience,  simply because we think that that’s probably where the paying audience will be, as distinct from the general consumer, which has got used to the idea of having content for free.

Once the paywall is launched readers will see a homepage with introductions to articles and will be then prompted to micro-buy or subscribe.

Investigative journalism does cost money and although people are getting used to the idea of getting news content for nothing, of course what they are often getting for free is just regurgitated, rehashed, or, to use that phrase, churned material which its no wonder is free as really it is pretty valueless.

ExaroNews is holding a launch party this evening (1 November).

Independent launches site redesign and new iPad app

The Independent has today launched a revamp of its website, the same day as it released a new iPad app .

The site redesign follows a makeover of the layout of the print edition of the paper and a new masthead and also takes place in the same month the Independent launched a metered paywall outside the UK.

Martin King, editor of Independent.co.uk, explains the changes to the site in a post:

  • We have introduced greater flexibility in our use of images. This not only means a homepage and channel pages that can better reflect the variance of our daily coverage, but also a more dynamic use of images in articles.
  • There is a smoother and more flexible integration of video that better matches the YouTube and 24-hour TV world.
  • There are clearer ways to express yourself – comment on an article, share it with your Facebook friends or Tweet your view about it.
  • Meanwhile Jack Riley, our head of digital development, has devised some further advances. These include: a new tagging system for the site; dynamic pages for all of our writers; and a more intelligent automated system for related content. We’re also extending our use of Facebook’s Open Graph to include more topic pages and all writers. His article will follow shortly.

The most recently released ABC-audited web figures show Independent.co.uk had 14,675,273 unique browsers in September.

The Independent’s new iPad app is free for an initial trial period and will then charge users £19.99 a month for access to “premium” digital content from the Independent and Independent on Sunday.

This compares to £9.99 a month for the Guardian’s new iPad app, which provides content six days a week as it excludes the Observer; £9.99 for the Times iPad edition, again providing content six days a week; and £9.99 a month for the Telegraph iPad app which, like the Independent, provides content seven days a week.

 

The Week magazine gets a ‘companion site’ to the print edition

The Week now has a “companion site” to its weekly magazine, which carries a round-up of news, comment and analysis, with the re-branding of the First Post, a news site already owned by the the magazine’s publisher, Dennis Publishing Ltd.

The re-branded site has a “golden rule” that copy published in the print edition will not appear on the Week’s website, Nigel Horne, editor of the First Post and now of the Week online told Journalism.co.uk

We provide a daily news service that is not unlike the stuff we used to do at the First Post but nuanced and massaged into the Week daily.

The re-branded site, which launched yesterday (26 October), plans to publish around 25 stories a day and aims to provide readers of the weekly title a chance to “dip in during the week” to read their style of content and “original reporting”.

Storify gets a new look and promises ‘to revise the entire reader experience’

Storify has a new look, logo and functionality. The tool, which allows you to curate stories using elements from social media like tweets, Flickr photos and YouTube videos, is today rolling out its new features and promising to “revise the entire reader experience” in the coming months.

Building a Storify is smoother and the ability to narrate and explain your curated story is improved. You now view photos as a gallery and drag and drop from right to left. The system also seems more robust. I also tested closing a browser without saving while building this test Storify, which is all about the Guardian’s n0tice platform (the news group’s latest venture into hyperlocal which yesterday invited more users) and found my Storify had auto-saved.

Xavier Damman, Storify’s co-founder, explained the changes:

We’ve taken feedback from users and have rebuilt Storify on a stronger and more reliable foundation, which includes:

  • A new logo and new look. The search and the editor sides of the interface have been switched, and we have made it easier to write your own text into stories, and to add subheds, or headers.
  • An elegant new drag-and-drop functionality, which makes it easier to build stories, and to reorganise them.
  • A collapsed view of your Storify story while it’s being built, so you can see it all easily, and organise it better.
  • A revised Storypad bookmarklet that lets you gather information from all over the web for your Storify stories. You can add the material to a story at any time, and share your Storypad with other users.

The changes are explained in more detail using, of course, Storify itself below:

Follow the Guardian Hack Day 2011

Yesterday and today, staff at the Guardian have been having a get together that sums up the kind of thing the organisation is really good at.

The Guardian Hack Day is about getting its developers in a room and getting them to build stuff, with helpful advice from staff from editorial, commercial, or anywhere I think.

Information architect Martin Belam probably describes it better:

I suppose we should explain a bit more about what a “hack day” is at the Guardian. Essentially for two working days our tech team puts aside their normal work, and gets to work on a project of their own choosing. Sometimes they will work as teams, sometimes as individuals. (And sometimes I think they have been secretly coding the things for months in advance anyway). Other people, like the design and UX team, and commercial & editorial staff, are also encouraged to take part if they can spare the time.

This is certainly not the first hack day, but they are liveblogging this one, and it makes for interesting reading. It is coming to a close now, I got sidetracked away from posting something about it yesterday, but you can still follow the day two liveblog here, and you can look back on the goings on from yesterday here.

A nice hack from someone outside the Guardian also appeared today: http://latertodayguardian.appspot.com/

Created by Chris Thorpe, who used to work for the Guardian’s Open API Platform team, it uses a Guardian JSON feed to turn the news organisation’s new experimental open newslist into a great looking column-based page, with links to reporters’ Twitter accounts and a Guardian API search to try and match the newslist to published stories.

Ten incredibly useful browser add-ons for journalists

Browser extensions for Google Chrome, add-ons for Firefox and Safari extensions can be very powerful and incredibly useful to journalists.

Here is a list of some that can help you find and search, verify sources and speed up picture annotation.

Some of the extensions in this list are our tips and the rest are suggestions submitted to us after we sent out a tweet asking for nominations.

1. HoverMe (Chrome)

Verifying Twitter sources can be testing. When this browser extension for Chrome is installed and you hover over a Twitter profile photograph, it will enable you to see what other online accounts that user has and although not fool-proof, will give you some idea of whether they are a real person with LinkedIn, YouTube and Delicious accounts and, helpfully, a Klout score, which measures online influence.

The downside is you have to use Twitter’s own website rather than a platform such as TweetDeck and it does depend on users using the same email address to link their various profiles.

2. Awesome Screenshot (Chrome and Firefox)

An incredibly useful Chrome and Firefox extension for online journalists who spend time annotating screengrabs in Photoshop and other graphics packages.

First you click the button on your browser to take a screen shot and then you can crop the image, circle or blur an area and save it.


3. Greplin (Chrome)

Greplin is an incredibly useful tool and has a handy browser extension which allows you to search your own private files from Chrome. It’s like Google for your email, calendar, Dropbox and Delicious. After you have signed up to Greplin and added the extension you can then type ‘g’ in the url field and search for a keyword or phrase and find references to it from your Gmail, Facebook and Dropbox accounts, plus in several other platforms.

4. Delicious (Firefox, Chrome, Safari)

Delicious has various add-ons to help users of the bookmarking platform. You can post a URL directly to Delicious and see your tags to allow you to easily find archived bookmarks.

Tipster: @the_claus

5. British English Dictionary (Firefox)

If your CMS, such as WordPress, has a default US spelling setting, this is one way of switching it to British English. Install the add-on, select several rows of text, right-click and change the language.

6. Firebug (Firefox)

This is a handy extension for journalists to “edit, debug, and monitor CSS, HTML, and JavaScript live in any web page”. By clicking on the installed add-on, you will be given a screen which shows you the code. Handy for spotting bugs.

7. Zotero (Chrome and Safari)

Zotero is a tool to help you collect, organise, cite, and share your research sources. Click on the add-on and you can file any web page into your Zotero library and manually add additional notes and information. There is a video here that explains how Zotero works.

Tipster: @onlinejourno

8. ScribeFire (Chrome and Safari)

ScribeFire allows you to blog from your browser, without opening the CMS or platform. You can post to platforms including WordPress, Blogger, TypePad, Windows Live Spaces, Tumblr, Posterous, Xanga, and LiveJournal.

You can edit and update existing posts and also schedule posts for the future (if your blog allows that). You can also delete posts, save drafts, tag, categorize and upload images, and post to multiple blogs at once.

Tipster: @onlinejourno

9. WikiTrust (Safari and Firefox)

Journalism students are no-doubt told never to rely on information form Wikipedia. This handy add-on goes some way to help you understand the online reputation of authors and content, however. Click the installed tab (within Wikipedia) and the intensity of the colour highlighting the text will tell you the degree to which it has been revised by high-reputation authors.

An orange background indicates new, unrevised, text, white is for text that has been revised by many reputed authors.

Tipster: @the_claus

10. Greasemonkey (Firefox)

This Firefox add-on allows you to  “customise the way a web page displays or behaves, by using small bits of JavaScript”. For example, use other people’s code to do things like remove the Facebook side ticker.

Journalist Mary Hamilton, who recommended the add-on said she uses it to automate really simple tasks and auto-refresh web pages.

Tipster: @newsmary

Sydney Morning Herald: The Australian to reveal paywall details this week

The Sydney Morning Herald has reported that News Limited (the Australian arm of News Corporation) will officially announce its paywall for the Australian this week, after it outlined plans for a ‘freemium’ subscription model for its online content back in June.

It had already been announced that the model will offer access to some content for free, but others will require payment.

According to the SMH report the site will charge $2.95 a week to access all content across the website and its phone and tablet apps.

It will be the first paywall for a general newspaper in Australia, an experiment that has achieved mixed success overseas by newspapers and magazines including The New York Times, the Financial Times and The Economist.

It will follow the approach of News Corp stablemate The Wall Street Journal. Some stories will be able to be read for free while others will need a subscription to be read, most likely to be its analysis and specialised sections.

At the World Editors Forum last week, three publishers – including the New York Times – outlined their paywall strategies and lessons they had learnt along the way.