Category Archives: Events

How the Young Turks thinks it will ‘destroy the old media’ (audio)

Heard of the Young Turks? No? Well, according to its founder you will soon, because it’s going to demolish the mainstream media in America. In fact, it could win an online poll against Jesus, he said.

The ‘first live, daily webcast on the internet,’ the alternative show has had over 207 million views on YouTube. It charges $10 a month for its full content option; and takes $2.5 for every 1,000 views on YouTube.

During one of the liveliest parts of the day at yesterday’s Guardian Changing Media Summit, at the final keynote roundtable, Cenk Uygur (pictured left) said:

“Old media is a lot of trouble. It’s a question of what’s going to survive and what’s not going to survive. Are newspapers in America going to survive? Hell no, no way.”

  • Audio – with audience and panel reaction

Newspapers might have only ten per cent of the advertising revenue next year (down from around 50 per cent in the 1950s, Uygur said) but that was too much in his opinion: “It shouldn’t be anywhere near 10 per cent. As they say here in Britain that’s mental.”

Shaking off a heckler, Uygur said that his online talkshow’s content could easily compete: “NBC’s content is nowhere near as good as mine”.

But the best quote: “Our viewers are awesome; we call them the TYT army: we can never lose an online poll. We can do an online poll against Jesus and we will win.”

CMS 2010: Data is a business’ biggest asset, says head of Associated Northcliffe Digital

Richard Titus was shocked to discover that one of Associated Northcliffe Digital’s portfolio businesses was just throwing away its transaction data, when he first started as CEO.

They told him they wiped it each week:  “Well, hard drives are expensive.”

Data is the asset, and a really big opportunity for businesses, he said at yesterday’s Guardian Changing Media Summit.

Audio:

“It’s very hard to copy; it’s very hard to steal; it’s very hard to pirate and it has incredible large scarcity.

“Data with its scarcity is one of the most important assets most businesses have today. Most businesses give it away; don’t collect it; they wipe it off their hard drives.”

AND, the digital consumer division of DMGT, looks after Associated and Northcliffe digital media sites, as well as online classified sites such as Jobsite.co.uk, FindaProperty.com & Primelocation.com. A significant part of its business is in Eastern Europe, Titus said, where its classified sites are ‘market leaders’.

Its new hyperlocal network Local People was focussed around bringing community-oriented information to groups of 20-30,000 people.

Titus, who previously worked for the BBC, also emphasised the potential to make advertising money out of small and medium enterprises, he said.

Titus said that the “the thing that most matters in digital today is your relationship with the customer”.

#ds10 – Follow the Digital Storytelling 2010 event

Journalism.co.uk is attending today’s Digital Storytelling conference – a free one-day event looking a new tools and techniques for multimedia and online journalism. If you’re interested in following the day, use the liveblog below or follow the hashtag #ds10 on Twitter. You can also watch live coverage using the video player below.

We’ll try to share the best bits of the day on the site.


Free video chat by Ustream

Coventry Conversations: The birth of BBC News Online

BBC News Online was initially devised in 1997 as a response to CNN’s online news page, claims its creator and former Editor-in-Chief, Mike Smartt.

“The reason that the BBC decided to go online was that CNN went online in 1996. And because the BBC doesn’t do anything in a hurry, it took it a very long time to actually make the decision.”

Speaking at the University of Coventry as part of its ‘Coventry Conversations’ series, Smartt told of the early days of online news and the difficulties faced by both designers and journalists.

Online journalism had to wait for technology to permit it to expand to its full potential, he said. Deadlines were demolished and journalists were regularly spending over half an hour to write a code with their story, only to have to go back again when a space, comma or any other character wasn’t in place.

The BBC were very wary of going online at first, Smartt said. “Initially, in the BBC, the journalists rejected the idea for two reasons: the money that was used to finance it was obviously coming from radio and television, so there was some resentment, and the internet was seen, amongst the people in the more traditional media, as competition,” he confessed.

When they did push ahead with the idea, experience was obviously thin on the ground. “My only qualification was that I used one of these” he said, showing a picture of his laptop back in 1997. The initial website was running from a server similar both in size and internal technology to his original laptop, he said. “Actually, for three weeks when we first launched the server, big in theory, … looked like this, that’s what we served News Online from, for three weeks, in the corner of the Newsroom.”

He also spoke of the problem of deciding what a story should look like online, whether going on the internet meant that people were looking for “three Ceefax sentences” or something more in-depth. The BBC’s 1996 ‘Online News Concept’ outlined goals that are beginning to be met only recently: valuable text, high-quality pictures that load fast, high-quality audio, full screen videos and full interactivity.

The content of the first test pages was mostly made up of jokes, but the team, led by Smartt, had to redesign the site again and again until the first BBC News Online page was finally agreed upon. He showed one version of the front page with a lively design and a high number of images, but explained why they couldn’t go with it: “If you remember back then you had dial-up, and you literally rang them up, and then this sound came along, and then you were connected, and only later up came the site, very, very slowly.”

Smartt finished with a warning to those who are not prepared to embrace new forms of journalism: “If you can’t handle multi-media, and you will have to in future, you are doomed in this business.”

#afghancov event – Afghanistan: are we embedding the truth?

Follow coverage of Coventry University’s event ‘Afghanistan – are we embedding the truth’ in the liveblog below from 1pm – 4pm or view the livestream:



The discussion will examine coverage of Afghanistan in the news and wider media with correspondents in Kabul. There’s more details at this link of the line-up, which includes Channel 4’s Alex Thomson and Kevin Marsh from the BBC College of Journalism.

International Press Association holds extraordinary general meeting in Brussels

The International Press Association (IPA) is holding an “extraordinary general meeting” today in Brussels.

The meeting, entitled ‘What does the future hold for Brussels-based journalists?’, will address the steep decline in the number of EU accredited journalists working in Brussels.

Media organisations are increasingly downsizing, cost cutting and closing their operations in the capital of Europe (…) What are the consequences of these phenomena for Brussels-based media, and, more importantly, for informed reporting of the EU?

Accredited journalists based in Brussels and members of the association are invited to discuss the following issues:

Communication and information policies of the European institutions and in particular the Commission

Conditions regarding work and residence of journalists based in Brussels

Improvement of contacts and collaboration at the heart of the press corps based in Brussels.

See the full IPA release at this link…

BBC SuperPower Nation: ‘It’s going to be a little bit rough and ready’ says editor

As reported by Journalism.co.uk on Wednesday, the BBC will today depart from normal broadcast methods and experiment with a global live translation event, using its 13 different language services.

The primary house rule of SuperPower Nation is that different languages must be used. Will it work? The event’s editor Mark Sandell, who also edits World Have Your Say on the World Service, said he doesn’t know.

“This is the whole point of it – there’s got to be a sense that this is an experiment,” he told Journalism.co.uk. “I have no idea whether it will work in this format – the experimentation is crucial.”

“People have to go with the fact that there are going to be some messy moments,” he said, but he hopes there will be “some magic in there too”.

This simultaneous transmission will put pay to the “usual hierarchy of TV pulling rank on radio,” says Sandell. “It’s going to be a little bit rough and ready.”

The hub in London is central, but not the main element of the event, he says: “It could be anywhere. The people in the room are no more or no less important than those in an internet cafe in Dhaka.”

At the London base, actors will play out Romeo and Juliet – in their own languages. Musicians will collaborate – in their own languages. A ‘chat roulette’ will see different participants thrown together in conversation.

The initial idea of the entire project, says Sandell, was to break down as many language barriers as possible and see what real-time conversations occur when English is no longer the default.

True/Slant: Can you crowdsource music journalism?

Leor Galil reviews AOL’s recent experiment in covering the music portion of massive US festival and conference SXSW: AOL offered 2,000 $50-assignments to create coverage of the event for its music site Spinner. The freelancers were recruited via freelance content site Seed.com with the aim of covering all 2,000 bands appearing at the festival.

There’s a certain crassness to AOL’s experiment. The very concept places more weight on quantity vs quality, and the setup undermines the very ideals and democratic nature of web publishing and blogging. With blogging, most bloggers pour their blood, sweat, tears, time and love into a little blog that may not get a lot of hits: many see zero monetary gain. It’s a labour of love, and the best content (or most creative, etc) tends to rise to the top and get noticed. And, one hopes, those who are able to create some fantastic content on a consistent basis can begin to establish themselves online and perhaps make some money for their hard work.

Full post at this link…

Guardian launches Student Media Awards 2010

The Guardian Student Media Awards are now open to entries. The 2010 competition features a new category designed to recognise developments in digital journalism and the rise of social media. Blogs and Twitter feeds are now eligible for the ‘Digital Journalist of the Year’ category, meaning students unconnected to student newspapers or radio stations can enter.

The judging panel includes Guardian editor Alan Rusbridger, Channel 4 news presenter Jon Snow, and NME editor Krissi Murison. Winners each receive a month’s work experience at the Guardian.

The six categories this year are:

Publication of the Year
Reporter of the Year
Writer of the Year
Photographer of the Year
Digital Journalist of the Year in association with NME.com
Broadcast Journalist of the Year

ReadWriteWeb: Wikipedia as a breaking news source

From the ‘process journalism’ session at the SXSW Interactive event in Texas comes a discussion about Wikipedia as a news source. ReadWriteWeb reports:

Just like other news aggregation services, Wikipedia takes many sources and puts them in to a central location, but with the added benefit of human curation instead of algorithmic collection.

“There’s no real-time reporting going on in Wikipedia, it’s real-time aggregation,” Pantages [Moka Pantages, WikiMedia communications officer] said.

So the very first level of information vetting, which happens at the reporting level, has already taken place by the time it reaches the site. Then the hundreds or thousands of editors continue to scrutinize the information, discussing edits and potential changes in the back channels. The news we read in our daily newspapers, on the other hand, is curated by only a small number of people. Surely, there is the question of qualification, but many of Wikipedia’s contributors and editors are, themselves, professionals.

Full post at this link…