Leveson inquiry has cost £2m so far

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The Leveson inquiry into press standards has cost £2 million to run so far, figures made public on the inquiry website reveal.

By 31 January, the inquiry, which was set up last July, had spent £1,992,600 and had sat for 35 days. About a third of the spending (£682,100) goes on the secretariat, and another quarter (£536,100) on counsel to the inquiry.

£82,000 has been spent on deputy judges to cover the Court of Appeal while Lord Justice Leveson chairs the inquiry. IT and broadcasting costs add up to £214,700 so far.

The full details can be found on the Leveson inquiry website.

The top 10 most-read stories on Journalism.co.uk, 5-9 March

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1. Twenty inspirational women journalists

2. Frances Harrison: My double life as mother and foreign correspondent

3. Local newspaper paid-for iPad apps hit Apple’s Newsstand

4. Marie Colvin funeral to be held in New York this weekend

5. BBC to launch online corrections page, Trust confirms

6. Sun’s former digital product manager joins Johnston Press

7. Paul Conroy talks about Syria: ‘It’s a massacre’

8. Emap considers selling its print magazines and events

9. Richard Fletcher named as Telegraph website editor

10. Evgeny Lebedev: Independent to launch new campaigning website

#followjourn – @fletcherr Richard Fletcher/(soon-to-be) editor of Telegraph website

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Who? Richard Fletcher

Where? It was announced this week that Richard Fletcher is to become editor of the Telegraph’s website

Twitter? @fletcherr

Just as we like to supply you with fresh and innovative tips, we are recommending journalists to follow online too. Recommended journalists can be from any sector of the industry: please send suggestions (you can nominate yourself) to Sarah at journalism.co.uk; or to @journalismnews.

Archant London restructures its senior editorial team

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Archant London has restructured its senior editorial team following the merger of its newspaper and magazine divisions.

Geoff Martin has been appointed editor-in-chief for Archant London’s newspapers published out of its Swiss Cottage office in Camden.

Malcolm Starbrook is the now editor-in-chief of newspapers published from its Ilford office, in east London.

Archant London’s editorial director Bob Crawley said the changes would provide one point of senior management contact at each office.

Chris Carter, editor of the Ilford Recorder, will continue to lead CMS editorial development as well as working on new projects such as the roll-out of its citizen journalism website iWitness24 for the whole of Archant London’s newspaper division.Laura Adams will continue to edit Archant’s bridal publications as well as editing the Barking and Dagenham Post, while Colin Grainger continues as editor of the Newham Recorder.

Peter Le Riche has been appointed to the newly-created role of commercial features editor.

Peter Le Riche, who previously worked as an editor with Archant South West before joining Richmond Council as head of communications, will rejoin Archant as their commercial features editor from 12 March.

New German law may impose fees on aggregated content use

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Germany’s governing centre-right coalition has proposed a new copyright law which would see content aggregators such as Google News paying royalties every time they index search results from news websites.

The proposal, which is available (in German) on the German Press Agency’s website states:

Commercial traders out there, such as search engines and news aggregators, should pay a fee to the publishers in the future for the distribution of press products (such as newspaper articles) on the internet.

Citing the German government’s original agreement, which states that online publishers “are not meant to be worse off” than other industries, the legislators suggest that the fee period should last for one year.

The fee proposals do not cover individuals using the material for private purposes and private users “will not be affected” by the proposal to charge for access.

Google has previously been sued for copyright infringement by French publishing houses Albin Michel, Flammarion and Gallimard, after the search giant scanned nearly 10,000 books for its Google Books site without permission.

The publishers later dropped their case against Google, saying they wanted to seek an “amicable solution to the litigation”.

In a similar copyright dispute in the UK, the Court of Appeal rejected arguments from the Public Relationships Consultants Association and news clippings service Meltwater that exemptions to copyright law could be applied to the content of newspaper websites, according to law firm Pinsent Masons.

In the UK, users of a clipping service must now have a licence from publishers to click on links taking them to a news website to avoid infringing the publishers’ copyrights, says Pinsent Masons.

A copyright tribunal said:

We reject the argument that requiring end user licensing under the WEUL (the Web End User Licence issued by the NLA), and at the same rates as the WEUL, is unreasonable.”

If Meltwater want to offer a headline only service to their end users they are free to do so but the service must be licensed in the same way as the headline plus text extract service.”

Q&A with hyperlocal site boasting 15,000 newsletter subscribers

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ChiswickW4.com, which claimed 50,000 unique visitors during January, has just gained it’s 15,000th email newsletter signup.

Launched by the Neighbour Net group in 2000 to cover the W4 postcode area of London, Neighbour Net now boasts a portfolio of nine other hyperlocal sites in London, including EalingToday.co.uk and PutneySW15.com.

One of Neighbour Net’s directors, Sean Kelly, spoke to Journalism.co.uk about the site’s model.

Who’s behind the operation of the website? What inspired you to set up a hyperlocal site?

The site was set up by Tony Steele and Sean Kelly who both live in the Chiswick area. The aim was to fill the gap in local news provision initially in Chiswick and then extend the concept out to other areas.

Are your articles written by local contributors or do you have a dedicated team?

We have a dedicated editor for each site and a significant number of other local contributors in each area. The contributions tend to be reviews – restaurants, concerts, theatre. There is also a central office resource for content production which can write stories when the editor is away.

Is anyone employed to work full-time on the site?

Yes, we have four full-time staff but that includes sales and back office. The aim on ChiswickW4.com is to be able to respond 24/7 to breaking news.

Your site has a number of subtle advertisements – could you tell us a little about your business model?

Nearly all our customers are small local businesses and they either have advertising packages which include banner display and newsletter inclusion or listings in our directories.

We also like to be supportive of local independent businesses and like to write positive stories about them. Obviously we are more inclined to cover items about our clients but often feature non-clients as well.

Do you have a social media strategy? If so, what social networks do you use and how do you use them?

We put all our news content out on Twitter and Facebook as well as some aggregated feeds with local offers, events, jobs and traffic reports. The main use for us of social media is sourcing stories rather than broadcasting. It is particularly powerful for breaking news.

We try and follow as many people as possible who live in the area to ensure that if something is kicking off locally we hear about it quickly.

Why did you go down the newsletter route, rather than taking a different approach?

Probably because in 2000 there weren’t really many alternatives but e-mail newsletters have proven to be the most effective broadcast method ever since.

On a proportional basis they still deliver the highest level of response both for advertisers and in terms of click through to news items.

How does your traffic for the Chiswick site compare with the rest of Neighbour Net’s sites?

It makes up around 50 per cent of group total over the course of a typical month. On exceptional days sites like PutneySW15.com and EalingToday.co.uk can exceed Chiswick’s traffic.

Do you have any plans to roll out new features on the sites?

The plan is to increase the amount of user contributed content further although the editor will remain central to the story production process.

Are you planning to expand? If so, where to?

We normally expand contiguously so that people in the area may be familiar with the site and we can cross-sell to existing clients as well as provide editorial support from neighbouring sites.

The most important determinant of where we launch is finding a suitably high quality editor. The plan is to recruit more actively once the content management system is up and running.

ChiswickW4.com can be found on Twitter as @ChiswickW4.

#ftmedia12: BBC’s director of future media on plans for ‘connected studio’

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Speaking as part of a panel on ‘technological innovation – shaping the future of media’ at the Financial Times’ Digital Media Conference today, the BBC’s director of future media Ralph Rivera briefly introduced the broadcaster’s new idea for a “connected studio”.

The plans were first reported in an FT report earlier today, based on an interview with Rivera ahead of his appearance at the conference.

According to the report, Rivera is “keen to bolster the corporation’s reputation as a finishing school for digital entrepreneurs”.

Mr Rivera is set to announce the creation of a £3m “Connected Studio” project which aims to connect BBC developers and producers with their commercial counterparts, and establish a new technical platform for outsiders to build digital services around BBC content.

Speaking about the plans at the conference today Rivera said “the studio is that space where technology and the creative storyteller come together” and that it “made sense” to “create a connected studio”.

He told the audience this could see the creation of a virtual space and possibly a physical one also.

#ftmedia12: FT content revenues could overtake advertising in 2012

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Image copyright Chris Young/PA

This year “could well be” the first year in its history that content revenues, including print and digital, overtake advertising revenues at the Financial Times, its chief executive, John Ridding, told the news organisation’s Digital Media Conference today.

The latest figures show content revenues for the FT accounted for 41 per cent in 2011, while advertising revenues accounted for the majority.

Speaking on a panel debating “the future of digital journalism and news”, Ridding said the FT’s relationship with its readers has helped to “sustain” quality journalism.

Having that understanding about what readers want is very helpful in continuing to improve the quality of journalism we provide.

We are confident in the business model and confident it will not just sustain quality journalism but enable us to further build quality journalism.

The site currently offers free registration which gives users access to eight articles a month, after which they would need to pay a subscription to access further content.

During the panel Ridding also spoke about mobile, which he said has been “a complete game-changer” for the FT.

One of my issues to start with was will the kind of content we do work on mobile? The answer is yes.

He added that one question to consider is whether there are ways publishers can reach out to “large continental economies” via mobile and tablet devices, such as by using “incentives … to stimulate that demand”.

Last month the FT’s parent company Pearson reported in its end-of-year results that FT Group revenues increased by six per cent to £427m in 2011.

Digital subscriptions to the FT were said to be up 29 per cent year-on-year to 267,000 and registered users on FT.com had risen by 33 per cent.

Last week paidContent reported that “in the US, to where its online chief recently relocated, digital subscriptions have now overtaken print subscriptions”.

The interview with Riddings also revealed that content revenues are expected to overtake ad revenue in 2012.

#ftmedia12: Jimmy Wales’s advice for journalists on using Wikipedia

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Picture by Lane Hartwell [CC-BY-SA-3.0 (www.creativecommons.org/licenses/by-sa/3.0) or GFDL (www.gnu.org/copyleft/fdl.html)], via Wikimedia Commons

I caught up with Wikipedia founder Jimmy Wales at the Financial Times’ digital media conference to find out more about his views on how journalists should – or shouldn’t – be using Wikipedia.

He said while “generally speaking we always recommend journalists shouldn’t necessarily cite Wikipedia”, he advised reporters to use it as a “starting point” and then search out community discussions and what they “want to know”.

He added that he is pleased with the “stamp of approval” when news outlets link to Wikipedia.

Listen to the audio below in which he also explains the licences used by Wikipedia, such as for the use of images.

Citizen journalism: Street Photographer of the Year announced

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Kheoh Yee Wai, winner of the CJET Street Photographer of the Year, poses with his photo

The winner of the Citizen Journalism Education Trust (CJET)’s Street Photographer of the Year was announced yesterday.

In a release, Kheoh Yee Wai, 23, (pictured above) described his winning photograph:

The mum and her child were strolling on the streets of a neighbourhood in Leeds, passing by a family that was having a barbecue at that time. They had a huge dog that kept jumping-up in excitement.

That was when I knew I had to stop and capture a candid street photograph.

To qualify for the prize, entries had to be taken on a mobile phone by an amateur photographer or citizen journalist.

Judges included award-winning photographer and former Guardian picture editor, Eamonn McCabe and Allyce Hibbert picture editor for Time Out.

Wei, was awarded a camcorder. Runners-up Pete Smith and Daniel Holland received framed prints of their photographs.

All 12 shortlisted photographs are being exhibited at the London College of Communication until Thursday, 15 March. More information is available on the LCC news and events blog.