Tag Archives: BBC

#VOJ10 – Twitter is just another outlet, says BBC’s Laura Kuenssberg

One careless tweet could sink the fleet.

Advice from BBC journalist Laura Kuenssberg, who warned of the power of a single tweet to bring down politicians and political correspondents alike. Kuenssberg, who did her fair share of tweeting during the general election last month, is specific about what she tweets:

I still use it broadly for the same things [pre and post-election] and I’m quite strict about why I would tweet. I use it for simple breaking news and information (…) it’s the fastest way of getting it out there even with 24-hour television.

I also use it for the kind of colour you see as a journalist – not gossip, not rumour. These are often the things that get retweeted the most; things that as a journalist you see with your own eyes but might not get to broadcast.

As a lobby journalist you’ve got a ticket to a very small world. You are witness to a very closed world. Its part of my job to reach out to people and give them moments of colour that they otherwise wouldn’t see.

Having trialled using twitter during the party political conferences in 2009, Kuenssberg’s following on the social network grew from around 5,000 pre-election to 23,000 post-election. But it hasn’t changed how she works, she says – just added to it:

Twitter has just become another outlet. It’s highly compatible with my job because I’m normally out and about. It has given journalists more material – not a massive amount, because so far we haven’t had massive breaking stories from citizen journalists.

Social media as a “paper trail” – tracking down the backgrounds of PPCs and following what they’ve said pre-election on Twitter – was particularly useful however, said Kuennsberg.

Although it’s still a small group of people using Twitter, it has shown me that there’s a big interest in what we do. There’s a huge appetite for politics and I think we’re reaching some people who weren’t consuming political news in any way before.

#followjourn: @jonfildes/BBC technology index manager

#followjourn: Jonathan Fildes

Who? Technology index manager at the BBC

Where? Fildes, who recently returned from a 10-month sabbatical at the Massachusetts Institute of Technology (MIT) in Boston, runs the BBC technology site, as well as working as a science journalist on a freelance basis. He has also worked for BBC Radio and BBC News television.

Contact? @jonfildes

Just as we like to supply you with fresh and innovative tips every day, we’re recommending journalists to follow online too. They might be from any sector of the industry: please send suggestions (you can nominate yourself) to judith or laura at journalism.co.uk; or to @journalismnews.

#followjourn: @roztappenden/broadcast journalist

#followjourn: Roz Tappenden

Who? Broadcast journalist

Where? Tappenden currently works for BBC News Online as a broadcast journalist, working for the South and South East regions. She has previously worked as a news reporter for Brighton’s local newspaper the Argus and for ITV Central News.

Contact? @roztappenden

Just as we like to supply you with fresh and innovative tips every day, we’re recommending journalists to follow online too. They might be from any sector of the industry: please send suggestions (you can nominate yourself) to judith or laura at journalism.co.uk; or to @journalismnews.

Times Online: BBC to integrate iPlayer with Facebook and Twitter

The BBC is planning to link its catch-up TV service with Twitter and Facebook. The new version of the iPlayer will allow viewers to comment and chat about what they are watching without leaving the service. Similar services have been tested for one-off events by other broadcasters using the Facebook Connect tool and by sites such as Livestream, but this is a notable step by the BBC towards internet-connected television.

Full story at this link…

#ge2010: Who was first-past-the-post in this year’s election coverage?

It is an event producer’s nightmare. You book three big speakers, and they pull out with two hours to go. Reader, that was my nightmare on Tuesday.

Five day after polls had closed and Britain was still without a government. I had the general election editors of the BBC, Sky News and the editor in chief of ITN all set to go head-to-head on ‘Who won on TV?’ at Westminster University for a Media Society debate. The debate looked promising until Gordon Brown decided he had to go and would be replaced by David Cameron that very night. The broadcast editors decided they had better, well, broadcast.

Fortunately, the audience was nearly as distinguished as the panel, and veteran media commentator Raymond Snoddy and Professor Ivor Gaber were recruited to join Dorothxy Byrne, head of news and current affairs at Channel Four. They were joined by the doyen of political documentary makers, Michael Cockerell, and were under the watchful eye of ex-Sky News editor Nick Pollard, who chaired the debate.

The televised leaders’ debates came to dominate the election campaign and they very nearly dominated discussion on Tuesday night. Given the tight rules laid down by the politicians in advance, many claimed ‘debate’ was something of a misnomer. David Hill, Tony Blair’s ex-spin doctor, felt anything was better than the bear pit Question Time had become in the 2005 election. The audience at Westminster felt that broadcasters ITN, Sky and the BBC had too easily rolled over and accepted the preconditions laid down for them. The BBC was largely felt to have produced the best of the three debates thanks to the magisterial presence of David Dimbleby.

There was a different opinion of Dimbleby on the BBC Election night programme though. Some felt he looked tired and over-rehearsed, and a little lost in the behemoth of a set. While admiring his stamina, at least one person remarked on his miscall of a couple of swings. Jeremy Vine and his virtual reality graphics show divided the audience as did, inevitably, the Jeremy Paxman experience.

It seems that the BBC got it mostly right, but very wrong in one case in particular, namely the ‘Ship of Fools’, a barge on the Thames full of celebrities being quizzed about the results. The political opinions of Bruce Forsyth and Joan Collins were both predictable and irrelevant on a night of high drama. Nobody defended the ship. Clearly a wrong move.

As to network alternatives on the night, both ITN and Sky were seen as sharper and quicker than the BBC, partly because they got to the locked-out voters story earlier. In terms of set design and presentation though, there was no match for the BBC.

Where all the networks scored was in putting the newspapers in their place. The printed press was following the agenda in this election not leading it. Nowhere was this seen better than the live interruption of our debate to show the Gordon Brown resignation statement live from Downing Street. That moment really summed up this year’s election coverage – fast, exciting, and on television.

#ge2010: Election Night review – a night of TV drama starting in Northern Ireland

Broadcast journalism lecturer at Coventry University John Mair reviews last night’s election coverage from the BBC from his post in the broadcaster’s Northern Ireland election newsroom:

Lunchtime Friday and still no clear answer. The British people have spoken but in a divided way. The politicians are wriggling to get advantage or cling on to power (you decide). The most exciting election campaign of modern times has been followed by the most exciting night of election drama of modern times.

Nowhere was the drama greater than here in Northern Ireland where I was working on election night – the other election, often ignored by those ‘across the water’. First casualty, Northern Ireland’s First Minister Peter Robinson whose 31-year stint as MP for East Belfast ended in stunning defeat by a woman of the centre – Naomi Long of the Alliance Party. Robinson has had an annus horibbulis having to face television investigations announcing his wife’s affair and, after that, his own land dealings came under scrutiny. Last night was his nadir. He rushed to the count at Newtonards Leisure Centre, spoke briefly to the local media and was then ushered out. Now he has gone to ground to lick his wounds and fend off predators.

The Robinson moment was magic telly: milked by the local outputs, but less so by the networks. They wanted more of Lady Sylvia Hermon, who defected from the Unionists when they joined with the UK Conservatives. The Traditional Unionist Voice (TUV) were seen off in what should have been their heartland North Antrim by Ian Paisley Jnr – brands are as important in politics as anywhere else. He and father – who preceded him in the seat for 40 years – showed their contempt for the TUV by singing the national anthem before his victory speech. Worse for ‘moderate’ Unionism, Sir Reg Empey lost out in South Antrim to the Democratic Unionist Party (DUP). The planned Tory beachhead in Northern Ireland became a washout. It was a media confection.

The BBC Northern Ireland Election programme ran for seven-plus hours using all the 18 counts at eight locations as their prime material. Down-the-line interviews galore at the outside broadcasts based on deep local knowledge. The local commercial station – Ulster Television – did not even make it to the starting line. No election news between 10:30pm and 09.30am. That did not go unnoted by fellow hacks.

The BBC’s ‘Dimbleby programme’ had a magnificent set on its side and some pretty special Jeremy Vine virtual reality graphics too – my favourites being the Downing Street staircase or the House of Commons with real faces smiling and nodding. Modern Television journalism is about entertainment and keeping it simple. Nowhere more so than in the use of electronic graphics. All of that plus live reporting from many of the big beasts of telly journalism. It’s fascinating to see how many of them still used the basic journalistic skills, like Kirsty Wark doorstepping/walking besides and interviewing Nick Clegg on the hoof on the way to his count.

It’s difficult from inside my bubble to know how the drama played out in the nations. It certainly kept us rapt in this television control room. You could not have written the script. But the 2010 General Election story has not yet reached its final chapter. Plenty more drama to come…

Read John Mair’s report from the BBC’s TV ‘hub’ in Belfast on the build-up to election night.

#ge2010: Inside the biggest night in broadcasting

It’s quiet now. You can hear a pin drop. In twelve hours’ time it will be organised chaos. I am at the BBC TV ‘hub’ in Belfast getting ready for the biggest night not just of politicians’ lives but broadcasters’ too. Tonight is general election result night and we’ll be live on BBC One and Two for hours on end bringing predictions, results and analysis to British people and many further afield.

In my bit of the hub, I handle all the material going ‘across the water’ from here to the David Dimbleby programme in Television Centre London. BBC Northern Ireland is at all of the eighteen counts at eight counting centres throughout the province, bringing breaking results, analysis, and interviews with the movers and shakers. I will be constantly offering material to the central hub in London, which they will accept, reject or just plain ignore. At busy periods they could probably fill four TV channels with election results coming in.

This is the BBC at its journalistic and technical best. Hundreds of hacks working on getting the results, processing them and analysing the team in London. Nothing can go wrong on the night. Little is left to chance. Rehearsals have been taking place for the better part of the last week. All systems tested, none found wanting-so far. From my desk I can talk to sixteen different locations/units to see what’s happening.

In front of me will be sitting the BBC Northern Ireland hub producer. They’re going out live too from 10.00pm until the last result here, probably around six hours later. We’ll share their fruits with the rest of the nations when we can. To my left will be the RTE hub producer from Southern Ireland. They’re going big on this election with a Belfast and a London Studio and a big outside broadcast to boot.

This is my eighth British general election with the BBC and it still gets the adrenalin going after 30 years.

After it’s over – tomorrow afternoon by best reckoning – it is time for the post mortem and the analysis of what went right what went wrong. To that end, I’ll be producing an event for the Media Society next Tuesday at the University of Westminster entitled Who Won the TV Election? (more details at www.themediasociety.com or below).

Enjoy tonight’s coverage on TV, and come along next tuesday to praise or blame the great men and women who put on this quinquennial spectacle. Rocket science it may not be, but at times it isn’t far off.

BBC returns to Sri Lankan airwaves after 14-month absence

The BBC World Service has reinstated its FM programming on Sri Lankan national broadcaster SLBC after suspending the service in February 2009.

The programming was removed following “deliberate interference” with the broadcasts, though BBC content remained available via shortwave radio channels and online. At the time SLBC’s chairman said it was his duty to censor the BBC “at a time of war”, as fighting intensified between troops and Tamil Tiger rebels.

“The BBC wishes to rebuild its partnership with SLBC – part of a strong relationship with listeners in Sri Lanka that goes back to the 1940s. We have been reassured by SLBC that our contractual agreement will be respected, which guarantees that our programmes in English, Sinhala, and Tamil are broadcast uninterrupted,” says Peter Horrocks, director of BBC Global News, in a press release.

BBC takes Digital Emmy for Virtual Revolution

The BBC has won a Digital Emmy Award for the Virtual Revolution – its multi-platform series looking at the impact of the world wide web on daily living.

The prize was awarded to the project’s production team who consulted viewers before and during the production process.

Journalism.co.uk’s Judith Townend talked to the team in March about how the award-winning series was created.

BBC Research and Development blog: Could the Mythology Engine be applied to online news stories?

Interesting prototype from the BBC for a new way to explore the stories, characters and archives of drama series.

The video below explains how the Mythology Engine works:

“The featured characters stories and things all link to other places in the Mythology Engine,” says the video.

While the idea is currently being applied to fictional series and dramas, such as Doctor Who, the alternative way of navigating through an ongoing story, of learning more about the key characters and events and being able to discover the connections between these is an interesting prospect for news storytelling.

And should this model and framework make us think differently about how we write and produce stories? Could we start to create narratives that are tailored for the web?

We’re already seeing experiments by news organisations with presenting ongoing stories with deep archives, such as the New York Times work with Google on the Living Stories project, and ongoing topics featuring characters with multiple connections and important backgrounds, like Channel 4’s Who Knows Who politics site.

The Mythology Engine goes a step further in the way it uses data to link elements of the story together and present them in an exciting and explorable format for users – could a version of this be created for more rapidly updating, unpredictable news events?

Full post at this link…