Talking about making sausages
Dispatches from inside the “echo-chamber of mediated Manhattan” today, courtesy of the NYT’s David Carr. Carr has an interesting piece up on what he sees an increasing amount of news on the news: ‘Breaking the story that isn’t”
As a media reporter, I’m obviously not one to suggest that the activities of journalists are not a legitimate source of inquiry. But I worry that the incremental needs of an always-on Web — everyone wants to know what the state of play is at any given moment — will imperil the practice of longer-form journalism, the kind that demands time, an open mind, a lot of questions and sometimes results in dead ends.
As a media reporter reporting on a media reporter reporting on over-zealous media reporting, I’m really obviously not one to suggest that the activities of journalists are not a legitimate source of inquiry.
As Carr puts it, “the manufacture of sausage is sometimes as much the point as the sausage itself”.
These US Digest posts are little more than an aggregation, a round-up of published material, but Carr has the close online scrutiny of ongoing stories in his sights.
Twitter and blogs may have become part of advancing the story, but it’s more likely that incremental updates on what the reporters are up to — or misleading rumors about same — may harden the opposition, button up sources and sometimes derail investigations.
So at what point does the navel-gazing jeopardise good stories? How much talking about making sausages spoils the taste of them?
Carr’s piece may have been prompted by the attention paid to his paper’s coverage of the Governor Patterson scandal, which he refers to as “wild and wildly off-base rumours”. Paying the most attention was the ever-vigilant NYTPicker.
“The deeper sounds of a small journalistic orchestra”
Journalists complaining about cost-cutting moves toward ‘one-man band’ journalism isn’t anything new. Journalists extolling the virtues and opportunities of ‘one-man band’ journalism isn’t anything new either.
But using a handful of good examples Howard Kurtz has produced a decent, objective edition of Media Notes today looking at both sides of the coin. Lazy journalists living in the past be warned, it also includes some intimidating tales of multi-tasking.
The highlight of the piece is the story of one journalist’s remarkable transformation, graduating from suits and ties to baseball caps and a dirty hatchback:
A coat-and-tie journalist who has worked in television news for 27 years, Broom had to reinvent himself – with the aid of a three-day boot camp on shooting video – when he joined the Gannett station in 2007. Now he wears a black jacket and black Channel 9 cap and rarely goes to the newsroom. Instead he cruises the area in an unwashed white Honda hatchback, its front seat filled with a Dell laptop, police radio, tripod and Sony HVR-V1U video camera.
Kurtz’s article is balanced, and doesn’t jump to defend the profession against the suggestion that journalists should be able to do it all, but there is a simple reminder that standards may be at risk:
A one-man band is cheaper, quicker and more nimble — but cannot produce the deeper sounds of a small journalistic orchestra.
No press pass, no get out of jail free card
Student journalist Cameron Burns finds himself on the other side of the story today in The Daily Californian, after finding himself charged at by riot police on a California freeway at the end of last week.
Covering a demonstration over public education funding for student paper The Daily Californian, Burns had left his press pass in the office and was tackled to the ground and arrested alongside the protesters, despite repeated assertions that he was a journalist.
The result? A twenty hour stint in jail and a court appearance scheduled for April 6.
L.A. Times disappears behind paywall Johnny Depp
From Reuters, news of dismay among the L.A. Times’ readership after the front page – “our most valuable real estate” according to Times’ spokesperson John Conroy – was replaced by a mock front page adorned with a huge advert for Tim Burton’s new Disney-backed Alice in Wonderland adaptation.
It seems some readers have been particularly offended by the decision to use a mock-up front page in the background of the ad, which includes the paper’s masthead, although the word ‘advertisement’ is written underneath in small letters.
“We made it clear that this was a depiction of the front page, rather than a real front page of the newspaper,” said Conroy. “We had an unusual opportunity here to stretch the traditional boundaries and deliver an innovative ad unit that was designed to create buzz.”
Perhaps the style of the L.A. Times advert is particularly galling, but as the Reuters article points out, it is not the first quality newspaper to exploit the value of the technique, called a ‘cover-wrap’.
The nationally circulated USA Today drew criticism for a pseudo edition of its newspaper distributed at an AIDS conference in Geneva as a promotion for a pharmaceutical company. The Wall Street Journal and other dailies have run partial wrap sleeves around the outsides of their papers.
I’m not sure how the film reviews page rates in real estate terms, but the film producers are in luck significantly less people will have gone for a viewing there, where the film didn’t make quite the same splash.
