Category Archives: Mobile

Media release: Telegraph launches new subscription iPad app

The Telegraph today announced the launch of its new iPad app, which offers content from the Daily Telegraph and the Sunday Telegraph.

The app can be purchased through the App Store, either individual, daily editions or an auto-renewable monthly subscription, both through In-App Purchase.

Print subscribers have free access using their existing customer credentials, the release adds.

This appears to follow Apple’s new rules regarding publisher apps, which state that while publishers are allowed to make a subscription offer outside of the app, the same (or better) offer must also be made available inside the app, through which Apple will take a 30 per cent cut.

The new Telegraph app is free to download with individual, daily editions priced at £1.19 or a monthly subscription of £9.99.

Live journalism and the power of links #hhldn

Last week’s busy London Hacks and Hackers event brought together two very different approaches to using the web as a storytelling medium.

Two talks at last Wednesday’s event for journalists and programmers explored live reporting via Twitter and the use of linked data at the BBC’s entertainment department.

Sky News journalist Neal Mann, who has co-ordinated live coverage of some of the biggest stories in recent years, shared tips on live reporting – many of them focused on making sure to be fully prepared.

He suggested creating a list of useful and informative links on a chosen subject so that in slow moments context and detail can be added to live coverage, reminding journalists that on social media the audience looks for “speed, balance and a background view”.

In response to organiser Joanna Geary‘s question about coping with low battery life on the iPhone and other gadgets, he suggested taking battery packs and spares where possible, pointing out to live reporters that “if your battery goes, you’re screwed”.

Mann also advised journalists to remember their potential reach does not end when a live event finishes. He recommended using Storify or similar technology to round up the work done during the day and put it in context alongside other people’s coverage.

And on the subject of reach, he said he learned a valuable lesson when his Twitpic of a Sun front page went viral and garnered more than 30,000 views – but was not hosted on his own site and therefore didn’t drive his personal brand as well as it could.

BBC senior information architect Paul Rissen provided a contrasting approach to storytelling with his talk on how the BBC is using linked data and the semantic web to create and augment narrative.

He began by suggesting news organisations on the web today are still confined by their roots in print, audio and video, and that even the best infographics often fail to take advantage of the interconnectedness of the internet as a medium.

He discussed the Mythology Engine, a proof-of-concept prototype created for BBC Vision, which uses carefully structured data to map stories and events onto programmes.

Using the example of Doctor Who, the prototype moves beyond a series of pages representing episodes, series and properties, and expands to create pages for events, characters and stories.

The result, Rissen explained, is a constellation of connected pages where the meaningful relationships between people, stories and programmes are just as important as the entities themselves.

He suggested this sort of deep structured project is a way of telling stories that is truly native to the web, creating rich environments that take advantage of the multimedia possibilities online.

Rissen added this format may also work for sport and news, using the example of BBC Sport which has pages for matches, countries and players, but not individual goals.

He suggested the semantic web could offer news organisations new ways to organise context and make exploration and navigation both intuitive and enjoyable for users.

#media140 – Get messy with mobile journalism, says Adam Westbrook

Quantity over quality – that needs to be the mindset for mobile journalists, UK online video journalist Adam Westbrook said today at the #media140 conference in Barcelona.

While there are similarities between video journalists and mobile journalists, being the latter, by its nature, is about being in a particular place, he said, and the ability to get information out quickly, and in volume.

You need the drive to be where the story is and once you’re there to get as close as you can. You’re not restricted to being close to the action. There is also the mindset of speed … You have to have an ‘always on’ mindset, always carrying your gear with you and always be looking for a story. Switch on and get your phone out and get some coverage straight away.

Because mobile journalism is still so new, you also need to be very willing to experiment. This runs across all spheres of journalism. It is about getting messy, in a way, there is no roadmap, there is no path.

Westbrook opened his presentation with the great example of UK journalist Alex Wood and his colleagues’ coverage of the G20 summit in 2009, despite being kept in a containment area. Unlike the mainstream media, unable to get their tapes out of the area, Wood’s team were able to connect to wifi and report on what was happening using their mobiles.

They sent Tweets and uploaded photos from their phones. For Alex and his colleagues its became quite a landmark moment for their journalism. Because they were mobile they had the advantage over the mainstream media. It really shows the potential that mobile journalism has.

Another practical advantage was illustrated in a photo Westbrook showed next, of a broadcast team filming an interview with numerous members of crew, a camera, autoprompter, lighting and “miles of cable”.

In comparison, the typical mobile journalism setup consists of a camera which doubles up as a phone, a high quality microphone, a mifi connector and a small tripod, he said.

Technology has allowed mobile journalism to happen as it does. Also the infrastructure has improved, there’s wifi in more places and high speed broadband.”

So what could the future hold for mobile journalism? Westbrook’s ideas were:

  • Location based news
  • Geo-tagging
  • Mobile moving mainstream
  • More citizen reporting

Media Release: IPC Media unveils 24 mobile-optimised sites

IPC Media, which owns Marie Claire, NME and Nuts magazines, has unveiled 24 new mobile-optimised sites.

In a release, IPC said consumers can now browse content on the following sites: Country Life, Cycling Weekly, Decanter, Golf Monthly, GoodToKnow, House to Home, Marie Claire , Motor Boats Monthly, MotorBoat & Yachting, NME, Nuts, Now, Practical Boat Owner, Shooting Gazette, Shooting Times, Shooting UK, Sporting Gun, The Field, Volksworld, What Digital Camera, Woman & Home, YBW, Yachting Monthly and Yachting World.

IPC Media head of mobile Miles Ross said: “The mobile platform is a vital channel through which consumers can discover and consume our titles and content. The launch of 24 new mobile-optimised sites illustrates both the level of commitment and the speed with which IPC is moving into the mobile space, thanks to some great work from our technology group, IPC Digital. Mobile advertising is growing rapidly and these new sites will enable IPC to offer a unique audience across this medium.”

IPC Digital programme director Tara Hamilton-Whitaker added: “Consumption of IPC websites through smart phones is already significant, but through an optimised web experience, targeted at a 3.5” screen, engagement levels sky rocket.

“This means IPC brands are closer than ever in ensuring consumers can choose where and when they enjoy our content. You can expect more content, more mobile sites, more great mobile functionality and more mobile-related announcements over the coming months.”

MediaGuardian: The Daily to launch in the UK within months

The Media Guardian reports that News Corporation’s iPad newspaper the Daily will be available in the UK within months, following comments by News Corporation’s chief digital officer Jon Miller at the Abu Dhabi Media Summit.

The arrival of the Daily in the UK will depend on when Apple’s new online subscription model becomes available in this country, the report adds.

The chief digital officer of Murdoch’s News Corporation, Jon Miller, told the Abu Dhabi Media Summit that the Daily would be available in western Europe “not too long from now”. When asked if that would be in the first half of this year, he answered yes.

Full story on Media Guardian at this link.

Mashable: Online overtakes print as main news source

Mashable is reporting that a study in America, carried out by US journalism researcher Poynter, has found that for the first time more people are getting their news online than from a newspaper.

Online advertising has also overtaken newspaper ad revenue. According to Mashable, the web is the only medium to see a year-on-year growth, with radio, TV, newspapers and magazines all suffering a decline. Poynter’s research also shows that almost half of Americans got at least some of their news on a mobile device or tablet.

In surveys, 34 per cent of respondents said they read news online within the past 24 hours (as opposed to 31 per cent who favoured newspapers); and a full 41 per cent said they get most of their news online, 10 per cent more than those who said they got most of their news from a newspaper.

Full post on Mashable at this link.

Publishing Expo: Demise? PPA chair proclaims ‘golden age’ for industry

PPA chair Barry McIlheney proclaimed a new “golden age” for the publishing industry at a closing Publishing Expo keynote which saw leading figures in bullish mood. New research drawn from inside the industry indicates it has much to be confident about, but only if it gets its thinking right – the ABC council got a kicking for not moving with the times.

The session started with Jim Bilton of Wessenden Marketing presenting the results of the big Publishing Futures survey. This asks industry insiders what their view of the business is and where they see themselves in two years – so that a more accurate picture of what is actually happening can be gained. Some 101 companies representing 3,902 brands contributed and the results come as a surprise for a trade which has seemed obsessed with its own demise.

Across the survey, publishers predicted turnover would be up an average of 6.8 per cent. Headcount is rising again. The focus has moved to developing new revenue streams and away from cutting costs. Confidence is growing. And print is still, in Bilton’s words, “massively important – the engine room of the business, providing 68 per cent of revenue overall”.

The mood, he said, seemed to be changing from impending doom to one of “fear that digital will slip through our fingers because there are so many opportunities.” Publishers were now asking ‘have we got the resources to manage and develop the available revenue streams?’ he said, and highlighted one comment in the survey which said: “We need to be more positive and bold and stop the corporate dithering.”

Bilton opened the panel discussion by asking: “Are we in the middle of something, and if so what is it?” McIlheney responded by calling the survey “fantastically encouraging” and saying that it showed “if you have the assets you are on the verge of a golden age”. That may seem an entirely predictable point of view for a PPA chair, but Dennis CEO James Tye put some flesh on the bones:

“We are not on the verge of change, ” he said. “We are 10 years in.” He added that at Dennis: “We don’t talk about print or digital any more – we’ve moved to a brand model. We think about total revenue and total profit from the brand.”

Spectator chief Ben Greenish echoed the back-to-basics theme of the two-day gathering when he said: “I haven’t thought of myself as a publishing person for 10 years. It’s about media. It’s always been like this.” And Shortlist Media’s Mike Soutar talked of being “on the brink of an exciting moment because we have a set of businesses which are not declining at the rate we thought they would”. He said Shortlist, which has made a success of the print freemium model, was “gearing up digitally and internationally because we are convinced we have to do it now – the moment can be fleeting”.

Bilton posed the question “Is digital a business for large players only?” and both Greenish and Soutar argued not.

Greenish said: “Being able to be fleet of foot is key. Being small means you can try things. We are making much of what we do up as we go along and we are relaxed about it. If you fail in a big business you lose your job.” Soutar drew on his experience at IPC to say: “We succeeded when we could operate small, move fast and try things out, then use big muscle to maximise what works.” He said “being small is critical to creativity”.

This led to some discussion of staff, recruitment and skill sets. Greenish said: “We kidded ourselves that we can all do digital as well. You have to employ people who have the focus and expertise to do the job.” He warned of seeing digital as “the thing you do after print”. And James Tye worried about “living in denial”, saying that his concern was “the lack of knowledge of systems skills and systems deployment at senior level”.

As the session seemed to be drawing to a close, a question from the floor sparked some strong criticism of the ABC council. Panel members complained of not being able to include iPad subscriptions in circulation figures and the ABC Council was accused of “dragging its feet” and being “shamefully behind”.

The clear message was that the industry needed a clear metric for measuring circulation in these changed times, and the ABC itself was under threat if it didn’t come up with one.

It was an explosive end to a session which surprised and stimulated and showed, to shamelessly plunder a cliché, that rumours of the publishing industry’s demise have been greatly exaggerated.

Publishing Expo: Tablets, smartphones and strategies

Talk at this year’s Publishing Expo is rapidly taking on a back-to-basics theme, with some big names at this morning’s keynote session suggesting the industry took its eye off the ball and forgot about content.

With BBC media correspondent Torin Douglas in the chair, Neil Thackray from the Media Briefing, consultant Dominic Jacquesson and designer Jeremy Leslie from Magculture.com attempted to thrash out where the industry is going, and whether it’s in the right direction.

Jacquesson opened up with a summary of a report he’s just compiled for the Media Briefing.

“This shows that most of your readers will own a smartphone or tablet by 2015,” he told the crowd crammed into the session. Mobile apps, he said, were here to stay, with app downloads set to hit the 24 billion mark by 2013.

What’s also vital, Jacquesson said, is “the simple pay environment” that Apple has created.

Facebook was also a major feature of the discussion. It’s set to be a predominantly mobile app-based service by 2012 and, with the average user spending one-and-a-half hours a day on it, “it is your major competitor said Jacquesson. He takes the view that circulations of print publications will halve in five years, with time spent on mobile devices eating into media consumption time. Lucky Jet is a popular game that entices players with its colorfulness and dynamism. At the link you will find a full description of the game, its features, get secrets and strategies for winning. For fans of active online games Lucky Jet is a great find.

Neil Thackray followed up by warning that it was wrong “to be seduced by the beauty and wonder of the iPad“. He said consumers would “get used to it” and so “we shouldn’t just spit out a magazine as an iPad app.” He urged the industry to “go back to first principles and ask ‘what can we produce that readers find interesting or useful. Then provide them with a suite of applications to enable them to engage with what you produce.”

Jeremy Leslie agreed. “Don’t forget to ask ‘why?’,” he said. “What is your audience? What do you want to give them? What is the best way of doing it?” he also took issue with Jacquesson’s view that time spent on social media eats in to traditional media consumption, using the example of his 15-year-old son who “organises his life on Facebook and watches TV at the same time”.

There was some discussion of the Daily when Thackray chipped in with the comment that “we need to do things that are simple, not complicated.” The Daily was “bloody complicated” he said. Leslie added that it was “too generic. You need a tone of voice in what you say and in your design.”

Thackray asked “Why do we think we can do what we did in traditional media on new devices?” His advice was to “go out and find out about all the different things that can be done with a smartphone or tablet app.” Jacquesson agred, saying: “If the print circulation is going down, the right solution cannot be to build an app version of the print product.”

But he also said: “Successful apps have been a continuation of a strategy already in place.” He used the example of Autotrader, which developed an app on top of its existing offer which used location services to put buyers in touch with dealers and offer them the chance to contact them in return for a slice of the completed deal.

Leslie closed on an optimistic note, talking of “natural readjustment” in a industry “where too many mags were chasing too few readers”.

“Even if the number of mags does fall 50 per cent, there are still 25 per cent more mags than there were 20 years ago.”

This may seem blasé, but Leslie’s point was echoed by the panel. Future success will be in innovation and quality content, rather than in simply embracing whatever technology comes along.

Image by curious lee on Flickr. Some rights reserved.

BBC iPlayer international iPad app will ‘definitely’ launch this year

The BBC has confirmed that the international version of its iPlayer iPad app will “definitely” launch later this year and will cost “a small number of dollars a month – less than 10”.

The UK-restricted version of the app launched earlier this month, offering a catch-up TV and radio service over WiFi.

Director general Mark Thompson told the FT Digital Media Conference in London that exact details of the pricing were being finalised.

‘The tipping point is now’: BBC and Future outline mobile strategies at Publishing Expo

Engage with your readers, use your existing skills, keep doing what you do well – these were the messages coming from the big digital keynote debate at Publishing Expo. It was standing room only at a session which saw Rebekah Billingsley, BBC Worldwide mobile devices publisher, and Mark Wood, boss of Future UK, among those explaining how they were getting to grips with digital, multiplatform reality.

Billingsley opened by underlining the importance of mobile, saying “the tipping point is now” as she quoted research that showed access to material via mobile devices is set to outstrip access via desktop by 2013. BBC Worldwide publishes Focus and Good Food in tablet form and, said Billingsley, those titles have racked up 70,000 downloads. Her tips were;

1) Choose a technology which makes sense. “Several off-the-shelf publishing solutions bolt onto InDesign,” she said. That means you can use existing staff’s existing skills and minimise cost.

2) Experiment and innovate. “Analyse your feedback and use that to try things out, to experiment,” she said. It was another recurring theme of the day – Billingsley was not the first speaker to urge publishers to use the audience data they so often fail to gather or analyse properly.

3) Utilise your existing assets. “If you have brand, audience and talent you have an advantage,” she said.

“Analyse, test, improve – that’s the cycle we work to,” she concluded.

Future’s Mark Wood took the theme further, talking about how his company is using all available platforms “to engage with our readers who are passionate about the areas we cover”. This can involve breaking down traditional ways of thinking, and Wood used an anecdote to illustrate the point.

On the way to the event he’d popped into the Apple store. He spoke to a sales assistant about what he did, and the sales assistant said he was a big fan of Guitarist magazine. Wood asked if he would buy it on iPad. The assistant said no, he liked the physical magazine. “But,” he told Wood, “stop putting those CDs on the cover – I want that online.”

Wood said: “Digital means we can see what our consumers want so we can sell them things without wasting their time. And being able to target audiences means we can get into new geographical areas more easily.” In short, he said, “With digital, the economics are different to print; but the content and skills are the same.”

Nikolay Malyarov from Newspaper Direct agreed that “if publishers focus on content that will bring readers”, but also expressed reservations about relying on one device. Apple’s new terms hung over the discussion. Malyarov reckons the coming proliferation of mobile devices means Apple will be challenged commercially and the rigidity of its App terms will soften. But asked if he saw Apple as a constricting influence, Wood simply said “If they want 30 per cent, we don’t mind”.

Future has the scale to publish on all platforms, it knows it needs to be on them, so Apple’s conditions are an acceptable cost.