Tag Archives: singer

Jon Bernstein: Five lessons from a week in online video

It’s now four years – give or take a few weeks – since broadband Britain reached its tipping point.

Halfway through 2005 there were finally more homes connected to the internet via high speed broadband than via achingly slow dial-up. Video on the web suddenly made a lot more sense.

And given that we’re still in the early stages of this particular media evolution, it’s not surprising that we are are still learning.

Here are five such moments from the last seven days:

1. If you build it they will come…
…provided you build something elegant and easy to use. And then market it like crazy.

This was the week that we learned how the hugely successful BBC iPlayer has overtaken MySpace to become the 20th most visited website in the UK . The iPlayer is now comfortably the second most popular video site even if its 13 per cent share is still dwarfed by YouTube’s 65 per cent.

If you want more evidence of success just look at the BBC’s terrestrial rivals. ITV, Five and even Channel 4 – which had a year’s head start over the BBC – are now aping the look, feel and functionality of the corporation’s efforts. No hefty applets to download – just click and play.

Of course, this model – a different player for each network – will look anachronistic within a few years. Maybe less. Hulu arrives on these shores soon.

2. Don’t do video unless you’re adding value
If you are going to put moving pictures on your newspaper website it’s a good idea to ask why? And the answer should be that it adds something to your storytelling.

Last week the Independent completed a deal that sees the Press Association providing more than 100 90-second clips a week, each focusing on a single news item.

Nothing wrong with the quality or content of the video that the Indy is getting, but where’s the added value? Unless the video has some killer footage or a must-see interview, why would a reader of a 500-word news article click play? I’m not sure they would.

As someone eloquently put it on my blog:

If it’s visual, it needs pictures and maybe video. If it’s verbal, sound will do. For everything else, words are cheaper for the producer and quicker for the consumer.

3. You can’t control the message
Singer Chris Brown chose YouTube as the medium to deliver his first public pronouncements following February’s assault on his now ex-girlfriend Rihanna.

He plumped for the video-sharing site rather than a TV or newspaper interview presumably so he could control the message – no out-of-context editing of his words and no awkward follow-up questions.

To some extent he got his wish. Within 24 hours of posting his 120-second, unmediated mea culpa, it had been viewed nearly half-a-million times.

More significantly, however, the video had received over 12,000 comments and most were hostile.

4. Brands love YouTube
In an oddly defensive post on its YouTube Biz Blog, the people behind Google’s file-sharing site set about busting what it claims are five popular myths.

Putting ‘Myth 4’ to rest – namely that ‘Advertisers are afraid of YouTube’ – the post asserted:

Over 70 per cent of Ad Age Top 100 marketers ran campaigns on YouTube in 2008. They’re buying our homepage, Promoted Videos, overlays, and in-stream ads. Many are organizing contests that encourage the uploading of user videos to their brand channels, or running advertising exclusively on popular user partner content.

We wait, breathlessly, for a follow-up post so we can discover how many of these elite brands made a return on their YouTube investment.

5. Death becomes you
Nearly a month after his passing, Michael Jackson’s life is still being celebrated online. Eight out of this week’s viral video top 20 are either Jackson originals or owe their inspiration to the singer.

A case of the long tail occupying the head. For a few weeks at least.

Jon Bernstein is former multimedia editor of Channel 4 News. This is part of a series of regular columns for Journalism.co.uk. You can read his personal blog at this link.

Paul Gambaccini: BBC Radio 1 fails to recognise its ‘incredible responsibility’ by keeping Moyles in a job

Former BBC Radio 1 broadcaster, Paul Gambaccini, has once again emphasised the ethical implications of public broadcasting to an audience at Coventry University.

‘Broadcasters have an incredible responsibility,’ said Gambaccini, who currently presents on BBC Radio 2, BBC Radio 4 and Classic FM. Back on the ‘Sack Chris Moyles’ beat, he said he was deeply offended by the current BBC 1 breakfast host’s comments about, and parody of, the singer Will Young.

“Had I been the head of Radio 1 I would have sacked him for that, because I know everything that we do will be remembered by, and have an influence on, some people,” he said.

Gambaccini first called for Moyles’ sacking in February, in his Oxford University lecture series, in his role as this year’s News International professor of broadcast media.

It was the second time he repeated the message this week. Speaking at the Media Guardian Radio Reborn conference on Monday, he said that Moyles was ‘a bully who causes human suffering’.

Gambaccini told that audience that young boys were beaten up in the playground for their sexuality. Moyles’ parody encouraged that, he claimed.

He claimed that the BBC had failed to recognise its ‘incredible responsibility’. “Radio 1 hasn’t been aware of that [responsibility] or willing to act on it. Personally, I would have dropped Chris Moyles. For someone like Chris to throw the word gay around with abandonment, does, I’m afraid, show a sense of irresponsibility.”

Moyles’ job has attracted attention of late: the Sun recently devoted a front page story to his alleged imminent ‘sacking’ from the pole position on Radio 1. Moyles responded with a rant on his show denying the story.

Radio 1 deputy head, Ben Cooper, also questioned the veracity of the Sun story this week, in a somewhat lukewarm endorsement of Moyles and his show.

John Mair is senior lecturer in broadcasting at Coventry University and organiser of the Coventry Conversations, a series of events featuring high-profile media figures.

DEN: Should local newspapers run press release feeds?

At yesterday’s Digital Editors’ Network (DEN) event at the University of Central Lancashire (UCLAN), UCLAN’s Johnston Press chair of digital journalism Jane Singer proposed a plan to free up the reporting time of local newspaper journalists:

Rather than re-writing certain press releases from local organisations and authorities, Singer said, newspaper websites could re-publish these releases untouched with their origins clearly marked.

This system should be in place in a designated section of the site clearly marked up as ‘press releases from Lancashire Police’ etc, and could even be a simple link to an organisation’s website or an automated RSS feed of releases.

Journalists at the paper would then have more time to follow-up on the facts behind the releases and put ‘news’ from organisations into context for readers, said Singer.

The idea was welcomed by some in the room, dismissed by others, who felt that republishing press releases could compromise editorial standards, even if the releases were clearly marked as not from the paper’s staff.

Yet others agreed that this could be a time-saving function of websites and help attract readers to the newspaper’s site as a first port of call for all local information.

So which titles are doing this already?

Wrexham’s Evening Leader has a list of links to local authority sites – providing the information on the site, but without the problem, raised by some editors, of running unedited releases from organisations.

The paper has a widget to receive RSS feeds from the North Wales Police website, which keeps it up to date with its latest press releases. Visitors to www.eveningleader.co.uk can follow a link from our navigation bar to find the page, Christian Dunn, the site’s editor, explained to us.

“It was one of our first experiments with embedding a widget on a section of our site. After listening to some of the ideas from the Digital Editors Networking event I’m going to make more of the section and talk to North Wales Police to see if there is any other material we could display for them,” he said.

“I don’t have a problem taking feeds from organisations such as the police and putting them on our site – as long as it’s clear the content is not written or produced by us.”

The Teesside Evening Gazette has its own take on Singer’s idea: its network of postcode-based hyperlocal websites link out to local community groups’ websites and local authority sites. They also link to BBC weather reports, which can be filtered by postcode too, rather than creating their own weather widgets or feeds.

Outside of the UK, the Knox News Sentinel provides feeds of political news and national news straight from the Associated Press and PR Newswire – and clearly labelled as such. While this isn’t specifically local info, it does take the onus off reporters at the Sentinel from having to repurpose this content.

This can’t be an exhaustive list of site’s putting Singer’s idea in to practice, so who else is doing this – in the UK or elsewhere? And does it work for you?

French court finds website guilty of privacy breach for linking

Last week a French court found a website guilty of breach the privacy of actor Olivier Martinez because it linked to a story about him (hat tip Cybersoc).

The site, Fuzz.fr, had linked to a gossip website which was carrying a story about the actor’s relationship with Australian singer Kylie Minogue.

In landmark ruling for the French online world, the court decided that Fuzz.fr has taken ‘an editorial decision’ to link to the other site and was therefore responsible for the content.

The site, which allows users to post their own links, was taken offline shortly after the ruling.

“It’s a black day for French participatory websites, because it opens the door to all kinds of (court) procedures,” Fuzz’s creator Eric Dupin told AFP.

According to a report on Yahoo News, Dupin was ordered to pay 2,500 euros in damages and legal costs.