Tag Archives: Brian Cathcart

Exciting experiment or nothing new? Bloggers’ take on Huffington Post UK

Arianna Huffington is launching the UK version of her American blog-orientated news site the Huffington Post this week, and the move has sparked debate in the blogosphere.

Huffington launched the Canada arm last month, but Huffington Post UK will be the site’s first foray outside of North America, with a French version set to follow soon.

Speaking to Ian Burrell for the Independent, Paul Bradshaw, professor of online journalism at City University comments about the difference between UK and US media landscapes that may require a different approach.

“It’s going to be hard for The Huffington Post to communicate what they stand for,” says Bradshaw, who is not inclined to blog for the site. “In the UK they are known as the site that sold to AOL. In the US they might have been known as the site that offered an alternative voice but there’s a different media landscape over here.”

In the same piece, Brian Cathcart, who teaches journalism at Kingston University, adds:

“They will need some new ideas, some really inspired appointments, and to discover some talent. It doesn’t seem that the existing model in the US would offer us anything terribly exciting and new over here.”

Paul Bradshaw may not be persuaded to write for the site but blogger and podcaster Neville Hobson is. In a post titled On board with The Huffington Post UK, Hobson writes that he relishes being part of “a grand experiment”.

So what’s in it for me? To a great extent, I see it as being part of a grand experiment, contributing my opinion and commentary on topics that interest me and that will be published in an online medium that has huge scale and reach. It offers an opportunity for such opinion and commentary to reach many people who, frankly, would be unlikely to visit my blog.

It also means that I’ll be writing for a mainstream medium. That traditionally means you need to be a journalist, which I’m not. I don’t know yet who any of the other bloggers are who’ll be writing for the UK edition, but my guess is that a majority will not be journalists.

Overseas expansion does of course mean a clutch of new hires, but Bobbie Johnson of GigaOm views the operation as “low-risk”, and points to several reasons why.

Well, first, that Huffington Post UK is looking — on the surface, at least — more like a reworking of the current AOL UK operation than a brand new entity. That’s a low-risk strategy, but as I’ve previously argued, it might take more to make an impact in a highly competitive media market like Britain.

Secondly, it’s interesting that this team consists almost exclusively of young journalists, with very few of the high-level, experienced hands that Huffington has made a great play of luring over in the United States. There’s no equivalent, for example, to the likes of political heavy-hitter Howard Fineman, brought over from Newsweek, media reporting veteran Michael Calderone from Yahoo or award-winning reporter Trymaine Lee from the New York Times.

I asked my Twitter followers what they thought of the project, and received a variety of responses.

Adam Tinworth, Editorial Business Manager for Reed Business Information pointed out the possible disruption created by the launch.

 

 

Graphic designer and student journalist Jonathan Frost was very enthusiastic.

 

 

While subeditor Paul Wiggins was rather more succinct.

 

 

Finally, if you want to get involved in blogging for the Huffington Post when it hits UK shores, food journalist Andrew Webb has helpfully published the full requirements on his blog.

For now you can follow their progress via the dedicated Twitter account @HuffPostUK, whose first tweet had a distinctly non-UK feel to it.

https://twitter.com/#!/HuffPostUK/status/87857781633335296

 

Image of Arianna Huffington by Knight Foundation on Flickr. Some rights reserved.

Disclosure: Joseph Stashko is a blogger for Huffington Post UK.

Brian Cathcart: Ten things I’ve learned about injunctions

I think (although this post may lead to me being quickly proved wrong) that I have been pretty careful and accurate in my reporting of various different injunction stories of late. This is largely thanks to my former colleague and media law blogger Judith Townend, whose exasperation with the media bandying around the term “superinjunction” I have seen first hand.

Not everybody has been cautious, and the term superinjunction seems to have been applied left, right and centre to celebrity injunctions. The fact that Ryan Giggs never obtained a superinjunction, and that there have only been two new superinjunctions in the past year — one lasting seven days and the other overturned on appeal – are two of ten lessons taken away from the whole affair by Kingston University journalism lecturer Brian Cathcart, who writes today on Index on Censorship.

The other eight include these gems:

There appear to be 75,000 British Twitter users who are ready, with the right tabloid encouragement, to participate in the “naming and shaming” (or pillorying) of adulterers.

When it suits them, the tabloids also blithely set aside their usual view that online social networking is an evil invention that causes crime, suicide, binge drinking, obesity, terrorism and cancer.

See his full list on Index on Censorship at this link.

Index: Due process, prejudice and the press in case of Chris Jefferies

The UK media has come in for a fair amount of criticism over the past few days for its coverage of Chris Jefferies, who was arrested on suspicion of the murder of Joanna Yeates but later released without charge.

In a post for Index on Censorship, published yesterday, Kingston University journalism professor Brian Cathcart analyses the deficiencies of England’s contempt of court laws that allow news organisations to go unpunished for what he calls the “monstering” of suspects.

Sometimes, as in the case of Jefferies, the attorney general publicly draws editors’ attention to the Contempt of Court Act of 1981, but it never makes any difference. They know and he knows that that law, supposedly intended to protect juries from improper influence, contains a loophole big enough to render it meaningless.

To convict a paper of contempt in such a case the Crown would have to prove there had been a “substantial” risk of “serious” prejudice. This, successive attorneys general have decided, is both unmeasurable and unprovable, which means it is also unenforceable. It follows that reporting of suspects around the time of arrest is unfettered.

Full post on Index on Censorship at this link.

Related content elsewhere

David Banksy: Molecular chemistry, contempt of court and the reporting of the Joanna Yeates case

Inforrm blog: Media responsibility and Chris Jefferies

Timothy J. Moore: The lost honour of Chris Jefferies

Free Speech blog: What the UK government’s cuts mean for British journalism?

Brian Cathcart, professor of journalism at Kingston University London, on what the UK government’s cuts and plans for university fees will mean for journalism:

Of all the professions, journalism is surely among the most vulnerable when it comes to the kind of touch cost-benefit analysis that school leavers and parents will have to do in a world of higher fees. Undeniably, the news industry is in existential crisis: yes, it offers thrilling new possibilities, but it is distinctly short on security.

In this environment, whatever Vince Cable and Nick Clegg may say, poorer students – by which I mean students who are not middle class – are more likely to back away than risk the big debts that will accompany a journalism degree.

The next generation of journalists, therefore, will probably have just the same social profile as the generation currently supplying us with news, even though the country around us will have changed.

Full article on Index on Censorship at this link…

Subbing debate continues on Radio4’s Media Show with Greenslade and Cathcart

If you missed it yesterday, this week’s Media Show presented by Ed Stourton is worth listening to. In light of the recent bush fires in Australia, Stourton asks his guests (Reuters’ Chris Cramer and Channel 4’s Lindsey Hilsum) about generational changes in journalism when reporting in emotional or distressing situations. Then, a look at the fate of Teletext. But then to a debate that’s been dominating newspaperland over the last week following Roy Greenslade’s declaration that subs – as we know them – are becoming redundant.

http://www.bbc.co.uk/iplayer/episode/b00hklvr/The_Media_Show_18_02_2009

Brian Cathcart and Roy Greenslade (on the line from Brighton) talk to Stourton.

A quick summary:

BC:

  • “There is this army of people who are out there serving the industry of journalism, who police this and in quite a private and quiet way (…) [They] check the grammar and spelling, check some of the facts (…) check the sort of general thrust of the story, that it all makes sense (…) cut it to length and put a headline on top.”
  • “I don’t think they [subs] should be at the front of the queue for the chop.”

RG:

  • Makes it clear that his comments apply to regional/local and broadsheet or serious newspapers, rather than tabloids. Subs are ‘key workers when it comes to tabloid newspapers.’
  • Subbing outsourcing is already happening, with sub-editors working cross-titles at many papers.
  • “The change I’m expecting next is that subs will be eliminated or re-purposed (…) what we need are writers, reporters who can produce copy which is already accurate and obeys the law, and so on…”
  • Radio and TV presenters are expected to produce material speedily and accurately; “why is it that we don’t expect NP journalists to do the same thing?”

Then to the Midlands to meet the Birmingham Post editor, Marc Reeves (@marcreeves) and one of the media production journalists who works across several of the group’s titles.

MR:

  • The paper is ‘saying to people we need you to be used to this new way of working’.
  • The titles will ‘always need people to look after the finessing of the output (…) certainly the traditional role of the subeditor will be redefined.’