Tag Archives: anonymous UK-based journalist

The Jobless Journalist: Week four – Are subbing and reporting roles merging into one?

This is the fourth post in a series from an anonymous UK-based journalist recently made redundant. To follow the series, you can subscribe to this feed.

Last week I blogged about whether you should apply for subbing jobs if you’re a reporter or a features writer.

This week I’ve spoken to two journalists – one print and one online – about the ‘concertina effect,’ i.e. whether subbing and reporting roles are merging into one, particularly in an online environment.

Peter Sands is a veteran newspaper sub and director of PA Training and insists that the standalone sub is far from dead.

Even with web publishing where content goes live before it is subbed (meaning the reporter has to ensure copy is clean first), Sands says the role of the sub-editor is still vital.

“I would definitely say that you have to have a second pair of eyeballs,” he says.

Sands was editor of the Northern Echo in the early 1990s and admits much has changed since then.

At that time there was real animosity between subs and reporters: “In Darlington there was the Red Lion pub for subs and the Britannia for reporters and never the two should meet,” he says.

While Sands believes the sub is alive and kicking, he acknowledges that their role is being redefined. “The divide [between reporters and subs] has really gone now,” he says.

Sub, web editor and corporate blogger Fiona Cullinan agrees: “Divide?  What divide? The divide is less about reporting versus subbing and more about are you engaged or not, are you digitally included or not?”

“By not engaging more in online environments, traditional journalists are not developing their digital writing or subbing skills, let alone all the other skills that go with publishing to the web, like picture research under Creative Commons licences, image manipulation, linking skills, SEO knowledge, how to upload and promote content, and the big one: the ability to deal with readers talking back to you.”

Apart from the odd typo creeping in when you publish first and hone later, many reporters who write straight to the web can face serious libel issues.

Cullinan says checking factual inaccuracies and avoiding legal pitfalls is ‘perfect sub-editor territory‘.

“From what I’ve read, reporters in multimedia newsrooms are being asked to sub their own work; meanwhile subs are being made redundant,” she adds.

“How reporters are supposed to sub to old-school standards, perhaps with minimal experience or training, and 24-hour newsroom deadline pressures, should be interesting!”

Cullinan also points out that the comments section can act as a ‘rather more public second set of eyes, pointing out your typos and incorrect facts’.

The upshot? To keep up with the changing face of journalism a reporter needs to be savvy about subbing as well as having other web skills, but it is still the sub-editor who has the last word.

The Jobless Journalist: Week three – To sub or not to sub?

This is the third post in a series from an anonymous UK-based journalist recently made redundant. To follow the series, you can subscribe to this feed.

You can also read posts by our previous ‘Redundant Journalist’ blogger at this link.

So far I’ve applied for a total of seven jobs (that’s not including the CVs sent to editors on the off-chance they know of something going). Two of these formal job applications have been for subbing roles.

The question is: I am a writer, not a sub-editor – should I even be applying for these jobs?

I do have a year’s sub-editing experience on the magazine I was made redundant from as well as on a couple of nationals, but I have been warned by editors in the past that I should stick to writing if that’s what I want to do.

I’ve always been of the opinion that sub-editing sharpens your writing and being able to write headlines and standfirsts, for example, can only be a bonus.

What is more, I can see from the sub-editing I have done how this could lead to being an editor, which is ultimately what I want to be.

Sub-editing involves being aware of the overall look of the piece – from pictures to pull quotes – as well as having impeccable grammar and spelling.

What is more, the increasing importance of online journalism means a journalist must be a sort of Judge Dredd character: writer, sub-editor and editor, rolled into one.

But the question still remains – should I apply for sub-editing roles? Or does the fact that I’m even asking this question mean I’ll never get anywhere with an application for a sub-editor’s job vacancy?

After all, if I can’t convince myself, then what chance do I have of convincing an interviewer?

The Jobless Journalist: Week two: CVs and style guides

This is the second post in a series from an anonymous UK-based journalist recently made redundant. To follow the series, you can subscribe to this feed.

You can also read posts by our previous ‘Redundant Journalist’ blogger at this link.

When I was made redundant my CV was a bit like an ex-race horse: out of shape and in need of attention. That’s the thing with CVs – after you get the job they get put out to grass and tend to become a little moth-eaten.

But, after two weeks of serious overhauling, I’ve finally got it to the stage where with each application I can just alter a few words to suit the prospective employer.

If you’re a reporter and there’s a features job going, what should you do? I’m trained in news and specialise in the arts and have developed CVs tailored to each sector.

Having spent a lot of time on both CVs I think I might be developing career schizophrenia. Should I concentrate on one or keep them both on the boil?

I’m not a big fan of self-help books or books ‘for dummies’, but a journalist friend recommended I read Max Eggert’s the ‘Perfect CV’. It’s a great guide to writing CVs and covering letters and offers neat tips such as ending a covering letter with the suggestion of a follow up call.

With hindsight I should have read this book before I even started applying for jobs. It would have saved me cringing at things I had written (and sent) that Eggert categorically says you shouldn’t include, like cracking a joke in your CV.

Now, I completely agree with this. Your CV is a formal and professional representation of you and your career. But what about your covering letter? This is where you’ve got to get yourself noticed and what better way to do this than with a bit of wit?

I suppose I have to come clean here. In a recent application to the Sunday Times I included a line about how I’d doorstepped Steve McQueen at the Venice Biennale with my dressed accidentally tucked into my knickers.

I thought it showed I had the confidence to approach anyone in any circumstance. And I did get my quote, although I didn’t get an interview, which makes me think that comedy is probably not the best policy.

I spent a lot of time on this particular application. When I’m freelancing or blogging I usually write to the Guardian style guide, but this time I matched my CV to the Times style guide.

A friend of mine has since confided that she thought I was going slightly mad and I have to admit I thought my attention to detail bordered on the obsessive.

The trouble is, when you’re applying for a job with a national where they might get 1,000 applications in one week [or a reported 1,200 – Ed], you really have to go the extra mile to get noticed.

If anyone who has had to sift through thousands of covering letters has any tips for what you should and shouldn’t include, I’d be very interested to hear from you.

The Jobless Journalist: Week one – An introduction and redundancy packages

This is the first post in a series from an anonymous UK-based journalist recently made redundant. To follow the series, you can subscribe to this feed.

You can also read posts by our previous ‘Redundant Journalist’ blogger at this link.

Week one:
As every hack out there knows, journalism is one of the toughest professions to crack. It’s up there with becoming the Pope, a pilot or a pop star. (I’m being glib – winning X Factor would be far easier.) But seriously, it’s a gruelling process getting a job in journalism.

Twenty-three days and four hours ago I was made redundant from a hard-won job I dearly loved as staff writer on a consumer magazine. The big ‘R’ meant the magazine lost its funding and we were all out on our ears in a matter of weeks.

To make matters worse, it was my first staff job following a backbreaking four months of NCTJ training. I guess it was a wake up call to the harsh reality of the industry.

There was a tortuous period of uncertainty when we thought we had a buyer for the magazine, but I received my P45 last week, and nothing says it’s over like a note from Her Majesty’s Revenue and Customs.

As for a redundancy package… well, let’s just say I won’t be lunching at The Wolseley.

Think you’re not entitled to any money? You are. The government provides a certain amount of statutory redundancy pay, although it’s not readily advertised. I’d advise checking out this government website if your employer has also become insolvent.

It’s largely jargon-free and tells you who to contact to recover any outstanding wages and holiday pay, etc. It’s worth knowing that you are entitled to some sort of payout even if you haven’t been continuously employed by the company for two or more years.

Don’t expect miracles overnight – I’m still waiting for my forms from the insolvency practitioner, but I’ll let you know how I get on later in this blog series.

It’s daunting to think about going through the whole rigmarole of applying for jobs again. But while the process of sending off round after round of CVs is utterly depressing, it’s not half as depressing as the prospect of there being no jobs to apply for at all.

According to a story in Press Gazette published in May, the amount of journalists claiming Jobseeker’s Allowance from April 2008 to April 2009 leapt from 770 to 1,880. That’s an increase of almost 150 per cent in one year and only takes into account those on benefits.

There simply aren’t enough jobs to go round and with print media in freefall (thelondonpaper’s on its way out and the Observer’s future is under consideration) the outlook for us jobless journalists is far from rosy.

But if there is one thing I have learned as a journo, you must never ever give up, and with that in mind I’ve decided to use this period of redundancy as an opportunity to reflect on and improve my career.

This blog series will chart my search for a staff job – the applications, the CVs and covering letters, the calling on contacts, the rejections, the interviews and the various attempts to get my foot back in the door.

By sharing tips and anecdotes hopefully this blog will provide support for other unemployed journalists. And if by the end of the series I don’t have a job, at least I’ll know I went down writing.