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How open data has changed journalism

December 2nd, 2011 | 1 Comment | Posted by in Comment, Data

Tomorrow (Saturday 3 December) is International Open Data Day. We have been asking what the open data movement has done for journalism.

Simon Rogers, editor of the Guardian’s Datablog and Datastore – @smfrogers

It’s only been a couple of years and you could argue that open data has changed the world: Wikileaks, government spending, what we know about the riots… The irony is that the governments behind much of this data have only contributed the numbers; the hard work has been done by an army of developers and data journalists who have created stories and new ways of telling them. When we started the Datablog in 2009, we thought it would be popular only with developers; now everyone wants to know the facts behind the news.

Nicola Hughes@DataMinerUK

It’s the knowing how to use it that’s vital. it’s a (re)source.

Borja Bergareche@borjabergareche

It’s helped us do the best journalism of the 20th century in the 21st century.

Lucy Chambers, community coordinator, Open Knowledge Foundation – @lucyfedia

Evidence-based journalism. Journalists will back up stories, readers will expect to be able to verify facts.

Andrew Gregory@andrew__gregory

Open data is useful. But original journalism also requires good human sources.

Rune Ytreberg@ytreberg

The obvious: Open data has made journalism more transparent.

Megan Cunningham@megancunningham

Open data has accelerated the opportunities for crowd sourced investigative journalism. But the potential hasn’t been realised.

Harriet Minter@Harriet_Minter

It’s forced journalists to embrace spreadsheets, brought interactives to the forefront and given us many bad infographics.

Greg Hadfield@GregHadfield (who is organising the UK’s first open-data cities conference)

Data – whether open or not – has always fuelled journalism. Data that is increasingly “open” (in the fullest sense of the term) will transform journalism.

Ironically, a lot of the best revelatory journalism of the past has depended on journalists unearthing data (ie “stuff”) that others want to keep locked. Ideally, by lawful means. Therefore, openness may remove some of the mystique that journalists delight in, as people who know things that only those “in the know” know.

An open-data tsunami will mean that more journalism will be about interpreting – and putting into context – data that is open to all, at least in its rawest, unrefined form.

To an even greater degree, journalism will be about adding value to data by transforming it into information. The best journalism will be to add value to information, to provide insight, even wisdom.

Openness of data will change the behaviour of individuals and organisations. But not immediately and not in every case. Would MPs have played fast and loose with their expenses if they knew data about each claim would be published openly and in real time? Sad to say, it is quite possible some would.

Much good journalism has involved shedding light on data that was routinely (although not widely) available and which was only rarely studied or analysed.

Importantly, some of the best journalism has involved making connections and spotting patterns. I’m thinking of earlier parliamentary abuses, such as the “cash-for-questions” scandal of the mid-1990s, before Hansard was on the web, and when it was rarely read in print by journalists.

Those were the days when typewriters and telephones – rather than computers and the internet – were the primary journalistic tools. When bars and restaurants – rather than offices and desktops – were the venues for journalistic enterprise.

With more data openly available – along with more tools easily available for mining, sifting and interpreting it (as in the case of the Wikileaks material) – there are many more needles to be found in the burgeoning haystacks of unstructured data.

But even when every day is #Opendata Day, the best stories may remain hidden in full public view – until one of the new generation of journalists stumbles expertly across them.

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#jpod: How multiplatform strategies are evolving

December 2nd, 2011 | No Comments | Posted by in Events, Mobile, Podcast

This podcast takes a look at multiplatform strategies and how newsrooms – and journalists and editors – are adapting and creating content to be viewed on four or five screens: desktop, mobile, tablets, e-readers and IPTV.

It hears from Patrice Slupowski, vice president of digital innovation and communities at Orange, and Guido Baumhauer, director of strategy for marketing and distribution at Deutsche Welle, who spoke to Journalism.co.uk’s news editor Rachel McAthy at the inaugural Global Editor’s Network news summit this week.

The podcast, presented by Journalism.co.uk technology correspondent Sarah Marshall, also includes an interview with Adam Thomas, communications manager at  Sourcefabric, a not-for-profit that last month announced the creation of Superdesk, a free multiplatform solution for newsrooms due to launch in summer 2012.

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Ten ways journalists can use SoundCloud

Audio platform SoundCloud has been around since 2007 but it is only this year that it has really taken off as a space for the spoken word as well as music.

Here are 10 ways it can be used by broadcast and digital journalists:

1. Record and share audio. You can do this from a computer or your smartphone or tablet. SoundCloud has apps for iPhone/iPad and Android but consider using one of the third-party iPhone apps that allow you to edit or trim before uploading directly to SoundCloud.

VC Audio Pro (£3.99) (a previous Journalism.co.uk app of the week) allows you to do a full multitrack edit before uploading to SoundCloud.

Try iRig Recorder (free for the basic app, £2.99 for the one with full functionality) and FiRe Studio (£2.99). Both allow you to trim and alter levels before uploading.

At Journalism.co.uk we’ve been uploading audio interviews and podcasts to our SoundCloud account, gathering over 2,800 followers and engaging with a new audience.

2. Search for sources. If you are looking for quotes or audio from a news event, search SoundCloud much in the way you would hunt down videos on YouTube. You will then be tasked with verifying the recordings, facing the same challenges as checking reports posted on Twitter and YouTube.

SoundCloud has an advanced search function which allows you to search the “spoken” category for a keyword. There is also an option of searching for content under a creative commons licence. Try searching for Japan earthquake, Arab Spring or Occupy Wall Street to see the type of content available.

3. Discoverability. As with other platforms, SoundCloud hosts content that goes viral and has an embed option so you can post it to your site. Take this interview with US congresswoman Gabrielle Giffords. It is a message to her South Arizona constituents, her first since being shot in the head in January. It’s clocked up over 21,000 plays, and demonstrates the benefits of SoundCloud’s commenting system.

4. Create maps. You’ll need to get some help from SoundCloud, but the team can create a bespoke map to allow you to crowdsource audio or plot recordings from in-house reporters. Ben Fawkes from Soundcloud told Journalism.co.uk how you do this, explaining that all you will need to do is define a location and define a hashtag and audio will then be automatically plotted. Take a look at this example of a map created with audio from Edinburgh’s Fringe Festival.

5. Use the new HTML5 player. If you embed SoundCloud audio in blog posts you should be aware of the new HTML5 player. The standard player is Flash meaning it won’t work on iPhones and iPads. Instead, when copying the embed code click on the “customise player” and toggle through the tags to the HTML5 option.

6. Consider a customised player. There are options to customise the player, including adding photos, such as this example used on the London Literature Festival site.

7. Invite user-generated audio content. Encourage your audience to submit audio into a drop box. You can embed the SoundCloud drop box widget on your site and ask readers to upload their own audio. Here’s an example of NPR adding a widget to encourage listeners to share their summer music memories.

Another option is to consider an embeddable record button on your site. At present this will require some developer assistance but SoundCloud is now working on making an easy option so sites can add a button and encourage user-generated audio content to be submitted directly. Here is an example of a record button being used on a musician’s site. This is a different option, of a mapped audio tour guide of Dorchester, Boston, where readers can submit audio via a record button on the site.

There’s also the option of gathering audio via phone calls, as Chatter.fm has done by using Twilio technology.

Another option for user-generated content (UGC) is to use SoundCloud’s importer tool to allow readers/listeners (or your reporters) to submit audio via email or smartphone.

8. Prepare to add SoundCloud sharing to your news organisation’s app. SoundCloud is working on an iOS and Android sharing kit, which will mean you can submit audio to SoundCloud via your own app. You could encourage readers or reporters to submit stories/field recordings to your app and have the audio uploaded to SoundCloud so that it’s shareable, streamable and has all the relevant meta data.

9. Record a phone interview using SoundCloud. There are easier ways but this is a good option for when you need to record an interview and are armed only with a mobile phone. Make a three-way phonecall by calling this number, dial your interviewee and the SoundCloud line will then record your account. You can then upload the audio publicly or privately.

10. Get your audio transcribed. Speaker Text is a transcription company that is integrated with SoundCloud. It takes 48-72 hours to be transcribed and costs 99 cents a minute.  It’s a way of making audio search engine optimised but you can also link to a certain sentence within the audio, for example referencing a quote or comment.

Related posts: News organisations are increasingly using SoundCloud, says founder

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#Tip of the day from Journalism.co.uk – getting into music journalism

December 2nd, 2011 | No Comments | Posted by in Top tips for journalists

The Guardian’s careers site has a helpful post for anyone wanting to get into music journalism.

The post is by Laurence Green (@LaurenceTGreen on Twitter) who shares his tips on getting work experience, establishing an online presence and networking.

Starting out in music journalism: from work placements to popstar interviews is at this link.

Tipster: Sarah Marshall

If you have a tip you would like to submit to us at Journalism.co.uk email us using this link– we will pay a fiver for the best ones published.


 

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Poynter: NY Times introduces unmoderated comments for ‘trusted commenters’

December 1st, 2011 | No Comments | Posted by in Editors' pick, Online Journalism

Poynter has an interesting post highlighting the overhaul of the New York Times’ commenting system.

The news outlet has introduced “trusted commenters“, which the Times describes as an “invitation-only programme designed for our most valued commenters”.

Those who have proved to be trusted by consistently having comments approved will be allowed to leave comments that will be made live immediately without the need for moderation.

Poynter’s Jeff Sonderman explains the overhaul of the NY Times’ commenting system:

The trusted commenter programme is the most significant new feature, in my opinion. Those who join will have to submit and verify real names, a profile photo and hometown by connecting a Facebook account. (Some people object to using Facebook, so other identity verification methods may be supported later, [Sasha Koren, deputy editor of interactive news] said.)

In exchange they get instant commenting, as well as a higher profile on the site. With a special “trusted” logo attached to their color photo and full name, they stand out visually from the other commenters who usually have an anonymous username and no profile photo.

Sonderman’s full post on how New York Times’ overhaul of its comment system and how it grants privileges to trusted readers is at this link.

 

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Pulitzer Prize revises breaking news category to reflect real-time reporting


Statue of Joseph Pulitzer in New York. Image by ConspiracyofHappiness on Flickr. Some
rights reserved

The Pulitzer Prize board has announced some changes to the awards, taking its submissions process online and revising the breaking news category to reflect real-time reporting.

The changes to the breaking news category suggest that coverage on social networks and liveblogs may be considered for the prestigious prize from 2012.

According to a release from the prize board, the revised definition for the category reads:

For a distinguished example of local reporting of breaking news that, as quickly as possible, captures events accurately as they occur, and, as times passes, illuminates, provides context and expands upon the initial coverage.

This replaces the previous definition:

For a distinguished example of local reporting of breaking news, with special emphasis on the speed and accuracy of the initial coverage, using any available journalistic tool, including text reporting, videos, databases, multimedia or interactive presentations or any combination of those formats, in print or online or both

The board added that it would be “disappointing if an event occurred at 8am and the first item in an entry was drawn from the next day’s newspaper”.

Last year’s Pulitzers saw no award given in the breaking news category for the first time.

There were three nominations – the Chicago Tribune for coverage of the deaths of two firefighters, the Miami Herald and El Nuevo Herald for their coverage of the earthquake in Haiti, and the Tennessean, Nashville, for coverage of flood in the state – but no winner. Winners are required to gain a majority vote on the 16-strong board.

The other major change is that applicants will also now be able to make their full submission online.

“The new entry system ends the submission of entries on paper, typically in the form of a scrapbook, a practice dating to the start of the prizes 95 years ago. All entry material, ranging from stories to photographs, graphics and video, must now be submitted in a digital form through a special Pulitzer entry site,” the release from the Prize said.

Last December Pulitzer Prize rules changed to include multimedia journalism, allowing entries to be submitted as text reporting, videos, databases, multimedia, interactive presentations or any combination of those formats.

See the full release on the Pulitzer Prize site.

Coverage elsewhere

Poynter: Pulitzer Prizes change breaking news category to emphasize ‘real-time’ reporting

Nieman Journalism Lab: Could Pulitzer changes mean an award for live tweeting?

Associated Press: Pulitzer journalism entries to be submitted online

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#Tip of the day from Journalism.co.uk – use Transcribe for typing quotes from audio

If you record interviews and listen back to take quotes, there is a handy web app you should know about.

Transcribe is a free web app available in the Chrome web store that allows you to upload an mp3 or wav file and then type your text below.

It has two main benefits over listening back to an interview via another player. Firstly, it saves you toggling between an audio player or iTunes and your text document or CMS. It also has a nifty pause button that automatically plays from a second or two before the point at which you stopped the recording. It may not sound like a particularly ingenious tool but this is a really helpful feature.

The app also works offline, it automatically saves your text and it has short cuts to rewind, fast forward and pause.

Click this link for 10 free Chrome web apps that journalists should know about.

Tipster: Sarah Marshall

If you have a tip you would like to submit to us at Journalism.co.uk email us using this link– we will pay a fiver for the best ones published.

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