NYT: Saddam Hussein ordered killing of Observer journalist, records show

Transcripts of recordings published by the New York Times reveal that Saddam Hussein personally ordered the execution of Observer journalist Farzad Bazoft, who was hanged in Iraq in 1990.

The transcript of a conversation between Iraq’s former leader and the country’s then-foreign minister, Tariq Aziz, reads:

Hussein: We will execute him during Ramadan, in Ramadan, as punishment for Margaret Thatcher.

The documents, which were seized by the US military during the 2003 invasion of Iraq, were yesterday released by the Conflict Records Research Center, a US government archive.

The case of Bazoft, an Iranian-born freelance journalist who worked for the Observer, drew worldwide attention at the time, and the British government appealed for clemency.

The Guardian has more on Bazoft and states:

It appears that even if Bazoft had had British citizenship at the time of his arrest, this would not have saved him.

The document archive reveals the conspiratorial mind-set of Hussein, according to the NY Times, and demonstrates that the Iraqi leader believed Bazoft was an “Israeli spy working for the British”.

The New York Times states:

Even in an age of WikiLeaks, such a detailed record of a foreign leader’s private ruminations is rare.

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App of the week for journalists – Teleportd, location-based Twitter and Facebook image search

App of the week: Teleportd

Operating systems: Apple (iPhone, iPod Touch and iPad). Requires iOS 4.3 or later

Cost: Free

What is it and how is it of use to journalists? Teleportd was released earlier this month as an app as the “closest thing to teleportation”, transporting you anywhere in the world by allowing you to see photos taken on mobile devices shared on social media, including Twitter, Facebook, Foursquare, Instagram and PicPlz.

You can explore photos shared near you or see those taken anywhere in the world by using the map and see images being shared in real-time.

It is a fantastic app which promises consumers a pictorial insight into a news story as it breaks. As a journalist you can see what photos are being shared, which could provide a possible library of images (remember, you must seek permission to use pictures – if in doubt read this guide explaining how to know when to use photos from social media) or you can use the app to view photos from a huge number of sources which could potentially contribute towards your verification process when faced with a breaking story.

The first screengrab here is of the photos being shared in real-time in Brighton (where Journalism.co.uk is based); the second is of images being shared in Tripoli, Libya.

Reviews: Apple has not yet received enough ratings to display an average.

Have you got a favourite app that you use as a journalist? Fill in this form to nominate an app for Journalism.co.uk’s app of the week for journalists.

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Journalisted Weekly: Gaddafi, Occupy LSX and Dale Farm

Journalisted is an independent, not-for-profit website built to make it easier for you, the public, to find out more about journalists and what they write about. It is run by the Media Standards Trust, a registered charity set up to foster high standards in news on behalf of the public, and funded by donations from charitable foundations. Each week Journalisted produces a summary of the most covered news stories, most active journalists and those topics falling off the news agenda, using its database of UK journalists and news sources.

Gaddafi, Occupy LSX and Dale Farm

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#Tip of the day from Journalism.co.uk – advice on freelancing in TV

The BBC College of Production produced a useful podcast earlier this month which looked at working in freelance in the television industry, asking how to find work, the “insecurity” of looking for the next job and also how to “balance the books”.

The podcast features interviews with freelance TV producer Barney Newman, freelance production manager Jude Winstanley and David Thomas, who owns a business which offers training in communication, broadcast and business skills.

Tipster: Rachel McAthy

If you have a tip you would like to submit to us at Journalism.co.uk email us using this link – we will pay a fiver for the best ones published.

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#aopsummit catch-up: Journalism ethics and the BBC’s Olympics coverage

We were not able to make it along to the AOP’s digital publishing summit earlier this month, but the Association has helpfully uploaded some coverage from the event.

This includes a video published today from a session that looked at a range of topical issues at the moment: “hack gate, public interest, privacy vs openness, the PCC and press regulation”. Speakers from Heat, Digital Spy, Lewis Silkin and Mumsnet joined the panel which was chaired by BBC technology correspondent Rory Cellan-Jones.

Particularly interesting parts of the discussion include a need to address the issue of press regulation across different platforms by news publishers and the issue of online anonymity, especially topical given the Joint Committee’s recent report on the Draft Defamation Bill.

Last week AOP also posted an article by Cait O’Riordan, Head of Product, BBC Sport and London 2012, in a follow up to her keynote presentation on how the BBC Online is preparing to cover the Olympics next year.

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Government launches ‘virtual media centre’ for 2012 London Olympics

The government has launched the first few web-pages which will in time form its online media centre for the 2012 Games, giving the press a “single point of access for all government-related news stories”.

Content offered on the pages will include background information, logistics information and an image library. In a press release, culture secretary Jeremy Hunt, who has responsibility for the Games, said:

With London 2012 set to be the biggest media event in history, the UK Government is doing all it can to ensure the world’s media have everything they need.

Delivering an outstanding Olympic Games is not just about building world class facilities and infrastructure; it’s also about making sure the media can bring the sporting, cultural and human interest stories to homes across the world as quickly as possible.

These pages, plus the Government Olympic Communication Media Centre next year, will play crucial parts in making this Games the easiest to access for the media and their audiences. Between now and the start of the Games we will continue to work with media partners to ensure we’re doing all we can to meet their needs.”

The pages went live yesterday (24 October) and journalists can now sign-up and subscribe to the news alerts at www.culture.gov.uk/2012newsroom.

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Tool of the week for journalists – Error Level Analysis, to test if a photo is a hoax

Tool of the week: Error Level Analysis

What is it? A free tool to allow you to test whether or not an image has been digitally manipulated in programmes such as Adobe Photoshop. Paste the URL of a photo and Error Level Analysis will return results in an instant. The tool tests how many times an image has been manipulated and re-saved.

How is it of use to journalists? Journalists frequently have to verify images and work out whether they have been manipulated. It may be to test whether an image from a press release has been altered, or from social media sources using Twitter and Facebook.

Take the case of a journalist’s quest to find the man behind the world’s most expensive everything. Stewart Campbell, the deputy editor of Motor Boat and Yachting, set out to prove that a press release claiming the launch of a £3 billion golden superyacht was a fake. Campbell’s keen eye led him to the original photo, which he could prove had been doctored. Error Level Analysis would have demonstrated the level of digital manipulation, which you can see by clicking here.

The Error Level Analysis site clearly explains how the tool works – and comes with a word of warning about interpreting the results:

It works by resaving an image at a known quality, and comparing that to the original image. As a jpeg image is resaved over and over again, its image quality decreases. When we resave an image and compare it to the original, we can guess just how many times the image has been resaved. If an image has not been manipulated, all parts of the image should have been saved an equal amount of times. If parts of the image are from different source files, they may have been saved a number of different times, and thus they will stand out as a different colour in the ELA test.

It is worth noting that edges and areas red in colour are often depicted as brighter in the ELA tests. This due to the way the photos are saved by various programs. It is not proof that image was manipulated.

If you are unsure how to interpret the results, please do not claim the results of this tool as proof of anything.

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Media release: AFP Foundation to donate 25 laptops to journalists

The AFP Foundation will give away 25 laptops to journalists in developing countries or working in exile in a collaboration with Reporters Without Borders (RSF).

In a press release French news agency AFP said the computers will go to journalists “facing particular hardship”. They will be given to RSF on Friday.

Jean-François Julliard, secretary general of RSF added:

We are grateful to the Foundation for its contribution to press freedom. Computers represent independent information which can be passed on and shared. We thank AFP for its support.

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Cuttings.me, a new portfolio platform for freelance journalists

When freelance journalist Nicholas Holmes wanted to upload and share examples of his work could not find the ideal platform – so he built one.

Cuttings.me, which was launched earlier this month, allows freelancers, journalists and trainees to create an online portfolio with a simple, clean and effective layout.

You get your own URL (cuttings.me/nicholasholmes, for example), can upload your own background image and select from a couple of different layouts. Holmes promises more customisation options will be available in the near future.

It takes just a few minutes to create a portfolio, complete with biography and links to your blog, Twitter, Facebook and LinkedIn accounts, and then you can start bringing in your cuttings by adding links or uploading PDFs.

You can see examples of journalists’ Cuttings.me profiles at cuttings.me/simonrobinson and cuttings.me/momtaz.

There is currently no index of users so although profiles are technically not private, no one will see your page unless they have the URL.

“It’s possible that in the future I will introduce a feature where I can browse other people’s profiles,” Holmes said, explaining that he would inform users before making changes.

Holmes, who is British but lives in Switzerland, is tourism editor at France-based leisure newswire AFP/Relaxnews “and a bit of a geek on the side”.

“As well as doing my day job for the newswire I am also pitching for freelance stuff,” he told Journalism.co.uk.

What I found is that I was always having to send different URL’s in emails. It all got a bit messy when I was trying to remember the best bits that I had done and found I had the need for a single place to put all of this stuff and wanted the ability to direct people to that single page.

There are lots of resources online where you can hook up your Twitter feed, your Facebook URL and your LinkedIn URL but there was nothing specifically designed for journalists and so I thought I’d have a bash at developing it.

Cuttings.me is now in public beta and Holmes is looking for feedback, which you can give by tweeting @cuttingsme.

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#Tip of the day from Journalism.co.uk – avoiding common video storytelling mistakes

Multimedia journalist and video journalism lecturer Adam Westbrook has pulled together a list of what he views as common mistakes made in video production, and also offers his tips for how to avoid them. Mistakes include not prioritising audio and producing video based on television for the internet, rather than exploiting the opportunities online.

Read his post in full here.

Tipster: Rachel McAthy

If you have a tip you would like to submit to us at Journalism.co.uk email us using this link – we will pay a fiver for the best ones published.

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