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#Tip of the day from Journalism.co.uk – starting out as a freelance foreign correspondent

June 6th, 2011 | No Comments | Posted by in Top tips for journalists

Foreign correspondent Graham Holliday, who runs the Kigali Wire newswire, pulled together this presentation for the Frontline Club, about how to set up as a freelance foreign correspondent, as well as links to technical resources which helped him set up his site. Tipster: Rachel McAthy.

To submit a tip to Journalism.co.uk, use this link – we will pay a fiver for the best ones published.

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Rowan Williams to guest edit New Statesman

June 6th, 2011 | No Comments | Posted by in Magazines, Politics

The Archbishop of Canterbury, Dr Rowan Williams is guest editor of this week’s New Statesman.

The edition, which focuses on David Cameron’s “big society” policy, features contributions from Philip Pullman, A S Byatt, Gordon Brown, and Richard Curtis, as well as analysis and commentary from the Chief Rabbi, Jonathan Sacks, Maurice Glasman and Iain Duncan Smith.

Willliams’ guest editorship has also resulted in a focus on faith: Pullman, author of the His Dark Materials trilogy, explains why he is a “Church of England atheist” and author Terry Eagleton writes about secularism. There are contributions from two vicars as well as actor Tom Hollander, who plays a vicar in television series Rev.

Film director Richard Curtis writes about the scourge of malaria; and poker player and columnist Victoria Coren addresses “the vexed question of faith versus poker”. Novelist Byatt contributes a short story written especially for the edition.

New Statesman editor Jason Cowley said: “I have long admired Rowan Williams as a thinker and public intellectual. His previous contributions to the magazine under my editorship have been both thoughtful and thought-provoking. We agreed that he would guest-edit the magazine over lunch at Lambeth Palace in January; we have been working on the issue ever since.

“Although the New Statesman is a secular magazine, we recognise Dr Williams’s contribution to public and political debate, and this is an important intervention from him. I’m delighted with the issue.”

Williams said: “This is not a platform for the establishment to explain itself – any more than the New Statesman ever is. The hope is that it may be possible to spark some livelier debate about where we are going, perhaps even to discover what the left’s big idea currently is.”

Williams is the magazine’s fifth guest editor, following Alastair Campbell, Ken Livingstone, Melvyn Bragg and Jemima Khan.

Image by Steve Punter on Flickr. Some rights reserved.

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#followjourn @billneelyitv – Bill Neely/journalist

June 6th, 2011 | No Comments | Posted by in Recommended journalists

Who? Bill Neely

Where? Bill is international editor for ITV News. He won the BAFTA Award for news coverage for the Cumbria murders and was named Broadcast Journalist of the Year at the London Press Club Awards.

Twitter? @billneelyitv

Just as we like to supply you with fresh and innovative tips every day, we’re recommending journalists to follow online too. They might be from any sector of the industry: please send suggestions (you can nominate yourself) to sarah.booker at journalism.co.uk; or to @journalismnews.

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#jpod: The top news stories from Journalism.co.uk, 3 June 2011

June 3rd, 2011 | No Comments | Posted by in Journalism, Podcast

Listen below for this week’s news round-up from Journalism.co.uk’s news reporter Joel Gunter and sign up to our iTunes podcast feed for future audio.

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The top 10 most-read stories on Journalism.co.uk, 28 May-3 June

June 3rd, 2011 | No Comments | Posted by in About us, Journalism

The top 10 most-read news stories and blog posts this week on Journalism.co.uk were:

1. Julian Assange wins Martha Gellhorn Prize for Journalism

2. Mail Online expected to become world’s most popular news website

3. Twitter’s new ‘follow’ button encourages readers to follow reporters

4. How the five journalists with the greatest online influence use social media

5. Five great journalist portfolio and CV websites

6. Bureau of Investigative Journalism to launch new blog later this year

7. #newsrw: Heather Brooke – ‘How do any journalists in the UK do their job?’

8. Visualisation shows the topics New York Times journalists are writing about

9. How newspapers can use Facebook more effectively

10. Complaint against i newspaper for ‘misleading’ claim of no celebrity gossip upheld

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Twitter photo sharing service Zuu.li to pay citizen photographers

Citizen journalism agency Citizenside has launched Zuu.li, a photo sharing service that offers those who take a newsworthy photograph to be paid a minimum of 50 per cent in commission.

“Conventional image-sharing services don’t give photographers a fair deal,” said Citizenside editor-in-chief Philip Trippenbach. “If you take a photo and share it through a conventional sharing site, you could see that picture published around the world, and not get a cent in fees or even a named credit.”

After a citizen photographer (if we can call them that) uploads a photo to Zuu.li and ticks a box saying “scoop”, the Citizenside newsdesk, which is based in Paris, monitors the feed and seeks to license any newsworthy pictures.

Citizenside carries out picture verification to ensure a photograph of an exploding volcano, crashed plane or train on fire is authentic. The agency then tries to sell the photographs on, including to the agency AFP, which it has a relationship with. Trippenbach told Journalism.co.uk they are working on ways to improve the speed and process of verification and hoping to use the community.

The citizen photographer is paid 65 per cent of the money Citizenside sells the picture for if it is published in the same country where the picture was taken; the photographer gets 50 per cent if it appears in a different country.

Philip Trippenbach on Zuu.li by Sarah Marshall

Trippenbach told Journalism.co.uk that Citizenside will “fight to get credits” for photographers so they are named by news outlets publishing their newsworthy photos.

We cannot be responsible for the publishing practices of newspapers or websites that we have no control over. However, credits are very, very important and it is our objective to make sure every picture that is published will have a named credit.

Zuu.li was due to be launched later this year but bosses decided to bring the beta launch forward after Twitpic, a photo sharing service, changed its terms and conditions resulting in some users believing Twitpic could sell on users’ photos without crediting or paying royalties to the person who took the picture. That took place shortly after Twitpic signed a deal with entertainment news agency WENN. Twitpic responded by apologising for any confusion and seeking to limit the damage to its brand by assuring users that the photographer always retains the copyright.

Android and iPhone apps are planned for Zuu.li, which will be launched after version two of Citizenside’s app, which will include a photo request service from editors looking for citizen journalists to provide specific photos.

Zuu.li launched on the same day as Twitter announced its photo sharing service. Trippenbach said it offers something different. “The thing that sets us a side is that we’re dedicated to a community of people who want to share images in a fair way,” he said.

“You take personal pictures and if you share them with your friends and contacts, you should be able to trust that they should stay personal. If you do want to see where they can go, see if they can get published and get paid for them then you should deal with the experts and Citizenside are the experts,” he said.

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Beet.tv: BBC apps received more than 10 million downloads

June 3rd, 2011 | 1 Comment | Posted by in Broadcasting, Editors' pick

In this interview with Beet.tv digital director of BBC Worldwide Daniel Heaf talks about how the iPad has “truly become the fourth screen”.

He says that session time on the device matches the time spent with traditional media such as periodicals and television.

According to Heaf the BBC has had more than 10 million downloads worldwide of its apps for the iPad and other devices.

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#Tip of the day from Journalism.co.uk – Creative Commons on YouTube

Following on from yesterday’s tip of the day, which looked at using YouTube’s in-house video editing tool, today’s tip is about accessing creative commons content through the video site.

We often use Creative Commons images on our site, and there is a lot of video under a CC license out there too. It’s often difficult to find exactly what you’re looking for under CC, but the library of content is growing and it’s a valuable resource.

The new CC tab on YouTube allows you to easily search for and attribute content, as well as marking your own content with a CC license.

See more on the YouTube blog at this link.

Tipster: Joel Gunter.

To submit a tip to Journalism.co.uk, use this link – we will pay a fiver for the best ones published.

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Five great journalist portfolio and CV websites

Whether you are a journalism student about to graduate, a freelance reporter or a journalist who recognises the important of an online presence, you have no doubt considered an online CV (or resumé) and portfolio of your work.

Before you start, make sure your LinkedIn profile is up-to-date, consider a profile on about.me and sign up to add your articles to Journalisted.

Another thing to bear in mind is the Marmite of CVs, the infographic CV. If you decide to go down this route tread very, very carefully as the comments on this infographic CV suggest most hate rather than love this visual but busy and often confusing style of CV.

Here are five great examples to inspire you to create your own:

1. Freelance journalist Josephine Moulds offers this fine example an online portfolio. Moulds has opted for a simple, easy to navigate site with her articles organised into five categories that reflect her specialisms. All information is included on the home page and she uses the logos of sites and newspapers, such as the Telegraph, the Times and the Guardian, which helps the reader. She includes a photograph of herself, and links to her Journalisted profile and CV.

Moulds told Journalism.co.uk creating a site has paid off:

I didn’t realise how much I needed a website until I got one. Before, I had to paste a series of links at the bottom of pitches to editors, and was probably lucky if they visited one. This way, I get to send them one link to a page that shows at least four stories, a brief biography, and a photo, which is handy if you want them to remember you from a meeting.

It is part of my email signature and on my Twitter page. I’m always surprised by how many people click through from emails and later comment on it.

Moulds’ profile uses WordPress so she can easily update it whenever she has an article published. The template was created by Matthew Taylor, who creates portfolio sites for journalists, as Moulds explains:

It’s custom-made for journalists so it’s easy to put up new articles, and the logos appear automatically. I’ve got about 80 articles up there and it probably took a couple of hours to find them online and paste them in.

2. BBC freelancer and co-founder of Not on the Wires Alex Wood also uses WordPress as the CMS for his portfolio site. Wood has web design experience and opted for a paid for template costing around $30 “that I pretty much gutted”.

Wood has put a great deal of effort into thinking about branding and fonts. His site design is consistent with his Twitter page.

Wood created the one-page CV in Adobe Illustrator, which he has uploaded and embedded using Scribd. It uses HTML5, which means it is both indexed by Google and easy to copy and paste if commissioning editors want to save a copy.

“I made a lot of effort to make the CV match the branding of the website,” he said. The inclusion of Skills Cloud works to great effect as “so many of us are multi-skilled it’s helpful for people to be able to see at a glance”.

Wood’s advice is to keep an online profile focused towards Journalism and to be “up front” on the landing page and transparent. He said he is aware that freelancers and recent graduates often have many skills but he found having one all encompassing site worked against him. Wood previously used his Alex Wood Creates site as his portfolio but found editors were confused as to whether he was a journalist or web designer.

I pitch stories to editors and they have very little time to check the site. Be very careful with how people perceive you.

3. Freelance journalist Ciara Leeming also uses WordPress for her site, allowing her to easily update content. She has divided her work into multimedia, print and photos and its simplicity is its strength.

Leeming explained her previous site did not have a CMS, which was a source of frustration:

So I approached a former colleague Chris Horkan, who now runs OH Digital (he was our digital editor when I worked on the North West Enquirer, which went into administration, pushing me into freelancing), to see if he could sort me out.

I told them exactly what I needed to be added to the site, and they went away and thought about how to do it. They added a multimedia section to my site, changed the way the photo slideshows worked, imported my blog onto the site from Blogger and gave me a WordPress CMS, which they showed me how to use. The design of the site is the same as it was before – it just works much better for me now.

The effort and investment has paid off for Leeming.

I’ve had the site in its latest incarnation since January 2010 and it’s great. I really think it helps in terms of marketing.

I seem to do quite well on the SEO rankings. I get lots of hits from people who are simply interested in my content (my photos and multimedia of Appleby Horse Fair and of gypsies and travellers are drawing lots of people at the moment). I’ve created my business in such a way that I tend to work on a lot of self-initiated projects which I then sell on, rather than having editors approach me, but I think having a strong website gives me much more credibility when I pitch my ideas.

4. US journalist Tracy Boyer has this website that dates back to 2007.

She told Journalism.co.uk she wants to move to a WordPress site and away from Flash, as it cannot be displayed on Apple products, such as the iPad.

Don’t use Flash and the portfolio itself should be a CMS that is easy to update, such as WordPress and I suggest developing a portfolio in HTML5 and CSS5. My other piece of advice is to stay consistent with naming practices, as I was unable to do so and have noticed some confusion changing from tracynboyer.com to tracyboyer on Delicious, for example. Moreover, I am getting married this month so I also have to deal with changing my name and online identity to reflect my new name while not damaging the name recognition I have already built.

5. Fashion journalist Sarah-Jane Adams has opted for a different format in that she has designed this website (and it is more of a website than a portfolio) with a page-turning function.

As a magazine journalist she feels her choice of design helps and has had positive feedback and more than 100,000 hits.

She built the site herself using Photoshop and has been through various incarnations and designs, starting off with her own online magazine, which helped her build her name and brand. “Because I did it all myself I can add stories instantly,” she said.

Adams generates traffic and attention via social networking, particularly her public Facebook page, which has over 2,500 connections.

If you’re not good at web design then it’s worth investing in a good web designer as it will pay back, particularly in the fashion industry.

I don’t think I could manage without my website.

Five pieces of advice from the five journalists

1. Think about branding in terms of names and design and be consistent with your profiles, such as your name and identity on Twitter and Delicious;
2. Move towards HTML5 and away from Flash;
3. Use a CMS that allows you to easily update your portfolio, such as WordPress;
4. Keep it focused and sell yourself as a journalist;
5. Keep the design simple and clean and if you are not good at web design, invest in someone who is or use a standard template.

If you are building your own portfolio website then you will find this how to build a distinctive portfolio website with ease article useful.

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#followjourn: @iainoverton – Iain Overton/journalist

June 3rd, 2011 | No Comments | Posted by in Recommended journalists

Who? Iain Overton

Where? Iain is editor of the Bureau of Investigative Journalism. The bureau tweets its daily recommendations of the best examples of investigative journalism via @TBIJ

Twitter?@iainoverton.

Just as we like to supply you with fresh and innovative tips every day, we’re recommending journalists to follow online too. They might be from any sector of the industry: please send suggestions (you can nominate yourself) to sarah.booker at journalism.co.uk; or to @journalismnews.

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