Browse > Home / Archive: April 2011

#media140 – Impure visual data tool to tell the story

There has been a range of session formats at #media140, from in-depth keynote speeches and discussion roundtables, to more jam-packed workshops showcasing some of the latest tools in social technology.

Today I attended one of the latter, a session on visualising data by Spanish design house Bestiario.

While it was, in a way, a whirlwind tour of the company’s information processing platform Impure, delegates managed to get a great overview of what it can produce (on my part only with thanks to my translator!)

The focus of the session was not about the written story, but simply visualisation, telling the story with infographics using, in essence, a drag and drop technique.

Just today the Guardian published a visualisation by Bestiario looking at who the UK gives aid to and how it has changed.

For a more detailed explanation of how to use the tool you can visit the site itself, but in simple terms the platform enables journalists to create data visualisation projects.

Users can import data files (csv), convert into a table, pull out specific fields, create different data structures and also select from a range of visualisation formats, based on the data you’re working with.

The final visualisations are publicly published on Impure, and users can also embed the infographics on their own site.

At the moment the application is free to use, and the company says there will always be “an open version”, in order to build and maintain a community.

Tags: , , , ,

Similar posts:

#ijf11: Are paywalls incompatible with community engagement?

A member of the audience in this morning’s online community engagement session at #ijf11 asked the panelists this interesting question:

Are paywalls entirely incompatible with community engagement?

The general response from the panel was no, not necessarily. Justin Peters from the Columbia Journalism Review compared community engagement behind the paywall to a private members club:

At a private club, membership is restricted, so there are less people there, but you could say that they feel more connected to each other and to the club. The quality of the interactions and ties that are forged are stronger.

But, Peters added, “the bet is, does anyone want to join the club? Is it sustainable?”

Ed Walker, online communities editor at Media Wales, (pictured left) referred to Joanna Geary’s keynote speech at Journalism.co.uk’s most recent news:rewired conference, in which the Times’ communities editor talked up the value of having a smaller number of readers that the publisher knows more about, and who engage with the content in a more valuable way.

With Media Wales, Walker said that “it is better to have two really well informed comments than twenty that just say something like “I agree”.

How to approach comments formed the heart of the discussion during the session, with panelists addressing how publishers can drive comments on more complex or long-form content and whether good comments should be promoted somehow.

Walker said that the problem with users commenting on certain stories and not others was to do with confidence. He said that Media Wales had tried to address the issue by encouraging users to use recommend buttons as well as commenting.

We turned to recommend buttons, because people don’t have the confidence to comment on the large investigations or complicated stories. And when you look at the stories that have been recommended, compared with those that have comments, they are often very different.

Walker also described how Media Wales often take the best comments and publish them in the next days newspaper, often alongside a related article, as a way of encouraging print readers to become more involved online.

In terms of publishers attempting to promote and reward good quality comments, the Huffington Post’s Josh Young said that the site encouraged its quality commenters by offering badges for a history of good contributions, but he stressed that it was essential for news sites not to shut out comment threads that became off-topic conversations.

Its great that people are talking on your website instead of in their living room, you should be proud of that. If you can restructure, rearchitect your site so that poeple can have conversations like they have in cafes and in their living rooms, you have really succeeded.

Young added that the Huffington Post had experimented with two ways of promoting quality comments on the site:

You can absolutely find ways to elevate the most enlightened comments. At the Huffington Post we had two ways of doing this, one was an editorial way in which the writers indicated which comments were good, then readers would get a little badge that indicated they had a history of good comments in politics, for example.

The other way was a machine learning engine. We took a thousand comments and entered looked for statistical tendencies about what makes a great comment and what doesn’t. It doesn’t work perfectly but it works beetter and better as we continue to improve it.

Paola Bonomo, head of online services at Vodafone Italia, said that she thought that using technology to improve the quality of comments was a good thing, but echoed that a balance was needed between rewarding quality comments and heavy moderation, which just discourages people across the board, she said.

Ed Walker took part in a similar session at Journalism.co.uk most recent news:rewired conference. You can see video from the session here: news:rewired video: Building an online community from scratch

See the full agenda for Journalism.co.uk’s upcoming news:rewired at this link.

Tags: , , , ,

Similar posts:

#media140 #jpod – Day one round-up with speaker interviews

April 14th, 2011 | 2 Comments | Posted by in Events, Podcast

Journalism.co.uk has been attending media140 in Barcelona this week.

Senior reporter Rachel McAthy runs through the main events of the first day in this podcast.

There are interviews with writer, musician and activist Pat Kane; El Pais journalist Joseba Elola on how the WikiLeaks cables were “something really good for journalism”; and with head of news for Amnesty International Rob Winder who talks about developments in reporting human rights news.

Tags: , , , , ,

Similar posts:

#Tip of the day from Journalism.co.uk – when to hyperlink

Over on the Online Journalism Review, Robert Niles looks at when to hyperlink within an online news story, which he says challenges the most experienced online writers. Tipster: Sarah Marshall.

To submit a tip to Journalism.co.uk, use this link – we will pay a fiver for the best ones published.

Tags: , , ,

Similar posts:

#media140 – Choice of multiple business models as traditional press ‘dies off’

April 14th, 2011 | No Comments | Posted by in Business, Events

Throughout media140 so far, when it has come to a discussion of business models for journalism, most speakers seem to be in agreement that there is no single solution, rather the path is multi-directional and a mix is best.

Yesterday Pat Kane discussed the main two pathways which appear to be being taken at the moment, the open web versus the paid content model, but he said a mixed model may be best.

Similarly Jay Rosen, when asked by Kane at the end of the professor’s keynote later in the day about revenues, also said there is no one single model.

At today’s first session, Ismael Nafria, director of digital contents at La Vanguardia, spoke along the same lines, although also indicated a commitment to a foundation of advertising in the press.

He said 90 per cent of income comes from advertising.

Despite this difficult situation, there is a business model for information, it is one that has existed for many decades now and is still possible.

Working in online information, after having tried and experimented on many occasions for me it is quite clear what the business model should be … in general terms information depends on advertising.

You have to have media open as possible reaching out to the widest audience as possible … we cannot all hope for the same rating, there are different battlefields, so to speak, so in your own niche you need to aspire to reach the highest-quality product so advertisers will invest.

On top of that – as advertising is the foundation upon which we should all organise our models – we need additional elements, such as payment or subscription.

This is not the solution, at least by itself, it is an additional element, revenue source, but we need to complement it with others.

He added for this to work, publishers need to fully understand the internet as a medium, and how it differs from other existing mediums.

There are all types of consequences of how you create information, how you reach out to audiences, what are the professional profiles that you need to offer that message to your audience.

If you don’t understand that many users come through browsers, so it is very important for browsers to find you, if you don’t understand the internet is a multimedia environment, so your content should not only be textual but have multimedia and interactive elements, this information fits better in the internet environment.

It’s the only way to have a competent product. As long as you are able to offer your internet product in the way that the internet demands it, it’s not a problem.

In order to achieve this content and commercial teams should be working “hand in hand” he added.

“They are part of the very business we’re working for. It’s not always the case and it’s not always easy. Whoever is neglecting it is making a big mistake,” he said.

I don’t believe that our job is coming to an end, its the opposite.

The more info available in the world the more necessary are these figures that can help us as citizens to process and digest all that information.

Similarly fellow speaker Carles Capdevila, who is director of daily title ARA, which offers a premium part of its content via a sign-up, while the rest of its content remains open online, said the title is in the process of looking for a multi-platform business model.

We are learning by doing, we created a business, we are trying to look for the right model and we’re doing that live, everyday.

We know the traditional press model is dying off and other models are popping up and we’re committed to choice. We aim for it to be sustainable, looking for different models at the same time.

He also went on to talk about the value of social media in the development of ARA’s business model and popularity. “We were created through the social media”, he said.

We explained every day who we were and what we wanted to do.

We began operating with a constant dialogue with users.

We’re so flexible as to modify what in the past was known as a market study, we have one every day … We are a newspaper that was created together with its users through social media, but it also goes through the newsagents, offers a supplement … I declare myself to be agnostic, or multi-agnostic to platforms.

I don’t let myself get carried away by anyone. We don’t believe in paper we just practice it. We practice our paper religion but its a temporary faith. We are believers in Facebook.

Online your market, your users, enter into a dialogue with you, so you have an opportunity to know what they’re thinking about. Is there any business for journalists online? Well I compare myself with doctors and teachers – thanks to internet and social media our customers wise up.

A doctor gives you medicine and you take it, maybe you were cured, maybe you died.

Now you go and say, ‘I think I have this because I looked it up on Google’. So are doctors going to disappear, no. We still go look for a doctor to make sure you’ve got it right. I need dialogue.

Tags: , , , , , , ,

Similar posts:

#media140 – El Pais writer Joseba Elola ‘witnessing history’ with WikiLeaks

“I’ve never lived something like that and I don’t think I will live something again like that,” – these are the words of El Pais staff writer Joseba Elola, reflecting on his work on the diplomatic cables released by WikiLeaks.

Speaking on a WikiLeaks roundtable discussion at #media140, Elola spoke about the journey from arranging to meet with Julian Assange for an interview, to helping El Pais join outlets such as the Guardian and Der Spiegel as a media partner of the whistleblower website in its release of more than 250,000 secret and confidential cables sent by US embassies around the world.

Three months after requesting an interview with WikiLeaks founder Julian Assange, the pair met, Elola told the conference.

He is a fascinating character, a brilliant person, extremely intelligent.

At the end of the interview I asked him if he had anything on Spain. Why don’t you include also a Spanish media as part of your launch, I asked him, why don’t you transfer your documents to El Pais, we will help.

He said let him mull it over. I came back to Madrid, I was excited and then quite an ordeal began.

You meet them, you see them, but then it takes a long, long while to get to see them.

I got an email from him three weeks afterwards and in the newsroom we were excited, finally that long-awaited email came asking for the specific number for the director.

I have never lived anything like it in my life, it was like witnessing history of the 21st century.

All of a sudden you get new information every day, day after day, it was a very exciting experience.

Speaking further with Journalism.co.uk he added that while he fears it will take “years before we manage to get another release of such relevant information”, he is “so happy to have been able to play a little role in that story”.

I hope we keep on being a reliable media for any platform; WikiLeaks, OpenLeaks, KanariLeaks, BrusselsLeaks or whatever.

I think the important thing is to keep your brand reliable to the public and I hope that the fact we were involved in Cablegate might raise some confidence in the people who leak information into the public, too.

I really think the media for years have been a little bit asleep and didn’t do their job properly, and I think WikiLeaks brought something really good for journalism and for society.

Tags: , , , , ,

Similar posts:

#Followjourn @substuff /journalist

April 14th, 2011 | No Comments | Posted by in Recommended journalists

Who? Cathy Relf, aka Substuff

Where? Cathy writes about news, journalism and grammar in her blog Rantings of a subeditor. She is a sub-editor at Which? magazine and also does shifts at the Sunday Times and the Guardian.

Twitter? @substuff

Just as we like to supply you with fresh and innovative tips every day, we’re recommending journalists to follow online too. They might be from any sector of the industry: please send suggestions (you can nominate yourself) to sarah.booker at journalism.co.uk; or to @journalismnews.

Tags: , ,

Similar posts:

#ijf11: Follow the International Festival of Journalism

April 14th, 2011 | No Comments | Posted by in Events, Journalism

For the next three days Journalism.co.uk will be at the International Festival of Journalism in Perugia, attempting to cover some of the many talks, panel sessions and workshops taking place at venues across the city.

Almost all of the sessions at IJF are in Italian, with frenetic English translation (which often summarises), so live blogging/tweeting is tough. But keep an eye out for the #ijf11 hashtag on Journalism.co.uk’s news and blog pages for coverage.

WiFi withstanding, I will also be using our live Twitter account: @journalism_live

See the full agenda at this link.

You can contact me via Twitter: @joelmgunter.

Tags: , , ,

Similar posts:

#media140 – Jay Rosen’s eight points of the ‘great horizontal’

Press critic, writer and professor of journalism at New York University, Jay Rosen, presented eight specific points within his presentation titled The Great Horizontal at #media140 today.

He described the ‘great horizontal’ as when people are connected across to other people as effectively as they are connected up to “big media”.

You can see each of his points Tweeted from his Twitter account which can be viewed here.

Tags: , ,

Similar posts:

Huff Po bloggers take legal action for back pay

The Guardian today reports a group of unpaid bloggers for the Huffington Post, unhappy with the money being made from the $315 million sale of the site to AOL, have filed a $105 million lawsuit for back pay.

According to the Guardian the action is being led by Jonathan Tasini, a writer and trade unionist, quoted as complaining that “people who create content … have to be compensated” for their efforts.

Discussing the action with Journalism.co.uk’s senior reporter Rachel McAthy at #media140 today was Pat Kane, who also blogs on the Huffington Post. Speaking following his keynote speech at the event he said he was “very skeptical” about the action.

I never regarded the Huffington Post space as a commercial space.

I think what’s more interesting is the extent to which the blog community keeps an eye on the Huffington Post and sees that its leveraging its investment in the right way.

Is it becoming an even stronger platform for citizen involvement, for raising voices, for providing an alternative to the mainstream media or is it becoming absorbed by the mainstream media, are there subjects that it just won’t cover now?

So to me the question is more about monitoring them as an enabling enterprise … And the extent to which they fail or trip up on that is the extent to which you don’t participate.

One of the things about the internet is the exodus and not participating is often some of the most effective action that could possibly happen. The sense that something has lost its bloom on the internet … is a real caution to people.

But as I say if one hears stories of the editorial breadth and integrity of the operation being constrained then that’s the point at which I wouldn’t write for it.

I’d rather test it out and practice than actually go down a route that says I’m doing this because I expect a return.

You participate in these things because you want to be part of a community and you want the freedom to express and then you also want to be part of a big conversation you weren’t part of before.

The extent to which you make an earning part of your portfolio is a different question, I’m not as anxious about that.

Tags: , , , ,

Similar posts:

© Mousetrap Media Ltd. Theme: modified version of Statement