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Photography campaign group launches new copyright proposals; ‘National Cultural Archive’ among plans

Earlier this year the stop43 campaign successfully campaigned against the introduction of Clause 43 in the Digital Economy Bill, arguing that the legislation would take away the rights of photographers and artists.

Campaigners, which included members of the Association of Photographers, the British Institute of Professional Photography, the British Press Photographers’ Association, Copyright Action, EPUK, the National Union of Journalists and Pro-Imaging, were worried that proposals to collect a fee for commercial use of works whose creator could not be identified (so-called “orphan works”) were in the interest of commercial publishers rather than the original producer.

They got their way, and Clause 43 was removed from the Bill, before it became an Act.

While Clause 43 may be dead, Stop43 isn’t and it has been developing a ‘New Thinking’ proposal, to take to the new coalition government.

Stop43 supporter and photographic consultant Pete Jenkins told Journalism.co.uk that parliament will again be looking at orphan works and copyright, after the summer. “[W]e need to ensure that they are working on the right models – that is models that are creator friendly rather than publisher friendly as witnessed in the past,” he said.

The campaign has now unveiled its new proposal, which lays out plans for “cultural use” of orphan works, “and for this cultural use to switch all other uses and users to “known” works, to stimulate cultural and economic activity to the benefit of everyone”.

To enable this we propose some changes to current copyright law and the establishment of a National Cultural Archive, which must be free to use.

The group will continue its efforts to replace “inequitable and unworkable proposals” in the failed Clause 43, says Paul Ellis, co-founder of Stop43, in the latest announcement. The New Thinking proposal, he believes, “should benefit everyone”.

The Conservatives promised in their manifesto to introduce an Intellectual Property Act and we would like our proposal to be incorporated into that Act.

Although our proposal concerns itself with photography we believe it could easily be extended to all media types to create a massive cultural and economic resource of immense value, and Stop43 is eager to work with creators active in other media to achieve this.

This proposal was first introduced at the 2nd National Photography Symposium at the beginning of May, and was received well, with almost unanimous support, says the group.

The proposal has three parts [PDF at this link]

Jenkins is optimistic that the new Conservative-Liberal Democrat government will listen. “[P]ersonally I am hopeful that we (photographers) will get a better response from the new government than we did with the old regime,” he said.

But there are challenges, Jenkins warns, citing the British Library’s recently announced partnership with DC Thompson’s brightsolid, as an example. Plans to digitise newspapers and make the British Newspaper archive available to the public for a fee, trouble him.

Whilst their initial efforts involve out of copyright material, if all goes to plan it will not be long before the partnership is digitising work which is in copyright. Although questions have been asked of the British Library as to the clearance of copyright they have refused to answer any of them.

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Independent: Are PR agencies forging the new journalism?

June 3rd, 2010 | 2 Comments | Posted by in Editors' pick, Journalism

PRs, who once had to go through the prism of journalism to convey their messages to a mass audience, are increasingly confident in circumventing traditional media altogether. In generating their own video and text-based digital content on behalf of clients, they are not only taking the bread from the table of a weakened advertising sector but encroaching onto the old territory of television and press companies.

The Independent’s Ian Burrell looks specifically at Edelman, the PR firm which has recently hired former BBC man Richard Sambrook and the Financial Times’ Stefan Stern, and suggests that the American-owned PR firm has a different strategy from other public relations agencies: it wants to take its clients’ messages directly to the consumer.

“The mantra is that every company has to be a media company in their own right, telling their own stories not just through websites but through branded entertainment, video, iPad and mobile applications,” says Sambrook in the Independent article. “Big companies are going directly to the consumer to engage them now, rather than through display or spot ads and the traditional means of trying to reach consumers. You can’t just be out there shouting at people about your brand, you’ve got to engage with them quite carefully, and the editorial skills that I can bring can help with that.”

Social media has given PR agencies an advantage over ad agencies in reaching the consumer, says the piece, but will PR fill the news void as traditional media continues to fragment? Or will audiences still need a third-party filter or endorsement?

Full story at this link…

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Photographer tracks down subjects from 30-year-old photos

June 3rd, 2010 | No Comments | Posted by in Editors' pick, Photography

From last week a nice story from Peterborough Today (and picked up elsewhere) about photographer Chris Porsz – nicknamed the ‘paramedic paparazzo’ because of his day job – who with the help of the local paper has tracked down some of the subjects of photos he took in the 1980s, finding out what had happened to the people in them and recreating the original pictures.

Full story at this link…

More pictures from Porsz are featured in this Mail Online article.

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Digital Strategy: Why Camden council is moving into hyperlocal websites

June 3rd, 2010 | 3 Comments | Posted by in Editors' pick, Local media

Thoughtful piece explaining why Camden Council, with the help of community media and communications project Talk About Local, is planning to launch some hyperlocal websites to give local residents “a voice online” and allow the council to encourage them to speak about issues in their communities, without necessarily controlling that conversation.

Talk About Local founder Will Perrin explains the work TAL is doing with Camden Council far more eloquently in this video. But it’s interesting to consider how such developments might affect the local media landscape, especially with many UK newspaper groups investing in ‘hyperlocal’ networks? Will there be resistance to such plans from local media, as has been the case with council-run newspapers; or is there a space for these websites alongside local news media, which as Perrin suggests will also cover civic issues and news?

Full post at this link…

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When interview subjects strike back…

June 3rd, 2010 | 1 Comment | Posted by in Editors' pick, Journalism

Two separate examples of how journalists can be challenged/brought to task by the subjects of their interviews post-publication:

1. Freelance journalist Kat Brown gives an account of how she believes her case study interview for a feature on depression in Stylist magazine was misreported.

2. The singer M.I.A. has posted audio clips on her website that she secretly recorded whilst being interviewed by the New York Times, challenging some of the statements and quotations attributed to her in the published piece.

As the New York Observer’s write-up of the M.I.A. story explains:

The duel between reporter and source has spooked the journalism world, reminding writers that, thanks to Twitter and Facebook and other online sources, they may no longer have the final word.

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#followjourn: @thisismattball/editor-in-chief

June 3rd, 2010 | No Comments | Posted by in Recommended journalists

#followjourn: Matt Ball

Who? Editor-in-chief of MSN UK.

Where? Ball oversees all that goes on over at MSN UK. He is a self-confessed fan of Wycombe Wanderers and ballroom dancing. He writes MSN’s Strictly Come Dancing blog.

Contact? @thisismattball

Just as we like to supply you with fresh and innovative tips every day, we’re recommending journalists to follow online too. They might be from any sector of the industry: please send suggestions (you can nominate yourself) to judith or laura at journalism.co.uk; or to @journalismnews.

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#Tip of the day from Journalism.co.uk – using Google Wave for liveblogging

June 3rd, 2010 | No Comments | Posted by in Top tips for journalists

Liveblogging: ReadWriteWeb had a great guide on how to use Google Wave for liveblogged coverage of an event, having tested it themselves for some reporting – try it out. Tipster: Laura Oliver.

To submit a tip to Journalism.co.uk, use this link – we will pay a fiver for the best ones published.

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AP updates Stylebook with social media guidelines

The Associated Press (AP) has updated its Stylebook to include 42 new entries under a special social media section. The new edition of the style guide, which is widely used in the US and internationally, has changed its recommendation for “web site” to “website” and now includes terms such as “app”,” blogs”, “click-throughs”, “friend” and “unfriend”, “metadata”, “RSS”, “search engine optimisation”, “smart phone”, trending, widget and wiki. (Not all necessarily in keeping with the Journalism.co.uk house style…)

The new Stylebook also includes advice for journalists using social media for their work, in particular tips on how to use Twitter and Facebook effectively.

Full release at this link…

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‘Keep your cool, but lose it if you must’: Jon Snow’s advice for journalists

June 2nd, 2010 | No Comments | Posted by in Events

Jon Snow has presented Channel 4 News for 21 years.He has worked in television news for more than three decades, always at ITN, but he is also the Visiting Professor of Broadcast Journalism at Coventry University.

What he does not know about making TV news and Current Affairs probably is not worth knowing and late last week, Snow passed on the wisdom of his years to young wannabe hacks at Coventry University.

Five golden pieces of advice from the master:

1. Stay sober: a lesson he learned in his early days at ITN then awash, in his view, with alcohol.

The truth is you had to be pissed to get on in television. People drank vast quantities whilst they were working. We had a bar inside the studios and people would put out the lunchtime news and go and have a few pints and then go back to work completely squiffy.

His road to Damascus came one day when after the early evening news, the editor at the time and next most senior person invited him for a drink:

I went across the road to the wine bar, sat down with them and after about an hour, realising I still had to do a piece for News at 10, there were six empty wine bottles on the table and only three of us, so I realised I must have drunk at least one-and-a-half of them. I was now squiffy in any case. After a time I wanted to go to loo, so I went downstairs to the gents and I was unsteady on my feet and lurched into the cistern. It detached itself from the wall and crashed into the throne and then exploded in an eruption of water cascading everywhere. I made a very fast retreat, shut the door, saw the water pouring out underneath. I saw these two guys sitting there and thought ‘they’re going to drown’ and I said ‘chaps, got to get back and get my piece on for news at 10′. I sat there watching out of the window thinking this was the end of my career.

It wasn’t. Snow has not really drunk on the job since.

2. Keep it simple: Jon explained how he had appreciated reporting from Haiti after the earthquake had struck in January, because it went back to his roots – finding stories and telling them, simply, to viewers using all original footage and through this simplicity touching the hearts of millions. He pointed to the fact that £100 million was given by the British public to Haiti Relief partly as a result of the messages from broadcasters. Snow is planning to return soon to Haiti to follow up on the stories.

3. Expect the unexpected: Tuesday 11 May was a moment of “complete magic” for Snow, as Channel 4 News went live outside Downing Street to broadcast the resignation of Gordon Brown.

At 18 minutes past seven the car comes out and we have no idea where things are going. Normally the great thing about anchoring any programme is that you’ve got this thing [an earpiece], the lifeline, the umbilical chord to the producer, and they’re saying, ‘Jon he’s going to the Palace’. But they didn’t – I was hearing nothing but silence. I suddenly realised I was on a one-to-one adventure with the viewer. The viewer and I were equally ignorant about what was going to go on; it was a sublime moment of total equality when we were both peering at this helicopter image and the car was turning right and turning left.

4. Have a point, but keep away from pressure: Snow said that TV had made the 2010 election with the Prime Ministerial debates dominating the agenda and the tabloid press having to follow that. The Murdoch-owned press fared especially badly, he said: “The tabloid press had a terrible, terrible election. They got it seriously wrong. Murdoch was beaten, in a fantastic moment in history Murdoch, decided to try and elect David Cameron and the Sun went out to bat for him. We now have the first government for a long time not elected with Rupert Murdoch’s support.”

Then when questioned about the success of Channel 4′s comedy election night coverage and what that says about the British public, Snow said: “It tells you that people are real who necessarily wants to watch drab results with people as old as the ark coming out and saying ‘bark, bark’.”

5. Keep your cool, but lose it if you must: Snow was very sympathetic to Sky News Political editor Adam Boulton about his outburst on air to Alastair Campbell on 10 May.

It’s no good asking, ‘should anybody have lost anything?’ He lost it, so what? Good God, the world would be duller place if people didn’t lose it (…) what’s misconduct? If he’s guilty of it I’ll have to go to the hang man’s noose.

Snow said he saw Boulton’s outburst as a possible result of pressures building up on Boulton and Sky News to move along the road to a more Fox News’ style approach.

Simple, to the point, straightforward – but that’s Jon Snow for you.

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International Press Institute: Israel releases some journalists; others remain in detention

The International Press Institute (IPI) has an update on the journalists detained after the Israeli seizure of activists aboard the Gaza flotilla:

Israel on Wednesday deported hundreds of activists, and a number of foreign journalists, who had been detained after a Gaza-bound flotilla they were aboard was stormed on Tuesday in an operation that left nine people dead. However, several journalists remained in custody at 15:30 CET.

Full story at this link…

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