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David Steele: ‘How the Baltimore Sun fired me’

David Steele, a sports columnist, formerly of the Baltimore Sun and the San Francisco Chronicle, describes being laid off on three occasions: at 21, 26 and most recently, at 44 years old. The latter two took place in the same location…

“To answer your question: yes, it felt just as bad as you imagine it would. To answer another of your questions: no, I have no real desire to visit the press box at an Orioles game any time soon. Next time, maybe I’ll be told that they’re foreclosing on my house during the seventh-inning stretch.”

Full post at this link…

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Nadim Hasbani: Arab audiences are not watching western-owned news stations

Nadim Hasbani, writing at the Huffington Post, looks at the ‘the widespread failure of western-owned Arabic TV channels to establish themselves as credible news sources with Middle Eastern audiences living under dictatorship regimes,’ in light of Obama’s decision to speak to the Arab world on Al Arabiya, a Dubai-based news channel. Hasbani writes:

“Arabs are watching news and entertainment programmes from Arabic satellite channels like Al Jazeera, Al Arabiya, MBC, and LBC. But they are not watching the news stations western governments are funding to the tune of hundreds of millions of dollars a year: BBC Arabic, the American Al Hurra, France 24 Arabic, and Deutsche Welle Arabia.”

Full post at this link…

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Charlie Beckett: ‘Who is responsible for the risks taken by citizen journalists?’

“Who is responsible for the risks taken by citizen journalists who become ‘accidental’ reporters in dangerous situations?” Charlie Beckett is prompted to ask, after a question raised during his talk to a group of students from the London School of Economics.

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paidContent:UK: Sun’s page 3 girls too ‘obscene’ for Apple newspaper app

paidContent:UK reports: “Just as newspapers were looking to attract new mobile readers, Apple has rejected the first version of Newspaper(s), an iPhone app that let users read the content of over 50 newspapers around the world, including the New York Times, France’s Le Monde, and the UK’s tabloid the Sun. Apple rejected the app on the grounds that The Sun, with its topless Page 3 Girls, was ‘obscene’.

Full story at this link…

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Columbia Journalism Review: Identity crisis at the Wall Street Journal?

Liza Featherstone takes a look at working relationships and attitudes at the Wall Street Journal, since it was sold to Rupert Murdoch in 2007, for the Columbia Journalism Review.

“At the Journal’s offices in lower Manhattan, just about everyone is grateful that the new owner has deep pockets and is willing to invest in reporting – both rare commodities in the industry these days. Yet there are reasons to fear that in the midst of a global financial crisis, arguably the biggest test a business newspaper could face, with greater demand for high-quality journalism on finance and the economy than at anytime in decades, the Journal is abandoning values that have long distinguished it: a commitment to deep reporting and elegant writing.”

Full post at this link…

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FIPP 09: Downturn is the conference buzzword – but is the mag industry facing up to it?

May 6th, 2009 | No Comments | Posted by in Events, Magazines

Yesterday at the FIPP World Magazine Conference, William Kerr, board chairman at Meredith Group suggested that ‘being 12 per cent down is the new up’.

The wider economic downturn and the gap between online and traditional offline advertising revenues in the magazine industry have been referred to in every panel I’ve attended so far (though more often than not it’s referred to as ‘challenging times’). But has the mag industry faced facts?

Dylan Jones, editor of GQ, doesn’t seem to think so:

“When we come out of this recession many industries will be the same, but the mass market motor industry and the newspaper industry will be changed forever,” Jones told delegates.

“There are many people in the magazine industry who think it won’t effect them, but we could equally be having these conversations in two or three years time about the magazine industry.”

There will be more cost-cutting, in particular staff reductions, as the industry realises the impact, he added. (GQ’s publisher Conde Nast reportedly axed five per cent of its US magazine staff last October)

For other’s the downturn is a huge opportunity for innovation and restructuring. Google’s UK MD, Matt Brittin, predicted that the current climate would accelerate certain types of user behaviour online. For example, the use of search and free technologies to create their own content.

The challenge for publishers is to monitor these changes and respond to the consumers’ changing needs online – often by embracing new, free technologies themselves, but also by finding new ways to serve up their content that will be found through specific search queries, for instance, or relating to niche topics.

According to Brittin, opportunities exist – with Google’s help of course – within the ‘first downturn in a truly digital age’.

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FIPP 09: How magazines learned to love the web – Grazia and GQ discuss

May 6th, 2009 | No Comments | Posted by in Events, Magazines

Journalists at Grazia are experimenting with a host of real-time reporting tools and techniques, the magazine’s editor-in-chief explained at today’s FIPP World Magazine Congress.

Jane Bruton told delegates of her excitement that reporters were twittering live updates from fashion shows and filing web copy from events.

“We can talk to our readers on a minute-by-minute basis. We get instant feedback if we want to test out a story for our magazine – we can go online, we can go on Twitter,” said Bruton.

“Our fashion teams now – rather than sitting and taking notes – they’re Twittering from the front row, they’re running to the car, typing up instant web reports.

“The readers love it because they’re seeing everything through our eyes.”

Certain elements of the magazine are now web-first, for example, the pictures from the Style Hunter section, which attract hundreds of comments a week from readers.

“They [readers] feel involved, feel closer to the brand and feel closer to us as personalities. We’ve never been afraid of exposing the inner workings of the magazine,” said Bruton, who said the same exposure had been created offline when the magazine spent a week operating in a shopping centre.

“In the current climate the fact that people relate to our personalities and trust our brand is really crucial.”

For fellow panelist and GQ editor Dylan Jones, the key to online success is capturing the same luxury of the print magazine online, he said.

Being online has not changed the editorial stance of the magazine, which has remained central to the design of the website: “I think we’ve cracked it,” he added.

Read: BBC Good Food editorial director Gillian Carter on why the web hasn’t affected print sales.

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FIPP 09: E-readers and digital editions: what’s the future for magazines online?

May 6th, 2009 | No Comments | Posted by in Events, Magazines

Yesterday, the first panel at the 37th FIPP World Magazine Congress, which looked at the economic situation for the magazine market, had acknowledged e-readers as significant, but not as a direct threat and a show of hands from the audience indicated their limited uptake.

In fact, despite gloomy advertising revenue predictions, time was devoted to preserving and celebrating print, and pointing out that magazines did not necessarily face the same catastrophic fate as their newspaper counterparts. Much was made of the ‘feel’ of the printed product by several of the speakers, for instance.

But magazines are investing in digital editions – so what do they look like?

In yesterday’s session entitled ‘Digital Editions: Opportunity or Blind Alley?’ President (Europe and Latin America) of Zinio Global, Joan Solà, emphasised the importance of structural change, ‘a major change, moving from analogue into digital’: “If the publishing industry adopts the right measures to make structural change to industry, it will avoid getting caught in the middle of the ropes,” he said.

We’re moving from a system with a big ‘logistic cost,’ he said. “We all know that paper, printing and distribution has an impact, an environmental impact. In the US 35 million trees have to be cut down each year.”

We ‘move to a new scheme in which content can be delivered in new forms,’ Solà said.

Kevin Madden, publishing director for digital publishing at Dennis Publishing, is not convinced a digital product will replace the role of magazines:

“Ultimately the web is a dipping medium, but I don’t ascribe any loyalty to the sites I visit.”

Publishers should cater for this ‘dipping audience’, whilst also providing a ‘feast’ for those who want it, he said.

Managing director at Menzies Digital, Sarah Clegg outlined her vision for the digital product, in her case, as she has told Journalism.co.uk in the past – includes digital editions of 140 magazine titles, with a look to e-paper developments for the future.

“Slowly the tide is turning,” she began. “In a lot of cases we [the digital product] are still the outcast,” she said. But, she emphasised, ‘the media landscape has changed, and it’s changing at the rights of knots’.

‘How are you tapping into that child of today – who is reading electronic media?’ she asked, using as an example her 13 year old niece, who picks up a range of digital tools on a daily basis.

“We know consumer habits are changing, people are choosing when they want to consume and when they want to consume. Everybody is after their instant fix,” she said.

“These aren’t questions anymore: there’s a market to take advantage of,” she added.

“They present an opportunity, along with economic necessity. We must find a place in the digital publishing model – I don’t think we’ve had our day,” she said.

Clegg wants to see lower prices for the digital product and more cooperation from publishers. She was aggrieved she said, to discover that having negotiated a 25 per cent discount for digital subscriptions, the publisher had offered a 60 per cent reduction on the print edition.

Another annoyance is that on one of their publications, it takes eight clicks to get through to digital edition, she said.

“Publishers should adapt and cater for the consumer – it [the digital edition] is not for everyone but it’s for someone,” she said.

“I think we’re heading towards a golden era for publishing,” she added, optimistically.

Following Clegg, Mark Payton, digital editorial director for Haymarket Consumer Media, described how his company has a contract with Menzies Digital and he’s ‘very keen for it to work.’

Recent digital innovations at Haymarket include:

  • Autosport launched a tiny flash page turner, which received ten per cent of the site’s traffic during the weeks that it ran.

“I no longer have colleagues around talking about web 2.0 – it has become the web,” Payton said.

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FIPP 09: Lévy’s forecast gloomy but print magazines still important for luxury brands, says Gucci Group media director

May 6th, 2009 | 1 Comment | Posted by in Advertising, Events, Magazines

There aren’t enough ad dollars on the planet for everyone, Stevie Spring, chief executive of Future, said, in her opening remarks for yesterday’s session at the 37th FIPP World Magazine Congress that looked at ‘what advertisers want’.

Magazines are ‘all having to fight much much harder to grow our share of media spend,’ she added. So, she asked, just ‘what the hell’ did advertisers want from magazines?

Nikolas Talonpoika, worldwide media director for the Gucci Group said that he thinks online will see a decrease in advertising spend from the luxury sector.

Magazines are still the most important part of the Gucci Group’s print advertising spend, Talonpoika told delegates.

While acknowledging that this year is tough and ‘lots of titles will disappear this year, Talonpoika was optimistic for the role that print magazines will continue to play.

Unilever’s CMO, Simon Clift said that for his company the ‘lion’s share’ of advertising is in television, and only 13 per cent of its overall advertising budget is spent in print – but said the magazines accounted for 90 per cent of that print spend.

Clift said that his company – which, with its £41 billion turnover, is seeing three quarters of its growth in developing and emerging markets – is thinking about different ways to promote its products via print.

For example, one Greek newspaper was once printed entirely on aromatised paper for one particular washing product campaign.

Clift said that consumers were not beginning to ‘define the agenda’ and that Unilever was looking for new ways to promote brands via editorial or advertorial content.

Clift argued that these methods ‘can build integrity rather than compromise it,’ he argued. Joking that advertising was something editors have to put up with, he said advertisers don’t want to see a publication damaged by the advertising. ‘A successful parasite doesn’t kill its host,’ he quipped.

It was about creating interesting content, he said ‘whether it comes from an editor or an advertiser’ “When those things [editorial and advertising] are parallel it magnifies and develops our message,” he said.

Dove is the Unilever brand which is most advertised in magazines, and a product which is an example of a cross-media promotion: online, in magazines and on television.

In the previous session, Maurice Lévy, chairman and CEO of the Publicis Groupe, spoke of the world ‘the ad agencies have to live in now, where a couple of words on a search engine page is sometimes considered by our client as more effective than a wonderful TV spot.’

Newspapers and magazines could not expect to retain their share in the advertising market, despite analysts’ more optimistic predictions for 2011, he said.

“We have to change and we do change each day. You have to adapt yourself to this new world,” he said.

“It’s not yet time for obituaries,” he claimed. “I’m a little bit shocked when I see print media forever discussing their own death,”

“Please always remember the small guy in the digital world – Bill Gates. He repeated loud and clear ‘content is king’ (…) and you [the magazine industry] own it.’”

“Would you go as often on the internet, if you could not find newspapers and your favourite magazines online?” he asked. “I don’t think print media is dead, quite the contrary,” Lévy added.

“Think what semantic can do when combined with marketing. Now is time to innovate.”

“You have to look at this as an opportunity to leverage new opportunities with the strength of your brand and your audiences,” he said.

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Tip of the day from Journalism.co.uk – using Group Tweet to share ideas

Want to share tips with people who do the same job as you for different organisations? Try setting up a like-minded Twitter group with Group Tweet so you can send private messages to each other. Tipster: Judith Townend.

To submit a tip to Journalism.co.uk, use this link – we will pay a fiver for the best ones published.

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