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Jenni Murray: the white chihuahua, her love of Crocs, and a long-lost Barnsley accent

May 14th, 2009 | No Comments | Posted by in Broadcasting, Events, Journalism

The alternative highlights from Jenni Murray’s visit to Brighton yesterday evening:

(see the story on the Journalism.co.uk for the broadcasting-related quotes)

Murray, who turned 59 this week, and has presented BBC Radio 4 Woman’s Hour since 1987, read from her autobiography (‘Memoirs of a Not So Dutiful Daughter’) and answered questions from interviewer Simon Fanshawe and the audience for the Brighton Festival event.

Many of her anecdotes and references from the evening featured in this piece in the Brighton Argus, ahead of the event.

  • Her apology for her ‘dishevelled’ (she wasn’t) appearance, and dog-hair adorned outfit  – the result of a long car journey with her white chihuahua, Butch, on her lap. The chihuahua then sat on her publisher’s lap at the back of the theatre throughout the event.
  • The quick put-down to interviewer Simon Fanshawe when he mocked her Crocs (she swears by them): “I can change my shoes, you can never grow your hair.”
  • On her mother: Murray’s mother was quicker to criticise her daughter’s outfit than her abilities on TV. “I’d come off the programme [Newsnight] and the phone would ring. I’d say ‘what did you think of the interview with Norman Tebbit…’” Her mother would not have noticed the interview but say, ‘You know that red top you had on? You’ve quite high colour. Your eyes are your best feature, and your fringe is a bit long…’
  • On becoming her mother [at times]: “If I hadn’t pushed him [eldest son, Edward] to do the chemistry, the physics, the biology, he wouldn’t have made it [as a vet], would he?”
  • On her father: “No-one I have ever met has ever quite lived up to him.”
  • On elocution lessons: With a Barnsley accent ‘I wouldn’t have had a chance of being a broadcaster [at that time].’
  • On John Humphrys: “I taught him everything he knows. He had never done radio [before the Today programme].”
  • On not being a boy: “Really she [Murray's mother] would have been much happier if I had been a boy.” Murray’s mother told her: ‘until you were born you were David Robert’. When Murray’s first son was born, she says, the proud grandmother arrived at the house, scooped the baby up and exclaimed, ‘at last my boy!’
  • On her changed taste in fashion: As a teenager, “my eye make-up [was] like Dusty Springfield’s, but I did take it off [at night]; she [Springfield] didn’t – she confirmed that when I met her.”

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‘Breaking News’: a play by a company that’s not a company

May 14th, 2009 | No Comments | Posted by in Events, Journalism

“Breaking News might be documentary theatre. It might be more technically absorbing than (strictly speaking) poetically engaging or playful. It might, in truth be a very long way from Aeschylus. But Aeschylus was an inventor, a radical maker, two and a half thousand years ago, of a new thing called drama. In all their work, and most ambitiously to date in Breaking News, Rimini Protokoll have created live spectacles that are similarly new for the media-orientated 21st century.” (James Woodall, Breaking News programme, 2009)

A friend recently went on holiday and emailed another of our friends an update: she had redefined the trip as ‘educational visit’ and now was enjoying it much better.

I undertook a similar exercise at the theatre at the weekend: once I’d redefined ‘Breaking News’ as two hours (without an interval) of informative, rather than necessarily entertaining, activity, I was much more settled in my seat at the Theatre Royal in Brighton last Saturday.

Rimini Protokoll is the German company (‘the sort of outfit that probably could come only from Germany’), except they don’t call themselves a ‘company’, which produces Breaking News, their latest ‘documentary’ theatre endeavour – visiting Brighton for its UK premiere.

“[G]enerally, they use neither actors nor published texts; and because they do not really consider themselves a company. So what is left? What are they? What do they make?”

Good question from theatre critic, James Woodall, in his introductory notes in the programme. On this occasion, Rimini Protokoll have brought together eight international ‘news people’, all based in Germany, onto one stage, to live-interpret the news from their variously angled satellite dishes. The ninth contributor is an exception: Ray, from Ship Street in Brighton. Perhaps they found him in the Cricketers.

The company improvises in a ‘arrangement of stage spontaneity’ – and this is the first time it has been done in English – their reactions to, and interpretations of, the news on various international news channels that they consume at their individual televisions, or computer (in the Icelander’s case). Intermittently, they take turns to ascend a podium to read extracts from Aeschylus’ The Persions.

breakingnews

So, what did I learn from my educational excursion to the theatre? These are some of the nuggets gleaned:

  • Iceland likes a giggle during its news: The Icelanders take the end of the news bulletin ‘lollypop’ very seriously: for Saturday’s performance, we caught an item on the success of the Icelandic Symphony Orchestra’s Maximus the Musical Mouse. It’s very important that ‘you don’t leave your news audience depressed’, explains Simon Birgisson, who was once an investigative journalist for the DV newspaper. I was also tickled by Iceland’s TV channel history: its first ever station, Sjónvarpið, translated directly as ‘television’. Its second was called 2.
  • Al Jazeera has its critics: Djengizkhan Hasso, a Kurdish interpreter, and president of the Executive Committee of the Kurdish National Congress, criticised the channel for its emotive use of language in some of its reports. He also added that it would be very difficult to perform a play like Breaking News in an Arab country. Hasso’s performance was particularly memorable for the role-play of the time he met George Bush. He told the other actors what they had to say, and they solemnly repeated it back, so the audience got each segment of the conversation twice.
  • What counts as a high ‘alarm’ story for press agencies is very subjective. Andreas Osterhaus, a news editor at Agence France Presse (AFP) in Berlin said he raised such an alarm on the day of Benazir Bhutto’s assassination, but his colleagues thought he had acted a little hastily. Previous alerts included the Princess Diana car crash, the attacks on the World Trade Center in 2001, and the capture of Saddam Hussein.
  • We also learnt that Sushila Sharma-Haque, who watches various Indian and Pakistani, as well as German, news channels, goes to bed at 10pm promptly. She did just this on the night of the performance, making at an early exit from the stage at around 9.30pm. She did, however, pop back to take a bow.

Related links:

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Nieman Journalism Lab: Matthew Ingram on the WSJ’s social media policy

The Wall Street Journal’s rules of conduct were zipping around yesterday, inspiring comments from Jeff Jarvis, and others. Matthew Ingram, over at the Nieman Journalism Lab, agrees with Jarvis that the restrictions are too tight.

“Obviously, a newspaper doesn’t want to give away the store and tell everyone what stories it is working on, or tip its hand in a variety of other ways, and probably doesn’t want to go into detail about how certain stories emerged (especially if it was a fortuitous accident). But Jarvis is right that talking about stories that are under way can also have tremendous benefits,” Ingram writes.

Full post at this link…

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Mashable: NYTimes’ Twitter account hacked

“Another day, another high-profile Twitter (Twitter reviews) account gets hacked. This time, it’s one of (many) New York Times’ Twitter accounts, The Moment, which brings news from their fashion blog of the same name,” Mashable reports.

Full post at this link…

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YourRightToKnow: Heather Brooke responds to MP Alan Keen’s questions

Heather Brooke, journalist and Freedom of Information specialist, has picked up on the Hansard report from the committee session in April 2009 which heard evidence from Roy Greenslade and Nick Davies. MP Alan Keen used to opportunity to ask who exactly this Heather Brooke was.

From Hansard:

http://www.publications.parliament.uk/pa/cm200809/cmselect/cmcumeds/uc275-vi/uc27502.htm

Q484 Alan Keen: There is a woman who has frequently been on television and in the press who appears to me to be a campaigner for freedom of information, an American I think.

Mr Davies: Heather Brooke?

Q485 Alan Keen: Yes. Does she earn a living from this?

Mr Davies: She is a journalist. She is a specialist in freedom of information. I think she is actually British and she worked in America and used their Freedom of Information Act, came back to this country just as ours was about to come into force so wrote a book which is a guide.

Q486 Alan Keen: I have seen her being interviewed.

Mr Davies: You are wondering whether she has some vested interest.

Q487 Alan Keen: Yes, because I have seen her on television being interviewed.

Mr Greenslade: I know her quite well. She teaches the students at City. She is a single interest journalist in the old tradition of having one niche interest and following it to its logical conclusion. She lives, in monetary terms, on the margins.

Heather Brooke now responds:

“It was not without a chuckle at his chutzpah that I saw my detractor was the Member for Feltham & Heston, Alan Keen. With his wife, Ann, the couple are known as ‘Mr and Mrs Expenses’” … Full post at this link…

(via Jon Slattery)

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BBC News: Current TV journalists will face North Korea trial in June

The two US journalists arrested while working for Current TV, will face trial in North Korea on June 4, according to North Korea’s state-run KCNA news agency, the BBC reports.

Full story at this link…

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NISNews.nl: Netherlands media minister employs 60 ‘government journalists’

“Media minister Ronald Plasterk is making 60 young journalists government employees. They will work however for commercial daily newspapers,” reports NIS News.

Full story at this link…

(via EJC)

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David Cohn: Things learnt from 107 interviews

David Cohn, Spot.us founder, shares with us a list of interviews he’s done ‘either in person, over the phone or via email,’ from his time publishing content for BeatBlogging.org, Digidave.org, and NewsInnovation.com.

Full post at this link…

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Telegraph.co.uk: Peter Foster responding to China Daily’s claims

The Telegraph’s Peter Foster writes: “In an article headlined ‘Who is spinning the propaganda?’, Patrick Whiteley, an Australian columnist for the paper [China Daily], attacks The Telegraph for ‘constantly labeling’ Chinese government initiatives as propaganda.”

“This is factually incorrect,” Foster responds. “When The Telegraph writes about Chinese health reforms or its plans to green the economy, as I have on this blog and in the pages of the newspaper, the word ‘propaganda’ is nowhere to be found.”

Full story at this link…

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$15,500 minimum bid for HuffPo internship – a chance to ‘jumpstart your career in the blogosphere’

May 14th, 2009 | 1 Comment | Posted by in Editors' pick, Newspapers

You know how media companies get a hard time for how they treat the ‘workies’? Especially because most internships are unpaid – you might get expenses if you’re lucky. Well, Huffington Post has gone one step futher, by putting up an internship for charity auction – offering bidders the chance to ‘jumpstart their career in the blogosphere’. Ten bids had been placed at the time of writing; the last one was for $13,000. All proceeds go to the Robert F. Kennedy Center for Justice and Human Rights.

It reminds Journalism.co.uk of prizes offered in the the Independent’s annual charity auctions. In those, you bid to hang out with the Indy’s editors, correspondents and columnists (yes, people coughed up good money to hang out with the likes of Street-Porter, Emin and Kelner), and the lucky victors (a couple listed below) once got to spend a whole day at the office!

Mr Vogels was a lucky winner in 2003:

Lot 1: Hold the Front Page
Ever wondered how a daily newspaper gets put together? Come and see how it works from morning conference to the nail-biting deadline. Meet the staff and marvel at their cool professionalism, creative brilliance and unusual fashion sense.
Winning bid: £1,750, Frederik Vogels, London.

And Amar enjoyed a similar pleasure in 2005:

Lot 1: A Day at the Paper Ever wondered how a daily national newspaper gets put together? Come and see how it works for one exciting day, hearing the news agenda at morning conference, watching the tension build as the deadline hour approaches. Meet the glamorous staff and marvel at their camaraderie and coolness under pressure. Winning bid: amar, £2,251.11. (Last year’s winning bid: £1,101)

Any more examples? Add them below.

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